夜母
由Marielle Heller执导电影根据蕾切尔·约德的同名小说《夜母》改编，原作入围了美国笔会/海明威奖。讲述了一位新晋为母亲的女性艺术家，在全职照顾孩子时越发孤独焦虑的故事。在她眼里，自己从来都不是一个母亲，既然现在成了母亲，就一定要成为快乐的那个。经过多番努力与尝试后，她发现只有变身母狗可以实现这一愿望。
夜母的评分和评论
- Cappy June2026年3月21日Odd movie. It was like a book being read with scenes of a movie adaptation brought into the experience.
- SirMonkalot2026年3月18日I already didn’t want kids and this just reaffirms my decision. This was enjoyable, a dark comedy with some body horror elements mixed in. I liked the weirdness of it but wished it was weirder, it was a strange fun film but could have been stranger.
- Shaydeknight2025年10月21日Nightbitch is one of those films that walks the line between absurdity and revelation. For the most part, it stays upright. Anchored by an exceptional performance from Amy Adams, the film offers an uncomfortable exposition of modern motherhood. Adams is genuinely transformative here. Not in the prosthetic or cosmetic sense, but in her willingness to inhabit a body and psyche shaped by motherhood's contradictions. She's raw, grounded, and fearless, embracing what might be called a “mom-bod” with unapologetic realism. She is physically committed, psychologically exposed, and completely free of vanity. She is a consummate professional and brave on camera. The supporting cast, especially Scoot McNairy, provides strong counterbalance, and the cinematography is often stunning. The "dog transformation" motif, bizarre as it sounds, functions well as a metaphor for the metamorphosis women undergo in motherhood, and how that experience can both awaken and unmoor them. However, the film's strengths are also its flaws. Its pacing sometimes drags, with scenes that feel more like essays on identity than narrative progression. While the central metaphor is rich, the thematic messaging occasionally veers into sermonizing. More troubling is the familiar contemporary tendency to flatten male characters into caricatures. These days, it seems like men in female-oriented films are either simpletons, manipulators, or complete wimps. Here, we get a blend of the latter two. McNairy's character ends up apologizing for... what, exactly? Supporting his family? Honouring the partnership they agreed upon? The resolution feels less like growth and more like an obligatory gesture toward a fashionable brand of gender critique. At its best, Nightbitch is raw, provocative, and beautifully acted. At its worst, it echoes the sort of socially detrimental academic feminism we're all just bored with, becoming self-serious, smug, and more interested in making statements than telling stories. Still, it's a film that demands attention, and Adams' performance alone makes it worth the watch.
- Cineit.blog2025年10月20日This is the anti-Instagram movie every isolated parent needs to see. It’s a raw, darkly funny body horror that uses the metaphor of turning into a dog to explore the suppressed rage and identity crisis of motherhood. The film is brutally honest and deliberately gross, acting as an "antidote" to the myth of the perfect mother. While some scenes might make you squirm, the psychological terror and Amy Adams' raw performance are brilliant. A must-watch for parents with no support system—it truly gets how isolating and hard having kids can be.
- Kevin Ward2025年7月1日Amy Adams really owns this role and it’s really nice to see her in a movie that is actually good again, even if it’s not quite the homerun I was hoping for. Nightbitch manages to capture a lot of the humor and sadness of the realities of what it means to become a mother—societal expectations, marital expectations, and even more so the sheer physical toll it takes on bodies. I think any parent or co-parent is going to find a lot of this film hit home. As a film, though, I felt like the last act was way too overt with it’s themes resorting to a lot of voiceover from Adams to reveal her interiority. Would have paid $$ to see what she could do to a walnut though.
- qmechan2025年1月23日Amy Adams might be a loon, Though her only crime's not being in tune With her son and his dad. Is it really so bad To occasionally bark at the moon?
- Desmond Dale2025年1月24日Better than it has any business being with its admittedly hoaky sounding premise. However, I believe the film is largely mislabeled and misunderstood. This isn't a horror comedy though it has a few horrifying bits and moments of comedic relief, but rather a transcendentalist tale of later aged self discovery and enlightenment. The dog transformation stuff is just a vehicle for conveying the Metamorphosis that women must undergo to bare children and how they are forever changed in the aftermath. Amy Adams is phenomenal as usual, fully committing to the carnal atavistic requirements of the role while also conveying her growth and evolution. The film flirts with feeling pedantic but it's so sincere and genuine that it mostly feels like bold honesty. It's a soul-searching pro-feminist film parading around as stupid body horror schlock.
- DeathTech002025年6月18日Interesting story, very heavily leans on cronenberg-esque transformations which are pretty neat as far as FX goes. Story is good, but is definitely a power fantasy that leans heavily towards one side. Bit of a Pander-verse move, but Amy knocks it out of the park.
- CrossCutCritic2025年5月1日The Wild God of Motherhood --- Somewhere between a kitchen sink and a dog bowl, something sacred happens. Amy Adams plays a woman — unnamed, unmoored — raising a child in the soft apocalypse of domestic life. She makes lunches. She folds laundry. She smiles through clenched teeth. And then one day, she starts growing hair. --- This isn’t body horror. It’s soul honesty. Nightbitch isn’t asking if she’s turning into a dog. It’s asking if she was ever allowed to be human. Because when you silence the howl long enough, eventually it finds a way out. --- There’s nothing tidy about this movie. Not the mood. Not the metaphors. Not the woman herself. And that’s the point. This is the psalm no one wanted to write — the one with milk stains and claw marks, the one where God is silent and the only prayer is breathing through another sleepless night. --- Adams doesn’t play the woman as crazy. She plays her as cracked open. As someone whose longing is bigger than the box she’s been put in. And when she starts to run — literally, ferally — you don’t judge her. You envy her. You realize: she’s not losing her mind. She’s finding her body. She’s finding the part of her that was never housebroken. --- There’s a scene with a deer. There’s another with blood. There’s a moment of embrace that feels too animal to be called love and too holy to be anything else. That’s where Nightbitch howls the loudest: You were made for more than coping. --- And here — hidden under the fangs and fur — is the cross. Not the one from the church bulletin. Not the polished one hanging around someone else’s neck. But the real one: the one you carry in your spine when no one sees you, the one you drag across tiled floors in the middle of the night, the one that bleeds you slowly as you learn how to mother without losing yourself. --- Nightbitch is strange. But so is God. And maybe that’s the mercy — that even when we become unrecognizable, even when we grow wild with grief, even when we say things we’re not supposed to say and feel things we’re not supposed to feel — the Spirit stays. Not to tame us. To run with us.
- Luke Erickson2024年12月28日They do capture the struggle of a new mom and how to reconcile your new and old life. Not to mention the sacrifices they've made to care for the child. I'm not powerful and haven't created bones, so I can only speak from my observation of my wife. Women are amazing and the ability to birth life is terrible and incredible at the same time. Sadly, the movie seems to lose its way as it's telling this message. I guess I showed up for potential Werewolf hijinx and I got a movie about the power of women and mothers. It was ok but different than what I expected.
- Oʂɯαʅԃσ Rσყҽƚƚ2025年3月9日Adams, though, works like magic glue to keep it all together. At its best, "Nightbitch" is many things at once: funny, unruly, bizarre, tender.
- jackmeat2025年2月8日quick rating - 5.5/10. This was a deeply introspective and artsy film that takes the concept of motherhood to wild, metaphorical extremes. Based on Rachel Yoder's novel, the story follows an unnamed mother (Amy Adams, in a career-highlight performance) as she grapples with the isolation, monotony, and identity shifts of stay-at-home parenthood. Slowly, she begins to believe she’s transforming into a dog, a bizarre but poignant metaphor for the feral instincts and untamed power that come with motherhood. Adams is exceptional, fully embodying the complexity of her character’s emotional descent. Her portrayal is raw, layered, and powerful enough to warrant serious awards consideration. The film itself is an intimate exploration of the psyche, blending motherhood, identity, and societal expectations in a surreal and symbolic package. However, Nightbitch’s classification as a horror film is puzzling. There isn’t a single moment that evokes fear or dread, despite the premise hinting at potential body horror or werewolf-like transformations. Instead, the film plays out as a psychological drama with heavy arthouse sensibilities. Its refusal to lean into genre tropes may disappoint viewers expecting something more visceral or thrilling. The nameless characters, referred to only as Mother, Son, and Husband, add to the film’s abstract, universal tone but also create an emotional distance that makes it harder to connect with their personal struggles. The pacing drags at times, with the narrative focusing more on themes than plot progression, leaving some sequences feeling repetitive or overly indulgent. While Nightbitch is undeniably well-crafted and thought-provoking, it’s not for everyone. Its artsy, symbolic approach to storytelling will resonate with those who appreciate introspective dramas but may frustrate those expecting a more dynamic or genre-driven experience. I can attest to hoping for horror for much of it. For all its creativity and ambition, it’s a film that bites more than it barks, leaving you with an intriguing but ultimately uneven viewing experience.
- Charlie.Hughes2025年1月31日Erm it's not worst, not really a horror or comedy though 😅
- Hipster ZOMBIE2025年1月26日Weird yet poignant, Nightbitch deliver a unique story around the struggles of everyday moms who sometimes turn into dogs. Some times funny other times thought provoking, Amy Adams puts this film on her back and delivers a fantastic performance.
- TonyBennett2025年1月20日Wasn't what I expected but had good acting.
夜母花絮
夜母于2024年12月6日发布。
夜母由Marielle Heller执导。
夜母的时长为1小时 38分钟。
夜母由Marielle Heller, Christina Oh, Sue Naegle, Anne Carey, Stacy O'Neil, Amy Adams制作。
电影根据蕾切尔·约德的同名小说《夜母》改编，原作入围了美国笔会/海明威奖。讲述了一位新晋为母亲的女性艺术家，在全职照顾孩子时越发孤独焦虑的故事。在她眼里，自己从来都不是一个母亲，既然现在成了母亲，就一定要成为快乐的那个。经过多番努力与尝试后，她发现只有变身母狗可以实现这一愿望。
夜母中的关键角色有Mother（Amy Adams）, Husband（Scoot McNairy）, Son（Arleigh Snowden）。
夜母的评级为R。
夜母是一部喜剧, 恐怖, 剧情电影。
夜母的观众评分为4.1（满分10分）。
夜母的预算曾是US$2000万。
夜母的票房收入为US$17万。