与魔鬼同行
由Alan J. Pakula执导
法兰西是北爱共和军成员，与一些志同道合的伙伴在北爱首府贝尔法斯特从事对抗英国政府军的工作。在一次任务中，他与同僚被出卖而被捕入狱。由于狱中的严刑铐打，因而潜逃出狱。在北爱的支持者法官彼德的协助下，法兰西化名罗伊丹凡尼，潜逃至美国纽约，寄住在毫不知情的警官汤姆欧梅拉（哈里逊福特饰）家中，并继续暗中从事飞弹的非法买卖，用来对抗英国政府军。由于对罗伊的过去一无所知，汤姆及其妻子希拉对罗伊的到皆表欢迎。不久，罗伊便与哥儿们西恩相逢，二人共商对策，如何将飞弹运出美国，同时法官彼德也为他们筹钱。但慢慢的罗伊爱上汤姆的家人及纽约的朋友，他开始在全新的未来及过去中挣扎。一晚，三个蒙面歹徒潜入汤姆家中，罗伊突然出现并击退入侵者，希拉打电话报警，但是在警察到达时，罗伊却悄悄地逃走。看著罗伊逃走，汤姆开始怀疑罗伊是否与这件事有关。罗伊返家后，汤姆严斥其不是，罗伊决定不惜一切代价，挥别过去……
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与魔鬼同行的评分和评论
- thomasrogers7532025年11月20日Brad Pitt with an accent just throws me off so much It’s an overall mid story with, to me, a confusing plot that doesn’t really make the motivation of some of the characters super clear Idk, mid ash
- ርልዪረ2025年6月21日"The Devil's Own" is one of Hollywood's periodical ventures into the murky world of Irish politics. Harrison Ford, who stars here, had five years earlier starred in another such film, "Patriot Games". There is, however, a difference between the two films. "Patriot Games" is an action thriller which simply uses the Northern Ireland situation to provide a motivation for the bad guys; they happen to be Irish Republican terrorists, but they could equally well have been Islamic militants, or Russian spies, or Mafia hit-men, and it would have made little difference to the film. "The Devil's Own", by contrast, aims for something more ambitious. The two main characters are Frankie McGuire, a member of the Provisional IRA on a mission to New York to purchase weapons, and his landlord Tom O'Meara, an Irish-American police officer. For about two thirds of the film Tom does not know that his lodger is an IRA man; indeed, he does not even know the young man's real name as Frankie is using the alias Rory Devaney. Tom is only enlightened towards the end of the film when he discovers in "Rory's" bedroom a bag containing millions of dollars. (Are the IRA so amateurish that they would entrust the money for their arms deals to a man who then leaves it under the bed in someone else's house?) His discovery of the truth puts Tom in a difficult position. On the on e hand he disapproves of violence so cannot allow Frankie to go ahead with his plan to buy missiles for the IRA. On the other hand, he does not want any harm to come to the young man, so tries to protect him from the FBI and MI5 agents who are on his tail. (It is quite possible that the British security forces might set up hit squads to hunt down IRA men, but it seems highly unlikely that such squads would be permitted to operate on American soil with the full knowledge and cooperation of the US authorities). There is also a sub-plot involving Tom's attempts to cover up for his partner Eddie, who has shot dead a criminal who was running from him. Tom tells his superiors that the man was armed, although he had already thrown away his gun before being shot. I felt, however, that this sub-plot was never properly integrated into the main film. I was not surprised to discover that the film went through several rewrites after the original script was discarded, as it had the feel of a film written by a committee. Each member of the committee, moreover, appears to have had his or her own agenda. One member wanted to make an action thriller, a second wanted to make a political commentary on the Northern Ireland situation and a third wanted to make a character-driven psychological drama exploring Tom's ethical dilemma in having to choose between the demands of friendship and his obligation as a police officer to uphold the law. Eventually the chairman, who had the casting vote, ruled that the film would be a mixture of all three approaches. There is, of course, nothing wrong with a film which attempts to work on several different levels. The trouble with "The Devil's Own" is that it doesn't really work on any of them. As an action thriller it is too slow moving, with most of the action crammed into the opening and the ending. As political commentary it is too obviously slanted towards a pro-IRA position with a misguided attempt to make Frankie a sympathetic figure. (That is perhaps only to be expected from Hollywood, particularly in its pre-9/11 period. Americans who approve of this should ask themselves how they would react to a British film which tried to glamorise Timothy McVeigh or the Unabomber). As a psychological drama it is dull and the Eddie subplot is never successfully integrated with the main action. The film was turning out so badly that one of its main stars, Brad Pitt, wanted to leave the set and was only restrained from doing so by the threat of an injunction. Rather surprisingly, therefore, Pitt's performance is one of the better things about this movie. (His Irish accent, too, is quite convincing). He is certainly better than his co-star Harrison Ford who actually described this film as one of his favourites. Although Tom O'Meara is a role of the sort in which Ford normally excels- a decent, solid family man confronted with a crisis- his performance here is a dull, stodgy one, and not one of his best. Overall, the film is a disappointment, despite its two major-league stars and its major-league director. This was the last film to be made by Alan J. Pakula before his tragic death a year later in a road accident. Pakula was responsible for some excellent films, notably "Sophie's Choice", so it is a shame that his career did not end on a higher note. 3/5
与魔鬼同行花絮
与魔鬼同行于1997年3月13日发布。
与魔鬼同行由Alan J. Pakula执导。
与魔鬼同行的时长为1小时 47分钟。
与魔鬼同行由Robert F. Colesberry, Lawrence Gordon制作。
法兰西是北爱共和军成员，与一些志同道合的伙伴在北爱首府贝尔法斯特从事对抗英国政府军的工作。在一次任务中，他与同僚被出卖而被捕入狱。由于狱中的严刑铐打，因而潜逃出狱。在北爱的支持者法官彼德的协助下，法兰西化名罗伊丹凡尼，潜逃至美国纽约，寄住在毫不知情的警官汤姆欧梅拉（哈里逊福特饰）家中，并继续暗中从事飞弹的非法买卖，用来对抗英国政府军。由于对罗伊的过去一无所知，汤姆及其妻子希拉对罗伊的到皆表欢迎。不久，罗伊便与哥儿们西恩相逢，二人共商对策，如何将飞弹运出美国，同时法官彼德也为他们筹钱。但慢慢的罗伊爱上汤姆的家人及纽约的朋友，他开始在全新的未来及过去中挣扎。一晚，三个蒙面歹徒潜入汤姆家中，罗伊突然出现并击退入侵者，希拉打电话报警，但是在警察到达时，罗伊却悄悄地逃走。看著罗伊逃走，汤姆开始怀疑罗伊是否与这件事有关。罗伊返家后，汤姆严斥其不是，罗伊决定不惜一切代价，挥别过去……
与魔鬼同行中的关键角色有Tom O'Meara（Harrison Ford）, Rory Devaney（Brad Pitt）, Sheila O'Meara（Margaret Colin）。
与魔鬼同行的评级为R。
与魔鬼同行是一部Action, 犯罪, 惊悚电影。
与魔鬼同行的观众评分为4.1（满分10分）。
与魔鬼同行的预算曾是US$9000万。
与魔鬼同行的票房收入为US$1.4亿。