Lee S. Marcus
制片人, 作曲
1893年12月7日 — 1969年1月30日 (75 years)
From Wikipedia, the free encyclopedia
Lee Marcus, also known as Lee S. Marcus (December 7, 1893 – January 30, 1969), was an American film producer of the 1930s and 1940s. During his fifteen-year career he produced over 85 films, most of them between 1934 and 1941 while he was at RKO Studios. Prior to his production career, Marcus worked for FBO and then RKO as a sales executive, reaching the level of vice president in both organizations. At RKO, he was head of production of the studio's b-films during the late 1930s and the beginning of the 1940s. He was also responsible for producing what many consider to be the first film noir, 1940's Stranger on the Third Floor.
Marcus was born on December 7, 1893 in Buffalo, New York. His father was Albert L. Marcus. During World War I Marcus served with the American Expeditionary Force (AEF), and in 1918 was stationed in Vitry, France.
Lee Marcus, also known as Lee S. Marcus (December 7, 1893 – January 30, 1969), was an American film producer of the 1930s and 1940s. During his fifteen-year career he produced over 85 films, most of them between 1934 and 1941 while he was at RKO Studios. Prior to his production career, Marcus worked for FBO and then RKO as a sales executive, reaching the level of vice president in both organizations. At RKO, he was head of production of the studio's b-films during the late 1930s and the beginning of the 1940s. He was also responsible for producing what many consider to be the first film noir, 1940's Stranger on the Third Floor.
Marcus was born on December 7, 1893 in Buffalo, New York. His father was Albert L. Marcus. During World War I Marcus served with the American Expeditionary Force (AEF), and in 1918 was stationed in Vitry, France.
知名作品
影視作品
| 1947 | |
| 1944 | |
| 1943 | |
| 1943 | |
| 1943 | |
| 1942 | The Spoilers · as Associate Producer |
| 1941 | |
| 1941 | Play Girl · as Executive Producer |
| 1941 | Along the Rio Grande · as Executive Producer |
| 1940 | The Saint in Palm Springs · as Executive Producer |
| 1940 | Let's Make Music · as Executive Producer |
| 1940 | The Fargo Kid · as Executive Producer |
| 1940 | |
| 1940 | Wagon Train · as Executive Producer |
| 1940 | Triple Justice · as Executive Producer |
| 1940 | I'm Still Alive · as Executive Producer |
| 1940 | Men Against the Sky · as Executive Producer |
| 1940 | Wildcat Bus · as Executive Producer |
| 1940 | |
| 1940 | One Crowded Night · as Executive Producer |
| 1940 | Stage to Chino · as Executive Producer |
| 1940 | Millionaires in Prison · as Executive Producer |
| 1940 | Cross-Country Romance · as Executive Producer |
| 1940 | Anne of Windy Poplars · as Executive Producer |
| 1940 | Pop Always Pays · as Executive Producer |
| 1940 | Prairie Law · as Executive Producer |
| 1940 | The Saint Takes Over · as Executive Producer |
| 1940 | A Bill of Divorcement · as Executive Producer |
| 1940 | You Can't Fool Your Wife · as Executive Producer |
| 1940 | Curtain Call · as Executive Producer |
| 1940 | Millionaire Playboy · as Executive Producer |
| 1940 | Little Orvie · as Executive Producer |
| 1940 | The Marines Fly High · as Executive Producer |
| 1939 | Mexican Spitfire · as Executive Producer |
| 1939 | Two Thoroughbreds · as Executive Producer |
| 1939 | Full Confession · as Executive Producer |
| 1939 | Conspiracy · as Executive Producer |
| 1939 | The Saint Strikes Back · as Executive Producer |
| 1938 | Annabel Takes a Tour · as Executive Producer |
| 1938 | Tarnished Angel · as Executive Producer |
| 1938 | |
| 1938 | Painted Desert · as Executive Producer |
| 1937 | |
| 1937 | |
| 1937 | |
| 1936 | |
| 1936 | |
| 1936 | Silly Billies · as Associate Producer |
| 1936 | Love on a Bet · as Associate Producer |
| 1935 | |
| 1935 | |
| 1935 | The Nitwits · as Associate Producer |
| 1935 | |
| 1934 | Lightning Strikes Twice · as Associate Producer |
| 1934 |
| 1940 | Bullet Code · as Original Music Composer |
| 1940 | Married and in Love · as Production Executive |
| 1940 | Legion of the Lawless · as Production Executive |
| 1939 | The Marshal of Mesa City · as Production Executive |
| 1939 | Sued for Libel · as Production Executive |
| 1939 | The Day the Bookies Wept · as Production Executive |
| 1939 | The Fighting Gringo · as Production Executive |
| 1939 | The Spellbinder · as Production Executive |
| 1939 | Timber Stampede · as Production Executive |
| 1939 | Five Came Back · as Production Executive |
| 1939 | Racketeers of the Range · as Production Executive |
| 1939 | Panama Lady · as Production Executive |
| 1939 | Sorority House · as Production Executive |
| 1939 | The Rookie Cop · as Production Executive |
| 1939 | Trouble in Sundown · as Production Executive |
| 1939 | Twelve Crowded Hours · as Production Executive |
| 1939 | Beauty for the Asking · as Production Executive |
| 1939 | Pacific Liner · as Production Executive |
| 1938 | Next Time I Marry · as Production Executive |
| 1938 | The Law West of Tombstone · as Production Executive |