PG-13
2023    1小时 50分钟喜剧, 爱情
5.643%55%6.0
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故事发生在不久的将来,人工智能风靡一时,自然发展成为遥远的记忆。纽约一对夫妻瑞秋和阿尔维准备将关系发展到下一个阶段,组建一个家庭。   瑞秋的工作让他们有机会使用科技巨头帕伽索斯公司开发的一种新工具——通过可拆卸的人造子宫,或着叫“卵舱”,让夫妻们有机会在更平等的基础上共享怀孕。   阿尔维是一名植物学家兼虔诚的纯粹主义者,对此方法表示怀疑,但他对瑞秋的爱促使其放手一搏,两人在这个勇敢新世界里,开始了为人父母的疯狂旅程。
Sophie Barthes执导
  • Emilia ClarkeRachel / 执行制片人
  • Chiwetel EjioforAlvy
  • Rosalie CraigLinda Wozcheck
  • Vinette RobinsonAlice
  • Kathryn HunterPost Office Clerk
  • Jean-Marc BarrThe Founder
  • Verona VerbakelRadical feminist
  • Sarah GallagherParent #2
  • Ken SamuelsSteven
  • Anne-Marie AgbodjiAffable Nurse
  • Nilson DavidFolio Executive #6
  • Elke Shari Van Den BroeckFront desk assistant
  • Leonoor KosterWoman with Blinking Pod
  • Isis CaljéWomb Center Nurse #1
  • Veronika OlahBaby Supermarket Cashier
  • Benedict Landsbert-NoonJosh
  • Nathalie OpareStudent #10
  • Ashley JohnsonBreathing Bar Hostess
  • Alix DunmoreEliza (voice)
  • Megan MaczkoElena (voice)
  • Hedgehog20492026年1月31日
    Good sci-fi. Good satire. But the ending lacks bite. (insert caring for tamagotchi and/or houseplant joke here)
  • Kevin Ward2025年7月2日
    Plenty of interesting ideas, sci-fi world building and solid performances from Chiwitel Ejiofor and Emilia Clarke make this a watchable diversion. However, the idea presented could have a used a bit longer gestation period before being let out of the pod. The overarching theme of natural vs artificial is ever-present but isn’t explored with any consequence. Folks see AI therapists, go on artificial “nature walks” of some sort, and of course gestate their unborn children in artificial pods rather than carry them to term in utero. The most interesting idea touched on was the (potential) impact motherhood has on career focused women. A pod could be empowering. At the same time, we could see corporation pressuring employees to opt into pod births. These few moments in the film were the only ones that provoked much deeper thought. Everything else is very surface level. I like the Lo-Fi Sci-Fi aspects, but on this whole this was rather bland experience even if Ejiofor and Clarke breathe some life into it.
  • l.c.wa2024年10月9日
    Amusant et burlesque, avec des personnages s'occupant d'un œuf comme des poules, le film se distingue par sa critique de l'IA à la façon Black Mirror. Cependant, il souffre de lenteurs et de représentations caricaturales. Certaines intrigues restent incomplètes et les séquences oniriques, trop nombreuses, semblent hors de propos.

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