Not Rated
2025    1小时 34分钟恐怖, 悬疑
5.27.6
影片讲述了一位点击率最低的Youtuber(朱贤英 饰)和YouTube公司的PD(崔普闵 饰)两人为了寻找恐怖真实的素材,遇到了一位神秘地铁站的站长(全裴修 饰),之后面对多个怪异的事件。
Tak Se-woong执导
  • Joo Hyun-youngDa-kyung
  • Jeon Bae-sooStation Manager
  • Choi Bo-minWoo-jin
  • Kim Ji-inHye-jin
  • Kim Woo-kyumHan-ryang
  • Jung Han-bitChoi Ri-na
  • Kim Na-yeonLee Min-ju
  • Lim Cheol-sooDetective
  • Hyun Bong-sikDetective
  • Tak Se-woong导演
  • Jo Ba-reun编剧
  • Kim Young-min制片人
  • Kwon Ji-yong联合制片人
  • Kwon Young-ilDirector Of Photography
  • Kim Woo-il剪辑师
  • Han Myung-hwanSound Supervisor
  • Jo Seong-jin原创音乐
  • Dario Tibay2026年6月7日
    Ghost Train is a Korean horror mystery built around a simple but effective setup: Da-kyung, a struggling horror YouTuber, investigates Gwangrim Station, a subway stop known for disappearances and strange incidents. She finds the stationmaster, coaxes stories out of him, and begins turning those stories into content. From there, the film becomes a semi-anthology of urban ghost stories, all tied to the same cursed public space. The film is not especially original in terms of scare mechanics. There are familiar elements here: vengeful spirits, restroom dread, body horror tied to beauty standards, a cursed vending machine, and the old storyteller who knows far more than he should. But the station setting gives the film a strong mood. Gwangrim Station feels like a functional public space that has quietly gone rotten underneath. That is where the film works best — in the eerie emptiness of a place designed for crowds. Joo Hyun-young gives Da-kyung more nuance than the usual “clout-chasing influencer” caricature. She begins as insecure and desperate, then gradually becomes more predatory as her channel benefits from the station’s tragedies. Jeon Bae-soo’s stationmaster is equally important: part witness, part gatekeeper, part accomplice. Their scenes hold the film together when the individual stories vary in strength. The strongest theme is exploitation. Ghost Train is less about whether ghost stories are real and more about who gets to profit from them. Da-kyung wants horror without responsibility, trauma without grief, and visibility without cost. The film’s answer is blunt but effective: some stories do not want to be used. A solid, moody Korean horror anthology. Not the scariest ride, but a worthwhile one.
  • jackson38822026年5月18日
    The movie is decent enough to keep your attention with some of the short stories being more interesting than others. Acting is about what you would expect, and the subway setting starts to get a bit stale halfway through the film; I think due to the movies color-grading more then anything else. I'm just about done with the ole horror trope of people banging their heads against walls, and this movie has closed the chapter for me. We get it, lets get more creative next go around, rather than crazy person bangs head against object and then attacks the protagonist. I appreciate the vending machine story for it's uniqueness and how it implemented the subway and it's surroundings. If anyone holds a soda can at you in public, beware!
  • SirMonkalot2026年4月15日
    A nice little horror anthology film that all connects together to form one main narrative. It had some interesting concepts but overall, the “scares” weren’t all that scary. The movie takes itself seriously but I found the scary parts didn’t always land and ended up being kind of funny at times. Still enjoyed it, loved how it was filmed and I enjoyed the characters.

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