安德烈·塔可夫斯基在苏联时期的最后一部作品，是一次穿越神秘后末日景观的形而上学旅程，亦是一场独一无二的精妙观影体验。受雇的向导——“潜行者”——带领一位作家和一位教授深入“区”的核心地带，这个长期封闭的灾难禁区中，三人最终逼近了传说中的“房间”：一个据称能实现人内心深处最隐秘愿望的地方。改编自阿尔卡季与鲍里斯·斯特鲁加茨基兄弟的科幻小说，塔可夫斯基以丰富的物质细节和有机的氛围感，构建出一个沉浸式的世界。作为一则宗教寓言、对当时政治焦虑的反思，亦或是对电影本身的冥想——本片通过展开多重可能的意涵，将观众全然包围。[标准收藏]
- makdelart2026年3月26日A journey into the Zone is like a journey into our own selves, a discovery of our own weaknesses and a reflection on the meaning of existence – there can be countless interpretations. It’s astonishing how this was achieved with such limited resources. But to do that, you have to be Tarkovsky. The cinematography, camerawork, lighting, use of colour and, finally, the music – it is absolute masterpiece.
- neuroparadox2025年7月29日Basically the prequel to Stand By Me when you really think about it... 🤔 Joke aside, this was great. Visually stunning, the sound is haunting, meticulously paced, and it has a great ending that makes you go: "Wait, what did I miss?" Stands on its own without having to dive into all the philosophical and sociopolitical yada yadas. Side note: I watched Stalker because I had recently read the (loosely-based-on) source material, Roadside Picnic, which was an excellent sci-fi book with one of the most interesting premices I had come across in awhile. The following is a excerpt from the foreword to Roadside Picnic by Ursula K. Le Guin: Roadside Picnic is a “first contact” story with a difference. Aliens have visited the Earth and gone away again, leaving behind them several landing areas (now called the Zones) littered with their refuse. The picnickers have gone; the pack rats, wary but curious, approach the crumpled bits of cellophane, the glittering pull tabs from beer cans, and try to carry them home to their holes. Most of the mystifying debris is extremely dangerous. Some proves useful—eternal batteries that power automobiles—but the scientists never know if they are using the devices for their proper purposes or employing (as it were) Geiger counters as hand axes and electronic components as nose rings. They cannot figure out the principles of the artifacts, the science behind them. An international Institute sponsors research. A black market flourishes; “stalkers” enter the forbidden Zones and, at risk of various kinds of ghastly disfigurement and death, steal bits of alien litter, bring the stuff out, and sell it, sometimes to the Institute itself. If that doesn't make you want to read it then nothing will!
潜行者花絮
潜行者于1979年5月25日发布。
潜行者由Andrei Tarkovsky执导。
潜行者的时长为2小时 42分钟。
潜行者由Aleksandra Demidova制作。
安德烈·塔可夫斯基在苏联时期的最后一部作品，是一次穿越神秘后末日景观的形而上学旅程，亦是一场独一无二的精妙观影体验。受雇的向导——“潜行者”——带领一位作家和一位教授深入“区”的核心地带，这个长期封闭的灾难禁区中，三人最终逼近了传说中的“房间”：一个据称能实现人内心深处最隐秘愿望的地方。改编自阿尔卡季与鲍里斯·斯特鲁加茨基兄弟的科幻小说，塔可夫斯基以丰富的物质细节和有机的氛围感，构建出一个沉浸式的世界。作为一则宗教寓言、对当时政治焦虑的反思，亦或是对电影本身的冥想——本片通过展开多重可能的意涵，将观众全然包围。[标准收藏]
潜行者中的关键角色有Stalker's Wife（Alisa Freyndlikh）, Stalker（Aleksandr Kaydanovskiy）, Writer（Anatoliy Solonitsyn）。
潜行者的评级为Not Rated。
潜行者是一部剧情, 科幻, 惊悚电影。
潜行者的观众评分为9.2（满分10分）。
潜行者的预算曾是US$12万。
潜行者的票房收入为US$56万。