此心安处
由Robert Zemeckis执导影片改编自理查德·麦圭尔同名漫画。这是一部关于百年间多个家庭分别住进了同一间房子后发生的一系列关于爱、失落、欢笑和泪水的故事。影片横跨时间长河，以极其特殊的视角捕捉到了最纯粹的人类体验，有生活教科书般的温馨，也有白日梦想家般的无限向往，有婚姻经营者的无奈，通过104分钟向观众呈现出一幕幕百年家庭众生相。
此心安处的评分和评论
- jcaauwe2025年1月26日Made me cry like the little bitch I am.
- Carliepuck2024年12月2日Very unique movie, where the main character is time and you just experience it from creeping in the corner.
- SUBSPACE2026年2月16日good movie...
- Spoons2024年11月7日“Here” presents a fascinating narrative, intertwining various moments in history within a single setting. As the camera remains fixed, viewers witness the evolution of this location, from untouched landscapes inhabited by Native Americans to the construction of a colonial home and, eventually, a modern house. This artistic choice creates an intriguing backdrop for a series of vignettes that explore the human condition across generations. Despite this innovative approach, the film’s storytelling may feel distant due to the static nature of its presentation. The characters, restricted by the film’s technical constraints, sometimes struggle to resonate, feeling more like pieces in a visual tableau than fully realized individuals. “Here” is a cinematic experiment that will likely appeal to those who appreciate films that challenge traditional narrative forms. Fans of movies like “Phonebooth” or “Timecode,” which also experiment with time and space within a confined setting, may find “Here” to be a rewarding watch.
- Kevin Ward2025年7月1日While there are a few moments that managed to move me and reveal glimpses of what Robert Zemeckis was aiming for, the majority of this film felt bland and empty. The stationary camera gimmick, which covers the vast expanse of time, seems to exist primarily to showcase Zemeckis’ ability to splice in visual references to different time periods—The Beatles on The Ed Sullivan Show plays on a TV in one corner, while a wedding from decades earlier unfolds elsewhere in the frame. While this approach might sound interesting on paper, it comes across as both schmaltzy and visually monotonous. Zemeckis clearly enjoys experimenting with visual effects, but this feels more like a conceit that exists purely to make use of his technical toys rather than a compelling story first that is then enhanced by the cutting-edge technology. That said, there are a couple of moments that work. The stationary camera’s strongest contribution is the exclamation point that it puts on the one instance where the camera finally moves. It’s a genuinely touching moment and easily the film's high point. Unfortunately, the rest of the experience left me wishing I were home in my La-Z-Boy. As for a recommendation—waiting to watch this at home might seem like a good idea, but I suspect the visuals would fare even worse on a small screen. In the end, do what you please.
- Joe Knapp2025年6月15日Indeed worth watching, despite the low ratings and bad reviews. The concept is fascinating and the effects are stunning. The acting is quite good. It is a story about a house, rather than the people who occupied it. But it all ties together quite nicely.
- Richard S2025年4月27日Cool ride as a fly on the wall perspective. Interesting to see and wonder what could have or will happen(ed) in the place we call home
- The Gutter Monkey2025年3月22日I love that Zemeckis is still pushing boundaries, trying unique things I'd never seen before. But the story and characters "here" were sadly lacking.
- tomfire2025年2月6日Waste Time, please dont see.
- sldghmmr2024年12月25日No highs or lows. Nice though.
- threedo2024年11月27日The camera stays in one place the entire movie and the scenes change to show you how much has occured in this one spot since the beginning of time. Its a very interesting concept but the problem is, it shifts through so many actors and goes back and forth from time to time that it makes it hard to care about anyone or anything that is occuring. It feels like it tries very hard to make a point that somehow gets lost in its translation. Although it was interesting to watch and immersive at times, I had a hard time feeling connected to the story. I left not thinking twice about it and moved on with my life. Tina says she liked it and connected with one of the main characters. She explained to me that it told a good story of explaining that your life is so precious. It showed people that were connected with each other in this one spot and their lives and what took place there. It showed the characters living their life the way they wanted or not. That it told a strong message of living your life and that time goes by very quickly. Tina cried a lot trying to explain this to me and I could tell the movie meant a lot more to her and that she connected with the characters way more than I did. Where I felt it looked gimmicky and hard to connect with (as a man), Tina (as a girl) had no problem getting into the story and finding a connection with it.
- ODDO12024年11月29日It's woke
此心安处花絮
此心安处于2024年10月30日发布。
此心安处由Robert Zemeckis执导。
此心安处的时长为1小时 44分钟。
此心安处由Bill Block, Robert Zemeckis, Jack Rapke, Derek Hogue制作。
影片改编自理查德·麦圭尔同名漫画。这是一部关于百年间多个家庭分别住进了同一间房子后发生的一系列关于爱、失落、欢笑和泪水的故事。影片横跨时间长河，以极其特殊的视角捕捉到了最纯粹的人类体验，有生活教科书般的温馨，也有白日梦想家般的无限向往，有婚姻经营者的无奈，通过104分钟向观众呈现出一幕幕百年家庭众生相。
此心安处中的关键角色有Richard（Tom Hanks）, Margaret（Robin Wright）, Al（Paul Bettany）。
此心安处的评级为PG-13。
此心安处是一部剧情, 家庭, 爱情电影。
此心安处的观众评分为5.9（满分10分）。
此心安处的预算曾是US$4000万。
此心安处的票房收入为US$1539.7万。