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Erik Winquist
Další spolupracovníciBorn January 2, 1975 (51 years)
Erik Winquist (born January 2, 1975) is an American-New Zealander visual effects supervisor. He is best known for his work on three prominent film franchises featuring large computer-generated animal effects: Peter Jackson's King Kong (2005), Planet of the Apes prequel films, and Rampage (2018).
Erik Winquist was nominated at the 87th Academy Awards in the category of Best Visual Effects. He was nominated for an Academy Award, along with Daniel Barrett, Dan Lemmon, and Joe Letteri, for the film Dawn of the Planet of the Apes. They led a team of roughly 850 people who designed and created all the apes, the digital set extensions, environments, and the effects for the film. Winquist handled pre-production and second-unit photography.
He also received a BAFTA nomination for Dawn of the Planet of the Apes in the same year.
Description above from the Wikipedia article Erik Winquist, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Erik Winquist was nominated at the 87th Academy Awards in the category of Best Visual Effects. He was nominated for an Academy Award, along with Daniel Barrett, Dan Lemmon, and Joe Letteri, for the film Dawn of the Planet of the Apes. They led a team of roughly 850 people who designed and created all the apes, the digital set extensions, environments, and the effects for the film. Winquist handled pre-production and second-unit photography.
He also received a BAFTA nomination for Dawn of the Planet of the Apes in the same year.
Description above from the Wikipedia article Erik Winquist, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Erik Winquist Filmography
| 2015 | The Oscars · as Self - Nominee |
| 2010 | Capturing Avatar · as Self - Vfx Supervisor |
| 2027 | The Legend of Zelda · as Visual Effects Supervisor |
| 2025 | Predator: Badlands · as Visual Effects Supervisor |
| 2024 | Kingdom of the Planet of the Apes · as Visual Effects Supervisor |
| 2023 | The Moon Is Upside Down · as Visual Effects Supervisor |
| 2022 | Glass Onion · as Visual Effects Supervisor |
| 2022 | Doctor Strange in the Multiverse of Madness · as Visual Effects Supervisor |
| 2018 | Rampage · as Visual Effects Supervisor |
| 2017 | War for the Planet of the Apes · as Visual Effects Supervisor |
| 2016 | Spectral · as Visual Effects Supervisor |
| 2014 | Dawn of the Planet of the Apes · as Visual Effects Supervisor |
| 2012 | The Hobbit: An Unexpected Journey · as Visual Effects Technical Director |
| 2011 | Rise of the Planet of the Apes · as Visual Effects Supervisor |
| 2010 | The A-Team · as Compositing Supervisor |
| 2009 | Avatar · as Visual Effects Supervisor |
| 2008 | Jumper · as Visual Effects Supervisor |
| 2007 | The Water Horse · as Visual Effects Supervisor |
| 2006 | X-Men: The Last Stand · as Compositing Supervisor |
| 2005 | King Kong · as Compositing Supervisor |
| 2004 | I, Robot · as Compositing Supervisor |
| 2003 | The Lord of the Rings: The Return of the King · as 2d Sequence Supervisor |
| 2003 | Hulk · as Compositing Artist |
| 2002 | The Lord of the Rings: The Two Towers · as Compositing Artist |
| 2002 | People I Know · as Compositing Artist |
| 2002 | Minority Report · as Compositing Artist |
| 2001 | A.I. Artificial Intelligence · as Compositing Artist |
| 2001 | Evolution · as Compositing Artist |
| 2001 | The Mexican · as Compositing Artist |
| 2000 | The Legend of Bagger Vance · as Compositing Artist |
| 2000 | Mission: Impossible II · as Compositing Artist |
| 1999 | Forces of Nature · as Compositing Artist |