Arturo Ripstein
导演, 编剧, 演员, 制片人, 剪辑师
1943年12月13日 (82 years)
Arturo Ripstein y Rosen (born December 13, 1943) is a Mexican film director.
Ripstein got his break into movies working as an uncredited assistant director for Luis Buñuel. In 1965, he directed his first feature, Tiempo de Morir. Written by Carlos Fuentes and Gabriel García Márquez, it began a tradition of making independent films written by high-profile Latin-American authors. His 1981 film Seduction was entered into the 12th Moscow International Film Festival. His 1989 film Love Lies was entered into the 16th Moscow International Film Festival. In 1997 Ripstein won the National Prize of Arts and Sciences, the second filmmaker after Buñuel to do so. Some of Ripstein's films, especially the earlier ones, "highlighted characters beset by futile compulsions to escape [their]destinies". Many of his films are shot in tawdry interiors, with bleak brown color schemes, and seedy pathetic characters who manage to achieve a hint of pathos and dignity. Asi Es la Vida, according to Jonathan Crow, "boldly reworks the ancient Greek drama Medea, employing a dizzying array of flashbacks and Brechtian devices". Deep Crimson, according to the New York Times, is "a ferociously anti-romantic portrait of an obese nurse and a seedy small-time gigolo whose bungling scheme to swindle a succession of lonely women out of their life savings turns into a killing spree."
Ripstein got his break into movies working as an uncredited assistant director for Luis Buñuel. In 1965, he directed his first feature, Tiempo de Morir. Written by Carlos Fuentes and Gabriel García Márquez, it began a tradition of making independent films written by high-profile Latin-American authors. His 1981 film Seduction was entered into the 12th Moscow International Film Festival. His 1989 film Love Lies was entered into the 16th Moscow International Film Festival. In 1997 Ripstein won the National Prize of Arts and Sciences, the second filmmaker after Buñuel to do so. Some of Ripstein's films, especially the earlier ones, "highlighted characters beset by futile compulsions to escape [their]destinies". Many of his films are shot in tawdry interiors, with bleak brown color schemes, and seedy pathetic characters who manage to achieve a hint of pathos and dignity. Asi Es la Vida, according to Jonathan Crow, "boldly reworks the ancient Greek drama Medea, employing a dizzying array of flashbacks and Brechtian devices". Deep Crimson, according to the New York Times, is "a ferociously anti-romantic portrait of an obese nurse and a seedy small-time gigolo whose bungling scheme to swindle a succession of lonely women out of their life savings turns into a killing spree."
知名作品
影視作品
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| 1976 | Foxtrot在 Plex |
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| 1984 | |
| 1981 | |
| 1979 | Life Sentence · as Screenplay |
| 1978 | The Place Without Limits · as Screenplay |
| 1977 | |
| 1976 | Foxtrot · as Screenplay在 Plex |
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| 2024 | Let's Play in the Woods · as Don Francisco (patriarca) |
| 2018 | An Unknown Enemy · as Avery Brundage |
| 2016 | The Queen of Spain · as Sam Spiegelman在 Plex |
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| 1979 | El vuelo de la cigüeña · as Cliente Banco |
| 1977 | The Black Widow · as El Que Se Acuesta Con Úrsula |
| 1977 | Cuartelazo · as Embajador |
| 1969 | Memories of the Future · as Cast |
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| 1967 | The Specters' Road · as Matilde's Son |
| 1967 | The Outsiders · as Party Guest |
| 1967 | La muerte es puntual · as Cast |
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| 1963 | Dile que la quiero · as Cast |
| 2025 | Where Is Juan Moctezuma? · as Self |
| 2019 | Univers(o) Pecanins · as Self |
| 2017 | One Hundred Years with Juan Rulfo · as Self |
| 2002 | Arturo Ripstein habla de Luis Buñuel · as Himself |
| 2000 | Regarding Buñuel · as Self |
| 1999 | Kurosawa: The Last Emperor · as Self |
| 1991 | Movie Days · as Self - Interviewee |
| 1979 | Adriana del Río, actriz · as Self |
| 2015 |
| 1981 | Rastro de muerte · as Story |
| 1980 | Aunt Alejandra · as Script |
| 1962 | The Exterminating Angel · as Assistant Director在 Plex |