零点地带

Directed by Gillo Pontecorvo

Not Rated

1960 1小时 57分钟剧情, 战争

7.657%84%6.9

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Gillo Pontecorvo生于比萨。在大学时专攻化学，但大学毕业后进入报界，在报纸编电影版，不久到巴黎做意大利报纸的通讯记者，结交了不少法国影人，并且做了法国名导演尤亚克莱的副导演。回国后连续拍了几部纪录片，1955年拿他导演的《Giovanna》参加威尼斯影展获得好评。1957年他与马雷堤合导《蓝色的海》，故事描述渔人用炸药取鱼，结果自己也被炸药炸死，是充满了对穷人的同情和抗议社会的作品。1960年导演《零点地带》，描写在纳粹集中营里那些意大利走狗的丑行，题材新鲜，获得评价甚高。其后沉默了七年，才导演轰动全球的《阿尔及尔之战》，这部运用写实手法描写阿尔及尔市民反抗统治者法军的伤作品，不论是他的写实，和那徐徐升高的故事性，都达到电影艺术的最高境界。

Where to Watch 零点地带

Cast of 零点地带

Susan StrasbergEdith
Laurent TerzieffSascha
Emmanuelle RivaTerese
Didi PeregoSofia
Gianni GarkoKarl
Annabella BesiCarole
Graziella GalvaniIsabelle
Paola PitagoraGeorgette
Eleonora Bellinzaghi
Bruno Scipioni
Dragomir Felba
Mira Dinulović
Semka Sokolović-Bertok
Sima Janićijević
Rastislav Jović
Dušan Perković
Gillo Pontecorvo导演 / 剧本 / 原创音乐
Franco Solinas剧本
Moris Ergas制片人
Piero GherardiProduction Design
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零点地带 Ratings & Reviews

CrossCutCritic2025年4月25日
Kapò (1959) When the Lost Believe They're Unfindable --- There is a wound so deep it forgets its name. Kapò is not a Holocaust film in the conventional sense. There are no grand heroics, no sentimental flashbacks, no Spielbergian strings to rescue you emotionally. What it offers is a question: What happens to the soul that survives by becoming someone else? Edith is that soul. Fourteen. Jewish. Torn from her family and cast into Auschwitz. And then—an erasure. A false identity. A collaboration with death. Nicole is the name she wears now. It means “victory of the people.” A bitter irony for a girl who saved her body by crucifying her soul. She becomes what she must to stay alive. And in the process, dies in the only way that matters. --- Kapò is not about atrocity. It is about exile. Not geographic, but existential. The exile from belovedness. Because Edith does not just believe she has done evil. She believes she has become it. She is, in the end, not just hiding from the Nazis. She is hiding from herself. --- And yet… God goes looking. Not loudly. Not with plagues or trumpets or parted seas. Just with one man: Sascha. A Russian prisoner. A gentle face. A slow voice. A heart big enough to say: I know what you’ve done. I love you anyway. This is not romantic flourish. It is theological architecture. Because when someone is buried under shame, they cannot claw their way out. They must be named. Loved. Called. Not despite what they’ve done—but precisely because of it. Sascha does this. And for a flicker of time, Nicole becomes Edith again. Not fully. Not yet. But the ember glows. --- And then betrayal. Sascha is not what he seemed. Or maybe he was, but fear swallowed him. The plan to escape the camp requires Edith’s death. He knows. He tells her anyway. And now we are past doctrine. Now we are in Gethsemane. --- Kapò is not subtle about its final sequence. It is a Passion Play. Edith walks alone to the place of her death. She could flee. She does not. She enters the power station. Shuts it down. Tears out the circuits. Dismantles the machine of death. And waits to be killed. But it is not suicide. It is surrender. --- Carl, the only soul in the film still capable of pity, finds her body. Holds her as she bleeds out. Watches her lips form a final prayer: The Shema. Not “Nicole.” Not “kapò.” But Edith. A name spoken into eternity. A soul reclaimed. --- You could say this is a film about guilt. But it’s not. It’s a film about grace. The kind that finds you in the ruins of yourself. The kind that waits until every other thing has been stripped away—identity, safety, even love—and then speaks one last word: Mine. Edith is the lost sheep who wandered too far. Who crossed too many lines. Who forfeited too much. And still, the Shepherd came. Because no line is too far for a God who walks into hell to bring you home. *** And if this spoke to you... Here are a few more films I've reviewed where the cross meets the human soul in unexpected places: Winter Light – For those who’ve cried out and heard only silence. Ordet – A film about resurrection, madness, and what love dares to believe. Through a Glass Darkly – For the soul caught between delusion and divinity. The Tree of Life – Memory as liturgy. Pain as prayer. Grace as the last word. Mickey 17 – A clone’s search for worth in a world of expendables. Sinners – A cartoon parable for our anxious, performative age. Greyhound – A war film that’s secretly about pastoral care under fire. These aren’t “Christian movies.” But they are haunted by a deeper hope. Maybe you are too.

零点地带 Trivia

零点地带 was released on 1960年9月29日.

零点地带 was directed by Gillo Pontecorvo.

零点地带 has a runtime of 1小时 57分钟.

零点地带 was produced by Moris Ergas.

　　Gillo Pontecorvo生于比萨。在大学时专攻化学，但大学毕业后进入报界，在报纸编电影版，不久到巴黎做意大利报纸的通讯记者，结交了不少法国影人，并且做了法国名导演尤亚克莱的副导演。回国后连续拍了几部纪录片，1955年拿他导演的《Giovanna》参加威尼斯影展获得好评。1957年他与马雷堤合导《蓝色的海》，故事描述渔人用炸药取鱼，结果自己也被炸药炸死，是充满了对穷人的同情和抗议社会的作品。1960年导演《零点地带》，描写在纳粹集中营里那些意大利走狗的丑行，题材新鲜，获得评价甚高。其后沉默了七年，才导演轰动全球的《阿尔及尔之战》，这部运用写实手法描写阿尔及尔市民反抗统治者法军的伤作品，不论是他的写实，和那徐徐升高的故事性，都达到电影艺术的最高境界。

The key characters in 零点地带 are Edith (Susan Strasberg), Sascha (Laurent Terzieff), Terese (Emmanuelle Riva).

零点地带 is rated Not Rated.

零点地带 is a 剧情, 战争 film.

零点地带 has an audience rating of 8.4 out of 10.

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