PG
1978    1小时 51分钟惊悚, Adventure
6.263%37%6.5
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这是一部惊险剌激的海上灾难片,是导演戴维.格林继执导广受欢迎的电视剧《根》之后的又一力作。一艘经测试完成后的核潜艇在浮出水面时,与海上的大货轮相撞,船头出了个大洞,并立即沉入一千多尺的海底。美国海岸营救中心接到这万分危急的消息后,派遣专家乘小型潜艇开始了惊心动魄的海底营救。本片大部分镜头在海底拍摄,和一般的灾难片一样剌激且有观赏性和娱乐性。
David Greene执导
  • Charlton HestonCaptain Paul Blanchard
  • David CarradineCaptain Gates
  • Stacy KeachCaptain Bennett
  • Ned BeattyMickey
  • Stephen McHattieMurphy
  • Ronny CoxCommander Samuelson
  • Dorian HarewoodFowler
  • Rosemary ForsythVickie Blanchard
  • Hilly HicksPage
  • Charles CioffiAdmiral Barnes
  • William JordanWaters
  • Jack RaderHarkness
  • Antony PonziniCaruso
  • Michael O'KeefeHarris
  • Charles RobinsonMcAllister
  • Christopher ReevePhillips
  • Melendy BrittLiz Bennett
  • Jeffrey Druce
  • Charles Cyphers
  • James Davidson
  • Magnus Parde2025年9月21日
    Let’s be clear: this isn’t Das Boot. It doesn’t have the claustrophobic dread, the psychological unraveling, or the visceral tension that made Wolfgang Petersen’s submarine epic a benchmark. But Gray Lady Down still manages to carve out a few respectable moments in the deep. The premise is classic disaster fare: a U.S. nuclear submarine collides with a freighter and sinks to a precarious ledge on the ocean floor. What follows is a race against time, with the Navy deploying experimental rescue craft to save the trapped crew. The tension is intermittent—sometimes gripping, sometimes oddly relaxed (flute-playing and movie screenings while oxygen runs low don’t help the stakes). What elevates the film is its rich ensemble cast. Charlton Heston anchors the story with his usual gravitas, while David Carradine adds a rebellious edge as the maverick submersible pilot. Ned Beatty, Ronny Cox, Stacy Keach, and even a young Christopher Reeve round out a lineup that’s almost too good for the material. Will Geer also pops up, adding a touch of warmth and authority. 📌 Verdict: Gray Lady Down is watchable, competently made, and occasionally suspenseful. But it’s also a bit too polished, too safe. It lacks the raw intensity of its European counterpart and fades quickly from memory once the credits roll. A decent entry in the 1970s disaster genre—just don’t expect it to linger.

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