东京湾水隧轰然巨响、大水灌入，突发原因不明的崩塌事件。首相官邸召集阁僚开紧急会议，大多认为“原因是地震、海底火山”，看过网络目击影片的内阁官房副长官矢口兰堂（长谷川博己）指出海中可能栖息巨大生物，内阁总理大臣辅佐官赤坂秀树（竹野内丰）及周围的人对矢口意见皆付之一笑。其后，在海上巨大不明生物现身，惊慌失措的政府相关人员收集情报追踪之际，巨大生物登陆镰仓沿路破坏建物前进，日本政府因应设置紧急对策本部下达防卫出动命令，美国国务院则派遣总统特使加代子·安·派特森（石原聪美）关切，面临未曾有的威胁，不仅日本、世界也注视其动向。自卫队与称作“哥斯拉”的巨大生物在川崎市展开大决战，究竟人类是否抵御得了这远远超出所知的“完全生物”。
- PapaHamzeh2025年3月6日Tied for the best Godzilla movie ever made.
- NewFilmsAnonymous2025年6月19日Not as catered to the masses as "Godzilla Minus One", resulting in a superior film.
- staale.r63天前so bad.. soooo inceredebly bab...
- MechaJayZilla2025年8月30日One of the top films in the franchise. A fantastic reimagining of the King of Monsters. And great social commentary - scathing even - of Japan's government gridlock during/following the 2011 Japan earthquake and tsunami.
- Daiken Seige2026年7月14日A great Godzilla Movie. But fair warning it does have alot of politics in it when it come to how they are going to fight a Kaiju. I found it interesting cause it bring a since of realism to the movie but I'm sure it's not for everyone. Also the Shin Universe is off to a great start. With Godzilla, Ultraman, and Kamen Rider I hope to see more from them
- CatcherNTheRyan2026年1月26日This is the scary Godzilla and maybe the best one.
- jishswood2025年4月10日Excellent movie. The pacing and depiction of government reactions seemed quite realistic. I will say, though, that the monster initially appeared beyond ridiculous. It looked like they asked an 8 year old to draw godizilla, and then they animated that drawing. I highly recommend watching though.
- Jett Rehm2026年7月9日If the English translation wasn’t just a bunch of bs id be able to enjoy it better but I would like to see a movie where they couldn’t stop this Godzilla
- Jonathan Grindstaff2026年4月27日Godzilla from a fresh perspective. This is probably my favorite entry since Tokyo SOS. If you like Godzilla you will love shin Godzilla.
- cultfilmliker2025年8月25日“‘Post-war’ extends forever” Couldn’t help but think of the opening of Jackass Forever for the first 15 that Godzilla was on screen. The monster really grows on you
- Shaydeknight2026年6月8日Shin Godzilla is, on the surface, a giant monster film. There is a new incarnation of Godzilla, stranger and more unsettling than many of its predecessors, and the creature's destructive path provides the film's central conflict. Yet to describe Shin Godzilla merely as a monster movie is to miss what makes it so unusual. At its heart, the film is a sprawling procedural. Rather than focusing primarily on military action or individual heroics, it examines how institutions respond to an unprecedented crisis. The real subject of the film isn't Godzilla, it's how human systems are forced to react to the monster's existence. The film moves at a remarkable pace. Characters are introduced in rapid succession, often accompanied by brief title cards identifying their positions and responsibilities. At first this can feel overwhelming, but it quickly becomes clear why the filmmakers made this choice. The story isn't about a handful of protagonists, it's about a network of people, agencies, ministries, scientists, civil servants, and military personnel working together under extraordinary pressure. One of the film's greatest strengths is its fascination with process. Meetings lead to more meetings. Decisions require consultation. New information forces revisions. Authority shifts from one group to another. Far from being tedious, these details become engrossing because they demonstrate how complex societies function when confronted by disaster. Every solution requires cooperation, expertise, and compromise. The political dimension is equally compelling. As the crisis escalates, international actors become involved, bringing their own priorities, concerns, and demands. The problem ceases to belong solely to Japan. Questions of sovereignty, diplomacy, and global security become intertwined with the immediate challenge of stopping the creature. The film treats politics as an essential part of the drama. This places Shin Godzilla in a category of its own. It's not a traditional Toho kaiju flick built around monster brawls. It's not a slick Matthew Broderick Hollywood-style attempt to make Godzilla feel conventionally realistic. It's not a mass-market blockbuster in the mould of the modern Godzilla and Kong films. Nor is it the emotionally driven historical allegory of Godzilla Minus One. Instead, Shin Godzilla is something far stranger and more distinctive. It's a film about competence under pressure. It is about people with different skills, agendas, and personalities finding ways to work together in the face of a common threat. The drama emerges from organization, sacrifice, ingenuity, and perseverance. For that reason, I found it as fascinating as films such as Contagion or Thirteen Days. The monster may dominate the screen, but the true spectacle is watching human beings struggle, adapt, and ultimately cooperate when confronted with the impossible. Shin Godzilla is one of the most unusual entries in the franchise and one of the most mesmerizing. It's the compelling portrait of a society refusing to stop functioning, even when faced with a nightmare beyond comprehension.
- paullywise2026年3月24日Excellent and hilarious send up of absurdities of beauracratic systems and global politics. Awesome monster too.
- Richard2025年10月12日This one’s a slow burn with sharp teeth. Shin Godzilla isn’t about monster mayhem, it’s about paralysis, bureaucracy and the terrifying speed of evolution. The creature’s early form is almost laughable, googly eyed and awkward, but it quickly becomes something horrifying, unstoppable and eerily symbolic. The real monster, though, might be the government’s response: endless meetings, indecision and red tape while Tokyo burns. There’s no central hero here, just a swarm of officials trying to adapt. And that’s the point. It’s a scathing allegory for Japan’s handling of the 2011 Fukushima disaster, but it resonates far beyond. It’s not flashy, but it’s bold, biting and deeply relevant. A modern Godzilla film that dares to ask: what if the real horror isn’t the monster, but our inability to act?
新哥斯拉花絮
新哥斯拉于2016年7月29日发布。
新哥斯拉由Shinji Higuchi, Hideaki Anno执导。
新哥斯拉的时长为2小时。
新哥斯拉由Yoshihiro Sato, Masaya Shibusawa, Taichi Ueda, Kazutoshi Wadakura制作。
东京湾水隧轰然巨响、大水灌入，突发原因不明的崩塌事件。首相官邸召集阁僚开紧急会议，大多认为“原因是地震、海底火山”，看过网络目击影片的内阁官房副长官矢口兰堂（长谷川博己）指出海中可能栖息巨大生物，内阁总理大臣辅佐官赤坂秀树（竹野内丰）及周围的人对矢口意见皆付之一笑。其后，在海上巨大不明生物现身，惊慌失措的政府相关人员收集情报追踪之际，巨大生物登陆镰仓沿路破坏建物前进，日本政府因应设置紧急对策本部下达防卫出动命令，美国国务院则派遣总统特使加代子·安·派特森（石原聪美）关切，面临未曾有的威胁，不仅日本、世界也注视其动向。自卫队与称作“哥斯拉”的巨大生物在川崎市展开大决战，究竟人类是否抵御得了这远远超出所知的“完全生物”。
新哥斯拉中的关键角色有Rando Yaguchi（Hiroki Hasegawa）, Hideki Akasaka : Special Advisor to the Prime Minister（Yutaka Takenouchi）, Kayoko Ann Patterson : US special envoy（Satomi Ishihara）。
新哥斯拉的评级为PG-13。
新哥斯拉是一部科幻, 恐怖, 剧情电影。
新哥斯拉的观众评分为8（满分10分）。
新哥斯拉的预算曾是US$1500万。
新哥斯拉的票房收入为US$7805.3万。