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堤
由
Chris Marker
执导
Not Rated
1962年2月16日
29分钟
爱情
,
科幻
,
还有更多
8.2
90%
93%
7.9
在Prime Video上观看
在Prime Video上
以$19.99购买
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一個男人在一次實驗中面對自己的過去,試圖找出解決世界大戰所造成的末世問題的方法。
More
在哪里观看堤
Short of the Week
免费
The Criterion Channel
订阅
Amazon Video
以$19.99购买
还有2个
堤的演员
Jean Négroni
Narrator (voice)
Hélène Chatelain
Davos Hanich
Jacques Ledoux
André Heinrich
Jacques Branchu
Pierre Joffroy
Étienne Becker
Philbert von Lifchitz
Ligia Branice
Janine Klein
William Klein
Germano Facetti
Chris Marker
导演 / 剧本 / Director Of Photography
Anatole Dauman
制片人
Jean Chiabaut
Director Of Photography
Jean Ravel
剪辑师
Trevor Duncan
原创音乐
堤的评分和评论
CrossCutCritic
2025年5月5日
The Man Who Remembered the Wrong Moment There is a pain deeper than death. It is the ache of remembering the wrong thing—the wrong person, the wrong time, the wrong love—and then realizing you can't change it. Not even with all the time in the world. Chris Marker’s La Jetée is twenty-eight minutes of still images and a single blink of motion. But within that silence lies a scream: the primal cry of the human soul trapped between memory and longing, destiny and despair. This is science fiction in form. But theology in soul. --- A man survives the apocalypse by being chosen. Not because he is heroic, but because he has a memory—a single image of a woman’s face, on a pier at an airport, before the world fell apart. That memory becomes his anchor. His key. His curse. Scientists use him to tunnel through time. They hope to exploit the past to save the present. But this isn’t really a film about time travel. It’s about time haunting us. Bending us. Refusing to be escaped. He meets the woman again. She becomes real, for a moment. And then the moment ends. --- There’s something cruciform about this story. The man is chosen. He is sent. He suffers. And he dies—not for glory, but for love. For the memory of love. For a memory that was never his to begin with. And the horror is this: He dies at the moment of greatest desire. He runs toward the memory he has clung to his whole life. Only to discover that the moment he remembers is the moment he is killed. What he thought was a symbol of safety was actually the scene of his own death. What he thought was home was a cross. --- La Jetée is not a parable. It is a liturgy of futility. And yet—a whisper remains: What if our ruin is not the end, but the beginning of grace? The man never escapes time. But maybe time never escaped him either. Maybe the past is not something to be used, but something to be mourned. And maybe the only way forward is to let the memory die—so that something more eternal can live. "You think your ruin disqualifies you. But I say—this is where I begin." La Jetée doesn’t offer resurrection. But it points toward it. *** Postscript: If This Moved You, You Might Also Appreciate... Winter Light – A pastor loses his faith and finds something darker. Or truer. Through a Glass Darkly – A daughter’s madness is the voice of God hidden in silence. Ordet – Faith dies, and rises again—but only through death. Mickey 17 – Sci-fi resurrection, and the ache of being replaceable. Kapo – A Jewish girl reclaims her name and faith in the ash of atrocity. These are not reviews. They are psalms, written with a lens. And you are welcome to read them as one of the faithful. Or as one still remembering the wrong moment.
The Ringer
Adam Nayman
Each black-and-white frame is striking, dynamic, surprising, and tragic; they mark you forever.
Combustible Celluloid
Jeffrey M. Anderson
The major influence on Terry Gilliam's 12 Monkeys, La Jete is made up almost entirely of still photographs that tell the futuristic story of a time traveler.
Scene-Stealers.com
Eric Melin
It's a stirring, emotional film about the unique hold memories have over people's lives and how experiences themselves are fleeting.
Film Threat
Phil Hall
One of the greatest films ever made.
ColeSmithey.com
Cole Smithey
Lovely.
Dennis Schwartz Movie Reviews
Dennis Schwartz
Always confounding even when it seems accessible, the mysterious and gripping plot raises unanswerable questions about time, memory and the progress of life on this planet.
TV Guide
A remarkable and unique experimental short that consists solely of still frames, narration, music and sound effects as it relates an apocalyptic tale of memory and time-travel.
Chicago Reader
Jonathan Rosenbaum
One of the best of all SF films is this haunting, apocalyptic 27-minute French short by the great Chris Marker.
Cinemania
Dan Jardine
Eisenstein stripped back to the studs. Powerful, haunting, unforgettable.
New York Times
Bosley Crowther
I find it tediously pretentious, but there are striking images in it, and it does get across a vague impression of Frankensteinian meddling with the brain.
San Francisco Chronicle
Jonathan Curiel
This is Marker's masterpiece.
Not Coming to a Theater Near You
Rumsey Taylor
It is an essential fiction, a short story whose diminutive length does little to foretell its breadth.
Lawrence Journal-World
Jon Niccum
The most haunting sci-fi film ever made.
New Times
Luke Y. Thompson
A perfect little short all shot in still images -- more haunting than its big-budget remake, 12 Monkeys
eye WEEKLY
Jason Anderson
One of the most startling and haunting films to ever fall under the banner of science fiction.
Movie Habit
Marty Mapes
The narrator's own haunting story is what makes this film truly mesmerizing.
MovieMartyr.com
Jeremy Heilman
One of the most cohesive expressions found in the art form.
堤花絮
堤的发布日期是什么?
堤于1962年2月16日发布。
谁执导了堤?
堤由Chris Marker执导。
堤的时长是多少?
堤的时长为29分钟。
堤的制作人是谁?
堤由Anatole Dauman制作。
堤的情节是什么?
一個男人在一次實驗中面對自己的過去,試圖找出解決世界大戰所造成的末世問題的方法。
堤中的关键角色有哪些?
堤中的关键角色有Narrator (voice)(Jean Négroni), Hélène Chatelain, Davos Hanich。
堤的评级是什么?
堤的评级为Not Rated。
堤是什么类型?
堤是一部爱情, 科幻, 剧情电影。
堤的评分是多少?
堤的观众评分为9.3(满分10分)。
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