1947年新年前夕，希拉·佩奇（一位演员）开枪打死了他丈夫（一位编剧）。她觉得很后悔，后悔打死了她丈夫。她希望这一年能重新来过，她就会好好爱自己的丈夫，决不让杀丈夫的悲剧重演。结果老天爷为她拨回了时间，让她重新过一次1946年...，那结局会不会一样，她丈夫会不会被她开枪打死，她能否避免悲剧的再次发生？
在哪里观看重蹈覆辙
- eif9992025年1月24日Film noir and The Twilight Zone have more in common than you'd probably think. B-movie actors from the 40s peppered the casts of Twilight Zone episodes almost 20 years later. Dutch angles magnify tension; and other impressive black and white photography (at least before the Twilight Zone started to shoot on video late in the series) on the CBS show could easily be mistaken for a classic noir. Watch the credits at the end of a TZ and you'll see many names sometimes associated with film noir: Harry J. Wild, Joseph LaShelle, John Brahm, Richard Florey to name a few. Of course the fantasy/sci-fi element of the Twilight Zone are usually not found in noirs. The exceptions being Val Lewton's RKO horror films and the New Years Eve thriller, Repeat Performance. Repeat Performance was released in 1947 by Eagle-Lion films who at the time were trying to establish themselves as a major force in Hollywood. They put out some “nervous As” – not cheap enough to be Bs but not expensive enough to be As. Repeat Performance fits that description. Clunky and far-too-dramatic opening credits leads to a classic noir open, then a cheapish looking movie filled with former stars (Louis Hayward) and actors just starting out (Richard Basehart in his first film roll.) Repeat Performance may be a bit too full of soapy dramatics to be a top-shelf noir, but it certainly could be served to noir fans without complaint. The fantastic looking – dark and stylish – opening and end of the film more than make up for the frothy middle – and for me makes the film a worthy entry in the film noir classic period. Despite its obvious flaws – and it really is probably only loved by fans of old black-and-white mysteries --it's one of my favorite New Years Eve tales. Encore! Just before midnight on New Year's Eve, 1946, Broadway actress Sheila Page (Joan Leslie) shoots her husband Barney (Hayward) and then rushes to see her friend, odd-ball poet William Williams. After a distressed Sheila confesses her deed to William (Basehart), he suggests they talk to Sheila's producer John Friday (Tom Conway). As Sheila and William are walking up to John's apartment, Sheila wishes that she could relive the past year, insisting that if she had it to do over, she would not make the same mistakes twice. Upon reaching John's door, Sheila notices that William has disappeared and then gradually realizes that something is wrong. An unnecessary voice over explains what is obvious to the viewer. Her hair and clothes have changed and she's been transported to an earlier time – exactly a year before. She has one year to make up for the mistakes she made leading up to her crime. The “voice over” is a common element found in film noir. But in this case it sounds much more like the Rod Sterling TZ introductions than a typical film noir Mitchum-esque V.O. The film is based on a book by William O'Farrell. O'Farrell doesn't seem to have many other books after this, his first. Published in 1942, the book is something. Over at the Mystery File, Dan Stumpf writes, “O’Farrell can write. He can put across a bitchy theatrical milieu and a seedy flophouse with equal aplomb, evoke a desperate chase and a disparate seduction with commensurate suspense, and weave a tale of murder and melodrama (verging on Soap Opera at times, but teetering skillfully on the edge) with prose that keeps the pages turning very nicely.” There are many changes from the book (which is wonderfully bleak) and the movie. Barney is the actor that goes back in time, not Sheila. Barney begins the novel as a flop-house drunk after shooting his girlfriend following the suicide of his wife Sheila. When on the run from cops, Barney and William and Mary (a gay man in the book that Basehart smartly hinted at in the movie) get shot at by the cops leading to the magical happenings. The scene is so cinematic I'm a bit surprised they didn't find a way to shoe-horn it into the film. And although it is soapy, O'Farrell's novel concludes more satisfactory than most thrillers. A good read if you can find it. O'Farrell's book was his only one to gain any attention. His movie and TV credits are slim too – he did write an episode of Alfred Hitchcock Presents. Repeat Performance was remade into a 1980s TV movie (with Joan Leslie in a small part). The cast of the '47 film includes Louis Hayward. Hayward's career wasn't what it was just a few years before, but he did make some interesting choices. He was best friends with Edgar G. Ulmer and appeared in Ulmer's Citizen-Kane-of-B-noir drama Ruthless in 1948. 1950 he starred in one of Fritz Lang's last US productions House By the River. Ladies in Retirement, And Then There Were None and Strange Woman all were released around the same time as Repeat Performance. Tom Conway is a favorite. In addition to Cat People and the 7th Victim he was The Falcon in that long running mystery series (replacing brother George Sanders who got bored with the part. Similarly, Sanders replaced Hayward as The Saint in the movie series that The Falcon was most likely based on.) Joan Leslie - so good in High Sierra - isn't as strong as her Repeat Performance co-stars but she gets the job done. Not an easy task when you consider how outrageous the story gets. Finally, Richard Basehart captures the book's “William and Mary” part without being obvious about it. I know most remember Basehart from TV's Voyage to the Bottom of the Sea and the voice of the 1984 Olympics but his contributions to film noir is impressive. The next year Basehart would star in the unforgettable He Walked by Night. His other noir credits include the period film Reign of Terror, Tension, Outside the Wall, Fourteen Hours, The House on Telegraph Hill, and the Brit noir The Good Die Young. Submitted for your consideration: 1947's Repeat Performance. Repeated viewing encouraged... in the Twilight Zone.
重蹈覆辙花絮
重蹈覆辙于1947年9月15日发布。
重蹈覆辙由Alfred L. Werker执导。
重蹈覆辙的时长为1小时 31分钟。
重蹈覆辙由Aubrey Schenck制作。
1947年新年前夕，希拉·佩奇（一位演员）开枪打死了他丈夫（一位编剧）。她觉得很后悔，后悔打死了她丈夫。她希望这一年能重新来过，她就会好好爱自己的丈夫，决不让杀丈夫的悲剧重演。结果老天爷为她拨回了时间，让她重新过一次1946年...，那结局会不会一样，她丈夫会不会被她开枪打死，她能否避免悲剧的再次发生？
重蹈覆辙中的关键角色有Barney Page（Louis Hayward）, Sheila Page（Joan Leslie）, Paula Costello（Virginia Field）。
重蹈覆辙的评级为Not Rated。
重蹈覆辙是一部剧情, 悬疑, 犯罪电影。
重蹈覆辙的观众评分为6.4（满分10分）。
重蹈覆辙的预算曾是US$60万。