George Stevens
导演, 制片人, 演员, 编剧
1904年12月18日 — 1975年3月8日 (70年)
From Wikipedia, the free encyclopedia.
George Stevens (December 18, 1904 – March 8, 1975) was an American film director, producer, screenwriter and cinematographer.
Among his most notable films were Diary of Anne Frank (1959), nominated for Best Director, Giant (1956), winner of Oscar for Best Director, Shane (1953), Oscar nominated, and A Place in the Sun (1951), winner of Oscar for Best Director.
Description above from the Wikipedia article George Stevens, licensed under CC-BY-SA, full list of contributors on Wikipedia.
George Stevens (December 18, 1904 – March 8, 1975) was an American film director, producer, screenwriter and cinematographer.
Among his most notable films were Diary of Anne Frank (1959), nominated for Best Director, Giant (1956), winner of Oscar for Best Director, Shane (1953), Oscar nominated, and A Place in the Sun (1951), winner of Oscar for Best Director.
Description above from the Wikipedia article George Stevens, licensed under CC-BY-SA, full list of contributors on Wikipedia.
知名作品
影视作品
| 1970 | |
| 1965 | |
| 1959 | |
| 1956 | |
| 1953 | |
| 1952 | |
| 1951 | |
| 1948 | |
| 1948 | On Our Merry WayPlex提供 |
| 1945 | |
| 1945 | Nazi Concentration CampsPlex提供 |
| 1943 | |
| 1942 | |
| 1942 | |
| 1941 | Penny SerenadePlex提供 |
| 1940 | |
| 1939 | |
| 1938 | |
| 1937 | |
| 1937 | |
| 1936 | |
| 1935 | |
| 1935 | |
| 1935 | |
| 1935 | |
| 1934 | |
| 1934 | |
| 1934 | Hollywood PartyPlex提供 |
| 1933 | |
| 1932 |
| 1965 | |
| 1959 | |
| 1956 | |
| 1953 | |
| 1952 | |
| 1951 | |
| 1948 | I Remember Mama · as Executive Producer |
| 1943 | |
| 1942 | |
| 1942 | |
| 1941 | Penny SerenadePlex提供 |
| 1940 | |
| 1939 | |
| 1938 |
| 1953 | Shane · as Knock Him Into That Pigpen, Chris! (voice) (uncredited) |
| 1965 | The Greatest Story Ever Told · as Screenplay |
| 1959 | The Diary of Anne Frank · as Screenplay |
| 1945 | Nazi Concentration CampsPlex提供 |
| 1935 |
| 2024 | Elizabeth Taylor: The Lost Tapes · as Self |
| 2023 | Frank Capra: Mr America · as Self - Filmmaker |
| 2019 | Hollywood and World War II · as Self (archive Footage) |
| 2017 | Five Came Back · as Self (archive Footage) |
| 2009 | 1939: Hollywood's Greatest Year · as Self (archive Footage) |
| 2005 | James Dean: Forever Young · as Self |
| 2004 | Words in Progress · as Self |
| 2001 | |
| 2001 | |
| 1998 | Memories of 'Giant' · as Self |
| 1996 | Return to 'Giant' · as Self |
| 1994 | George Stevens: D-Day to Berlin · as Self |
| 1984 | George Stevens: A Filmmaker's Journey · as Self |
| 1973 | The 45th Annual Academy Awards · as Self - Presenter |
| 1965 | The Filmmaker · as Self |
| 1963 | Hollywood Without Make-Up · as Self |
| 1959 | CBS Reports · as Self |
| 1953 | Person to Person · as Self |
| 1952 | Reflets de Cannes · as Self |
| 1950 | The Lux Video Theatre · as Self (guest) |
| 1950 | What's My Line? · as Self |
| 1948 | The Ed Sullivan Show · as Self |
| 1994 | George Stevens: D-Day to Berlin · as Cinematographer |
| 1933 | Grin and Bear It · as Story |
| 1930 | Bigger and Better · as Cinematographer |
| 1930 | Noche de duendes · as Cinematographer |
| 1930 | The Laurel-Hardy Murder Case · as Director Of Photography |
| 1930 | Tiembla y Titubea · as Cinematographer |
| 1930 | Below Zero · as Director Of Photography |
| 1930 | La vida nocturna · as Director Of Photography |
| 1930 | Brats · as Director Of Photography |
| 1930 | Blotto · as Director Of Photography |
| 1930 | Ladrones · as Cinematographer |
| 1930 | Night Owls · as Cinematographer |
| 1929 | Angora Love · as Cinematographer |
| 1929 | The Hoose-Gow · as Cinematographer |
| 1929 | Bacon Grabbers · as Director Of Photography |
| 1929 | They Go Boom! · as Cinematographer |
| 1929 | Men O'War · as Director Of Photography |
| 1929 | Double Whoopee · as Cinematographer |
| 1929 | Unaccustomed As We Are · as Director Of Photography |
| 1929 | Big Business · as Director Of Photography |
| 1929 | That's My Wife · as Cinematographer |
| 1929 | Wrong Again · as Director Of Photography |
| 1929 | Liberty · as Director Of Photography |
| 1928 | We Faw Down · as Director Of Photography |
| 1928 | Two Tars · as Cinematographer |
| 1928 | Early to Bed · as Director Of Photography |
| 1928 | Should Married Men Go Home? · as Director Of Photography |
| 1928 | Their Purple Moment · as Cinematographer |
| 1928 | The Finishing Touch · as Cinematographer |
| 1928 | Leave 'em Laughing · as Cinematographer |
| 1927 | The Battle of the Century · as Director Of Photography |
| 1927 | Putting Pants on Philip · as Director Of Photography |
| 1927 | Hats Off · as Cinematographer |
| 1927 | The Second 100 Years · as Director Of Photography |
| 1927 | Sugar Daddies · as Cinematographer |
| 1927 | No Man's Law · as Director Of Photography |
| 1927 | Slipping Wives · as Cinematographer |
| 1926 | The Devil Horse · as Cinematographer |
| 1925 | Black Cyclone · as Director Of Photography |
| 1925 | Looking for Sally · as Cinematographer |