Henry Freulich
剪辑师
1906年4月14日 — 1985年12月4日 (79 years)
From Wikipedia, the free encyclopedia
Henry Freulich (April 14, 1906 – December 4, 1985) was an American cinematographer for 31 years.
Freulich was born in New York City. He began his career as a cameraman with Lon Chaney's The Hunchback of Notre Dame in 1922.
While at Columbia Pictures in 1934, he was cinematographer for It Happened One Night with Clark Gable and Claudette Colbert. He worked on over a hundred Three Stooges films. In 1963, he shot a record (which he shared with Harry Neumann) 11 films. He worked in television later in his career. His career continued until 1969.
Henry Freulich (April 14, 1906 – December 4, 1985) was an American cinematographer for 31 years.
Freulich was born in New York City. He began his career as a cameraman with Lon Chaney's The Hunchback of Notre Dame in 1922.
While at Columbia Pictures in 1934, he was cinematographer for It Happened One Night with Clark Gable and Claudette Colbert. He worked on over a hundred Three Stooges films. In 1963, he shot a record (which he shared with Harry Neumann) 11 films. He worked in television later in his career. His career continued until 1969.
影視作品
| 1967 | The Mothers-In-Law · as Cinematographer |
| 1965 | I Dream of Jeannie · as Director Of Photography |
| 1962 | The Beverly Hillbillies · as Cinematographer在 Plex |
| 1960 | The Jim Backus Show · as Cinematographer |
| 1960 | Thriller · as Cinematographer |
| 1959 | Dennis the Menace · as Cinematographer在 Plex |
| 1959 | Good Day for a Hanging · as Director Of Photography |
| 1958 | Tarawa Beachhead · as Director Of Photography |
| 1958 | The Donna Reed Show · as Cinematographer |
| 1958 | Return to Warbow · as Director Of Photography |
| 1958 | Shirley Temple's Storybook · as Cinematographer |
| 1957 | The Hard Man · as Director Of Photography |
| 1957 | Alcoa Theatre · as Cinematographer |
| 1957 | Goodyear Theatre · as Cinematographer |
| 1957 | No Time to Be Young · as Director Of Photography |
| 1957 | Guns a Poppin! · as Director Of Photography |
| 1957 | Space Ship Sappy · as Director Of Photography |
| 1957 | The Phantom Stagecoach · as Director Of Photography |
| 1957 | The 27th Day · as Director Of Photography |
| 1956 | Reprisal! · as Director Of Photography |
| 1956 | The White Squaw · as Director Of Photography |
| 1956 | Playhouse 90 · as Cinematographer |
| 1956 | He Laughed Last · as Director Of Photography |
| 1956 | Over-Exposed · as Director Of Photography |
| 1956 | The Houston Story · as Director Of Photography |
| 1956 | Inside Detroit · as Director Of Photography |
| 1955 | The Crooked Web · as Director Of Photography |
| 1955 | Teen-Age Crime Wave · as Director Of Photography |
| 1955 | Duel on the Mississippi · as Director Of Photography |
| 1955 | The Gun That Won the West · as Director Of Photography |
| 1955 | It Came from Beneath the Sea · as Director Of Photography |
| 1955 | Chicago Syndicate · as Director Of Photography |
| 1955 | Seminole Uprising · as Director Of Photography |
| 1955 | Damon Runyon Theater · as Cinematographer |
| 1955 | Jungle Moon Men · as Director Of Photography |
| 1955 | New Orleans Uncensored · as Director Of Photography |
| 1955 | Pirates of Tripoli · as Director Of Photography |
| 1954 | Masterson of Kansas · as Director Of Photography |
| 1954 | Cannibal Attack · as Director Of Photography |
| 1954 | Studio 57 · as Cinematographer |
| 1954 | The Iron Glove · as Director Of Photography |
| 1954 | Captain Midnight · as Cinematographer |
| 1954 | The Law vs. Billy the Kid · as Director Of Photography |
| 1954 | The Saracen Blade · as Director Of Photography |
| 1954 | Jungle Man-Eaters · as Director Of Photography |
| 1954 | The Miami Story · as Director Of Photography |
| 1954 | Battle of Rogue River · as Director Of Photography |
| 1954 | Charge of the Lancers · as Director Of Photography |
| 1953 | El Alaméin · as Director Of Photography |
| 1953 | The Nebraskan · as Director Of Photography |
| 1953 | Prisoners of the Casbah · as Director Of Photography |
| 1953 | Slaves of Babylon · as Director Of Photography |
| 1953 | Conquest of Cochise · as Director Of Photography |
| 1953 | Flame of Calcutta · as Cinematographer |
| 1953 | Siren of Bagdad · as Director Of Photography |
| 1953 | Serpent of the Nile · as Director Of Photography |
| 1953 | Ambush at Tomahawk Gap · as Director Of Photography |
| 1953 | Jack McCall, Desperado · as Director Of Photography |
| 1953 | Prince of Pirates · as Director Of Photography |
| 1953 | Target Hong Kong · as Director Of Photography |
| 1952 | The Pathfinder · as Director Of Photography |
| 1952 | Cuckoo on a Choo Choo · as Director Of Photography |
| 1952 | Three Dark Horses · as Director Of Photography |
| 1952 | Ford Theatre: All Star Theatre · as Cinematographer |
| 1952 | Cavalcade of America · as Cinematographer |
| 1952 | Last Train from Bombay · as Cinematographer |
| 1952 | Montana Territory · as Director Of Photography |
| 1952 | Okinawa · as Cinematographer |
| 1951 | 'Fraidy Cat · as Cinematographer |
| 1951 | The Son of Dr. Jekyll · as Director Of Photography |
| 1951 | Unknown World · as Director Of Photography |
| 1951 | Schlitz Playhouse of Stars · as Cinematographer |
| 1951 | Corky of Gasoline Alley · as Director Of Photography |
| 1951 | Cyclone Fury · as Director Of Photography |
| 1951 | The Lady and the Bandit · as Director Of Photography |
| 1951 | Bonanza Town · as Director Of Photography |
| 1951 | Scrambled Brains · as Director Of Photography |
| 1951 | Adventures of Wild Bill Hickok · as Cinematographer |
| 1951 | My True Story · as Director Of Photography |
| 1951 | Under the Gun · as Director Of Photography |
| 1950 | Bunco Squad · as Director Of Photography |
| 1950 | The Iroquois Trail · as Director Of Photography |
| 1950 | Beware of Blondie · as Director Of Photography |
| 1949 | Chinatown at Midnight · as Director Of Photography |
| 1949 | Rusty's Birthday · as Director Of Photography |
| 1949 | The Devil's Henchmen · as Director Of Photography |
| 1949 | Kazan · as Director Of Photography |
| 1949 | The Secret of St. Ives · as Director Of Photography |
| 1949 | Not Wanted · as Director Of Photography在 Plex |
| 1949 | Make Believe Ballroom · as Director Of Photography |
| 1949 | Song of India · as Cinematographer |
| 1949 | Rusty Saves a Life · as Cinematographer |
| 1949 | He's in Again · as Cinematographer |
| 1948 | Crime on Their Hands · as Director Of Photography |
| 1948 | Trail to Laredo · as Cinematographer |
| 1948 | Thunderhoof · as Director Of Photography |
| 1948 | Adventures in Silverado · as Director Of Photography |
| 1948 | The Woman from Tangier · as Director Of Photography |
| 1947 | The Lone Wolf in London · as Director Of Photography |
| 1947 | Sing a Song of Six Pants · as Director Of Photography |
| 1947 | Bulldog Drummond Strikes Back · as Director Of Photography |
| 1947 | The Son of Rusty · as Director Of Photography |
| 1947 | Sport of Kings · as Cinematographer |
| 1947 | Mr. District Attorney · as Cinematographer |
| 1946 | Shadowed · as Director Of Photography |
| 1946 | The Unknown · as Director Of Photography |
| 1946 | The Devil's Mask · as Director Of Photography |
| 1946 | Just Before Dawn · as Director Of Photography |
| 1942 | Boston Blackie Goes Hollywood · as Director Of Photography |
| 1942 | Meet the Stewarts · as Director Of Photography |
| 1942 | Stand by All Networks · as Director Of Photography |
| 1942 | The Boogie Man Will Get You · as Director Of Photography |
| 1942 | Blondie for Victory · as Director Of Photography |
| 1942 | Atlantic Convoy · as Director Of Photography |
| 1942 | Blondie's Blessed Event · as Director Of Photography |
| 1942 | Shut My Big Mouth · as Director Of Photography |
| 1942 | Blondie Goes to College · as Director Of Photography |
| 1941 | Go West, Young Lady · as Director Of Photography |
| 1941 | Blondie in Society · as Director Of Photography |
| 1941 | She Knew All the Answers · as Director Of Photography |
| 1941 | Blondie Goes Latin · as Director Of Photography |
| 1940 | Cookoo Cavaliers · as Cinematographer |
| 1940 | Blondie Plays Cupid · as Director Of Photography |
| 1940 | Blondie Has Servant Trouble · as Director Of Photography |
| 1940 | The Lone Wolf Meets a Lady · as Director Of Photography |
| 1940 | Rockin' Thru the Rockies · as Cinematographer |
| 1940 | Blondie on a Budget · as Director Of Photography |
| 1940 | The Heckler · as Cinematographer |
| 1940 | The Lone Wolf Strikes · as Director Of Photography |
| 1939 | Blondie Brings Up Baby · as Director Of Photography |
| 1939 | Oily to Bed, Oily to Rise · as Cinematographer |
| 1939 | Five Little Peppers and How They Grew · as Director Of Photography |
| 1939 | Blondie Takes a Vacation · as Director Of Photography |
| 1939 | Good Girls Go to Paris · as Cinematographer |
| 1939 | Blondie Meets the Boss · as Director Of Photography |
| 1938 | Blondie · as Cinematographer |
| 1938 | I Am the Law · as Director Of Photography |
| 1938 | Three Missing Links · as Cinematographer |
| 1938 | There's Always a Woman · as Director Of Photography在 Plex |
| 1938 | Who Killed Gail Preston? · as Director Of Photography |
| 1937 | Murder in Greenwich Village · as Director Of Photography |
| 1937 | It's All Yours · as Cinematographer |
| 1937 | The League of Frightened Men · as Cinematographer |
| 1937 | Let's Get Married · as Cinematographer |
| 1937 | Women of Glamour · as Cinematographer |
| 1936 | More Than a Secretary · as Director Of Photography |
| 1936 | Adventure in Manhattan · as Director Of Photography |
| 1936 | Meet Nero Wolfe · as Cinematographer |
| 1936 | And So They Were Married · as Cinematographer |
| 1935 | The Lone Wolf Returns · as Cinematographer |
| 1935 | Grand Exit · as Director Of Photography |
| 1935 | The Public Menace · as Director Of Photography |
| 1935 | Air Hawks · as Director Of Photography |
| 1935 | Pop Goes the Easel · as Cinematographer |
| 1934 | Three Little Pigskins · as Director Of Photography |
| 1934 | Punch Drunks · as Director Of Photography |
| 1929 | Smiling Irish Eyes · as Director Of Photography |
| 1929 | Footlights and Fools · as Director Of Photography |