R
2005    2小时 4分钟惊悚, 犯罪
8.076%78%7.5
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影片改编自著名漫画大师弗兰克·米勒的经典同名漫画,由三个故事组成,都发生在虚拟的罪恶之城,这里,警察和暴徒已无分别,暴力摧毁一切,也保护一切。故事一:罪城。容貌丑陋,脾气火爆的马福,遇上了金发美女歌蒂,一夜情给了马福从未有过的温暖。然而,醒来之后,马福发现躺在身边的歌蒂被谋杀,自己则面临着杀人凶手的指控。马福的心被愤怒和复仇的火焰点燃,他在歌蒂的姐姐温蒂的帮助下,调查事实的真相,寻找杀害自己爱人的凶手。故事二:狙杀。迪怀特以前是罪犯,整容后,他成了酒吧招待雪莉的男朋友,并且帮她教训纠缠不清的前男友,有暴力倾向的杰奇。迪怀特跟踪杰奇一伙到了由妓女帮派统治的老城,杰奇不按规则办事,被妓女们杀死,之后,她们才发现,杰奇是警察,他的死,破坏了妓女们和警察之间的协议。迪怀特必须帮她们掩盖犯罪事实,并且保护她们的权利。故事三:黄杂种哈迪根由于心脏病快退休了,在他警察生涯的最后一小时,哈迪接到情报,参议员的儿子罗杰绑架了11岁的少女南茜,罗杰是几起奸杀案的主要嫌疑人,落到他手里凶多吉少。哈迪根单枪匹马的救出了南希,废掉了罗杰,自己也身受重伤。随后的八年,罗杰的参议员父亲,利用权势将他关在监狱中,逼他为罗杰顶罪,哈迪根一直没有屈服,而南希化名为科里迪娅的来信则是她生活中的唯一慰藉。南希的来信突然中断了,这让哈迪根很不安,他不得不放弃反抗,以认罪来换取假释,寻找保护南希。他并不知道,一直在暗中跟踪他的怪物黄杂种,将让他和南希重新陷入危险之中。
Robert Rodriguez, Frank Miller执导
  • Bruce WillisHartigan
  • Jessica AlbaNancy
  • Clive OwenDwight
  • Mickey RourkeMarv
  • Rutger HauerCardinal Roark
  • Benicio del ToroJackie Boy
  • Alexis BledelBecky
  • Michael MadsenBob
  • Powers BootheSenator Roark
  • Nick StahlRoark Jr. / Yellow Bastard
  • Devon AokiMiho
  • Michael Clarke DuncanManute
  • Rosario DawsonGail
  • Carla GuginoLucille
  • Josh HartnettThe Man
  • Jaime KingGoldie / Wendy
  • Brittany MurphyShellie
  • Elijah WoodKevin
  • Jude CiccolellaLiebowitz
  • Jeff DashnawMotorcycle Cop
  • makdelart2026年1月9日
    What a style! What an atmosphere! The only comic book adaptation of its kind.
  • kev_o2026年3月28日
    Sensational adaption of the source material. Innovation using cgi that we never seen again.
  • Agent _TEG2026年3月1日
    Just the Best of the Best
  • KGM SOSA2026年1月26日
    Sin city is one of the most ambitious & unique films that has ever been pulled off. It’s a modernised film noir based on graphic novel comics. It’s an anthology of stories connected to each other by shared characters in the same city told in a non linear timeline like in pulp fiction. This film is so beautiful & visually compelling due to its film noir style visuals mixed with its gritty graphic novel visuals, this film revives the tragically forgotten medium of film noir. I want to talk about how this was executed before I go into my thoughts about the stories. This film was considered unfilmable until Robert Rodriguez pulled it off. It’s very silhouette heavy because of the way the art in the graphic novel as well as the film noir genre is. Obviously it’s entirely in black & white with the exception of selectively chosen splashes of colour for example blood is bright red & sometimes women’s outfits or lipstick are in colour, as well as eyes occasionally, this tactical almost weaponised use of colour is to aesthetically emphasize emotional impact, thematic symbolism (like love or danger). This was one of the first movies shot entirely on a digital camera & on a green screen background. With colour movies the colour is what separates the character from the background so for Sin City the edge lighting technique was essential for separating characters from the dark backgrounds. Another visionary technique used was the use of fluorescent props such as the bandages on Marv, & the makeup used for Hartigans scars, this is used to make the bandages, scars, etc stand out as white against their characters dark silhouettes, the same technique is used for blood throughout the film. As for the stories they are gritty, nihilistic & visceral. Sin City is infested with criminals, crooked cops & sexy dames, some searching for vengeance, some for redemption & others, both. The film tells 4 stories from the graphic novels, the 3 main ones are ‘That Yellow Bastard’, ‘The Hard Goodbye’ & ‘The Big Fat Kill’, as well as a mini interlude story called ‘the customer is always right’. ‘That Yellow Bastard’ is the story of John Hartigan (Bruce Willis), an honest cop who risks his life to protect a young Nancy Callahan (Jessica Alba) from a politically connected sadistic, disfigured murderer who’s also a p3dofile. She writes him letters until one day they stop, worried she’s in danger he gets out to go save her, all grown up now they fall in love as the go through hell to save her & get vengeance on the yellow bastard. ‘The Hard Goodbye’ Follows Marv (Mickey Rourke) an outcast & a brute framed for a crime he didn’t commit as he searches for the murderer of his one true love Goldie (Jaime King), So he can avenge the only woman who was ever kind to him. This is by far my favourite story of the 3. Lastly, ‘The Big Fat Kill’ follows Dwight McCarthy (Clive Owen), the clandestine love of Shellie (Brittany Murphy), as a bloody act of justice in the Old Town, the city's red-light district, threatens the already delicate truce between the local prostitute community & the police, the taciturn private eye, Dwight, becomes a protector after helping their cause. ‘The Hard Goodbye’ is my personal favourite story, followed closely by ‘That Yellow bastard’ then ‘Tje Big Fat Kill’, the mini story is also great but too short to rank amongst the 3 main stories although it does in its shorter runtime incite lots of emotion. I’ve always been a film noir fan, it’s an unfortunately dying art form mostly active in the 40s & 50s, I love films like ‘The Big Sleep’ (1946), so to see a modern revival of this visually beautiful medium of film is special. I am now obsessed with this film. It earns an easy 11/10 from me.
  • gamegye82026年1月13日
    Great movie
  • mickerdoo2025年7月13日
    Noir comic book style was so cutting edge. Great contrast and choices of color. stories were all similar with sex, violence and dramatics.
  • ChromaticRanger2024年10月31日
    I enjoyed the dark noir style, and almost indestructible characters. I thought it was better than the reviews I had seen.

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