- SpikyCactus1天前Top badass moment? I wasn’t expecting a hard hitting, First World teen problems exposé – and I was right. So there I was, thinking Miley Cyrus is just a bit of a bimbo who makes forgettable pop and who’s only claims to fame are twerking and having a long tongue – and I was right about that as well. Okay, that’s a bit harsh. It’s tough to really dislike anyone who makes their character so decently ‘nice’ and wholesome, and she does sell that convincingly (not that she was given much to sell) - and she looks very cute, too. So Miley, who enjoys family bathtimes - is that normal or am I entirely missing a subplot here – loses the boy then gets him back again. (I suppose that's technically a spoiler, so for anyone who's never ever seen a teen romcom, I apologise.) Nothing ages faster than a teen-focused film and this one certainly makes the point; they even use mobiles phones with buttons on them! Actual, real buttons that you have to apply a pressure to. I guess they don’t make movies like this anymore, it’s like a Noughties film that arrived more than fashionable late for the party, but tries to get drunk and dance badly anyway. It literally has an entire decade of clichés to select from and it pigs out on just about all of them. And it’s totally woke-free, too. There's barely a single they/them, non-white, gay, disabled or trans character in sight, how offensive! They didn’t even mention about caring for the environment, I didn’t notice any recycling taking place and no one seemed to have any sort of mental health problem either. A few times it does exhibit that slightly surreal feeling that I really like in films, but then it dissipates and we’re back to a do-it-by-the-numbers White, middle-class, teen school romcom that’s as edgy as ping-pong ball. And I’m afraid during last ten minutes or so I started to taste some vomit in the back of my throat. Oh, and the band’s music is so averagely indie I literally forgot the tunes before they’d even finished playing them; thank goodness we don’t get to hear much of it; from the reaction of the crowd I can only assume that they must be starved of live music in Wrigley. Technically it’s fine, the plot is a cliché, the script’s mostly okay (and to be honest I did laugh out loud a few times), and the acting’s decent enough. But it is what it is and as a product of its time it hits most of its targets. I quite enjoyed it and mostly for the right reasons, too; (except the last few minutes - uurgh). No cats, chainsaws or decapitations.
放声大笑花絮
放声大笑于2012年3月1日发布。
放声大笑由Lisa Azuelos执导。
放声大笑的时长为1小时 36分钟。
放声大笑由Esteban Martin, Tish Cyrus-Purcell, Michael H. Shamberg, Stacey Sher制作。
这部青春喜剧片讲述的是互联网和网络无所不在的当下，高中女生劳拉和她的死党们一边要忙于应付学校的压力和同窗好友的罗曼蒂克，一边还要与落伍的父母怎样才能和谐相处的故事。 本片翻拍自2008年的同名法国电影，LOL是“Laughing out loud”的缩写，意为“大笑”，在片中也是罗拉的昵称。罗拉（麦莉-赛勒斯 饰演）是一名十七岁的少女，与单亲母亲安妮（黛咪-摩尔 饰演）住在一起。她们各自都经历着自己的艰难时期，罗拉对抗着青春性意识的苏醒和毒品的诱惑，安妮正在试图走出离婚的阴影。在高中新学期的伊始，罗拉面临着全新挑战，即要努力寻找家庭与学校、爱情与友情的平衡点。在被男友抛弃之后，她努力表现得毫不在乎，却在一个人的时候痛哭失声。安妮（黛咪-摩尔 饰演）由于担心女儿，偷看了她的日记，这令她意识到和女儿之间已经产生了多么大的隔阂，她总是不知道何时该严厉管教女儿，何时又该随遇而安。与此同时，罗拉结识了在摇滚乐队做乐手的凯尔（道格拉斯-布斯 饰演），他们彼此吸引，成为了至交好友，就在他们的友情即将进展为爱情的时候，却遭到了阻挠……
放声大笑中的关键角色有Lola Williams（Miley Cyrus）, Anne Williams（Demi Moore）, Kyle Ross（Douglas Booth）。
放声大笑的评级为PG-13。
放声大笑是一部喜剧, 剧情, 爱情电影。
放声大笑的观众评分为5（满分10分）。
放声大笑的预算曾是US$1100万。
放声大笑的票房收入为US$1050万。