

万鬼惊魂
Directed by Brendan Faulkner, Thomas Doran, Erica HavensAfter taking a wrong turn, travellers find themselves trapped in a mysterious house. One horror after another threatens them as the flatulent sorcerer who lives within needs sacrifices to give eternal life to his beautiful bride. Whether or not the bride was as gassy as he is remains ambiguous.
万鬼惊魂 Ratings & Reviews
- Alan2026年2月9日As a kid this scare me bad but it’s so bad it’s good Makes little sense
- NF2025年11月30日A horror-comedy cult classic famous for its nonsensical, Frankenstein-esque plot, and its unforgettable, low-budget creature effects. The film's unique and troubled production history (it was pieced together from two different unfinished movies) is a major contributor to its chaotic charm.
- Wesley Maggs2025年9月15日Fantastic show 🕸️🕷️🕸️🎶🧟 I enjoyed it so much old school horror comedy and brilliant soundtracks. I'm addicted to this soundtracks on Spotify now thanks to Spookies 👍🏼❤️
- Hipster ZOMBIE2025年7月6日If you’ve ever wanted to watch a haunted house movie that feels like someone shoved Evil Dead, Return of the Living Dead, and Labyrinth into a blender, Spookies is your film. It’s a cult film in every sense of the world. So bad it’s good and somewhat review proof because of it. Spookies is a narrative disaster. The plot—if you can call it that—follows a group of people who stumble into a spooky mansion and get picked off by an plethora of supernatural creatures. But thanks to a chaotic production history (two different filmmaking teams stitched together two different movies), the film plays like a stitched together mess of duct tape and confusion. Then there are the special effects—cheap, rubbery, occasionally impressive but mostly laughable. Animatronic creatures, demon brides, grim reapers, farting zombies, and an evil sorcerer who looks like your uncle dressed up for a community theater role in The Hobbit. It’s bargain-bin horror at its finest, but there’s so much love in the craft that you can’t help but admire the effort. The cast? Not much to speak of considering they all fall into the horror tropes you would expect from a 1980s horror film and you’d be hard pressed to remember their names but you will admire the bad acting and horrible but hilarious dialogue. But here’s the thing: despite all its flaws—and maybe even because of them—Spookies is undeniably entertaining. It’s the cinematic equivalent of a broken down haunted funhouse at the fair built by enthusiastic amateurs with leftover Halloween decorations and way too much Red Bull. The movie never slows down, throwing creature after creature at you like a fever dream on VHS. Over the years, this accidental mess of a movie has found a devoted fanbase. Horror lovers, midnight movie maniacs, and anyone with a soft spot for practical effects and ‘80s absurdity have embraced Spookies for what it is: a weird, wild, and wildly imperfect gem that succeeds on charm where it fails in coherence. It’s a cult classic for a reason and therefore can’t be judged too harshly but can be admired the same way we fondly remember Troll 2 and Ghoulies.
- Chris2024年12月29日“My victims, walk in the land of the dead. They are all my children, and I am their ultimate lord...” - Kreon Pure 80s so bad it’s good gold. 👁🧟♂️⚗️
- gmdiaz80s2024年10月18日Dumb fart movie with decent gore
万鬼惊魂 Trivia
万鬼惊魂 was released on 1986年5月14日.
万鬼惊魂 was directed by Brendan Faulkner, Thomas Doran, Erica Havens.
万鬼惊魂 has a runtime of 85分钟.
万鬼惊魂 was produced by Thomas Doran, Erica Havens, Brendan Faulkner, Frank M. Farel.
After taking a wrong turn, travellers find themselves trapped in a mysterious house. One horror after another threatens them as the flatulent sorcerer who lives within needs sacrifices to give eternal life to his beautiful bride. Whether or not the bride was as gassy as he is remains ambiguous.
The key characters in 万鬼惊魂 are Kreon (Felix Ward), Isabelle (Maria Pechukas), Kreon's Servant (Dan Scott).
万鬼惊魂 is rated R.
万鬼惊魂 is a 恐怖, 喜剧 film.
万鬼惊魂 has an audience rating of 2.2 out of 10.
万鬼惊魂 has made US$17,785 at the box office.



