

小行星城
Directed by Wes Anderson影片被描述为“对生命意义的诗意沉思”。故事发生在1955年左右的一座虚构的美国沙漠小镇,此时镇上正在举办初级天文学家/太空人大会,这个活动汇集了来自全国各地的学生和家长一起进行学术竞赛,但他们的行程被一场足以撼动世界的大事件给打乱。
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小行星城 Ratings & Reviews
- M08Y2025年5月31日Either I don't get it, or it isnt very good. All of the usual Wes Anderson-isms are present and correct. The cast is fantastic, the set design is excellent and the cinematography is nice and quirky. However it falls apart when you actually try to piece together what you are seeing.
- James Saenz2025年6月13日“you can’t wake up if you don’t fall asleep.” existentialism and grief orbiting each other, unable to confront one another or themselves. a gradual loss of autonomy as both the narrative and its creation unravel. how do you reconcile the story and its themes when the words keep escaping your fingers, bleeding ink into paper without your control and when you don’t understand it? how can your actors understand it? why does june feebly attempt to stick to the lesson plan? why do mercedes and her character midge run away from the beginnings of things? why does augie burn his hand on the quickie griddle? these are problems the cast and characters of the stage play of asteroid city have never seen before. it’s the chaos of creation and destruction and our desperate attempts at making sense of it. the story of the universe is written in innumerable riddles across myriad stars; the story of the art we create is much the same, and even if we don’t quite grasp it, we’re compelled to make it. there’s purpose in it, as opaque as it may seem. we just keep telling the story.
- jackmeat2025年1月11日My quick rating - 6.2/10. Wes Anderson’s latest flick is an unmistakable product of his singular vision, blending meticulous craftsmanship with his trademark whimsy. Set in a 1955 American desert town, the story follows a Junior Stargazer/Space Cadet convention disrupted by world-changing events. This premise sets the stage for Anderson’s signature blend of quirky humor, visual spectacle, and narrative eccentricity. The cast is nothing short of exceptional, featuring heavyweights like Jason Schwartzman, Scarlett Johansson, Tom Hanks, Bryan Cranston, and Edward Norton to just name a few! At least ten members of the ensemble could lead their own films, making for a densely packed showcase of talent. While their performances are solid, the sheer volume of characters occasionally feels overwhelming, with some left underutilized amidst the chaos. As expected from Anderson, the visuals are breathtaking. The pastel color palette, symmetrical compositions, and meticulous set designs are a feast for the eyes, transforming the film into a living piece of art. The aesthetic is so captivating that even those who find the story lacking might be drawn in by its visual charm. Narratively, the film unfolds as a meta-melodrama—a play within a film—adding layers of storytelling that invite deeper interpretation. This approach highlights Anderson’s knack for blending art with entertainment, though it risks alienating newcomers to his work. Hardcore fans will likely relish the intricate structure, while others may find it semi-frustrating or overly pretentious. The story itself oscillates between intriguing and overly self-aware, and I found it occasionally testing my patience. While it raises interesting questions about art, legacy, and existential uncertainty, it often feels more like a vehicle for Anderson’s artistic indulgences than a fully realized narrative. At its core, Asteroid City exemplifies the balance of art versus entertainment, leaning heavily into the former while still offering moments of levity and charm. However, it also commercializes its artistry to a degree, diluting its impact for those expecting a more immersive emotional experience. In summary, it is a visually stunning, highly stylized film that will delight loyalists while potentially perplexing newcomers. It’s a pretty film with a unique aesthetic and clever storytelling, though its slightly pretentious tone and uneven pacing may limit its appeal. If you’re a fan of Anderson’s previous works, you’ll likely enjoy the ride, otherwise, it might be a bit of an acquired taste.
- Fenrisfil2025年10月4日Movies should be three things: A story, entertainment and art. This is art.
- Kevin Ward2025年7月2日I think I’m just out on Wes Anderson. Obviously, the production design, shot framing and score are all immaculate. And there are a few bits that were genuinely funny. Overall, though, Anderson’s films are beginning to feel like a parody of themselves. Wes Anderson parodies are already so prevalent now, though, particularly with the explosion of ai generated content. When I watch anything that mimics Anderson’s signature style, I inevitably feel a certain soulless quality, even when it’s Anderson himself at the helm. With few exceptions, the ensemble cast (incredible as it is) are clearly all stepping into a “Wes Anderson film” and performing as such and it all feels, literally, very one note. Sign me up for when Anderson steps out of this meticulously crafted corner he has painted himself into.
- T R2026年3月13日Wonderfully weird. Loved it.
- barryl362026年3月2日Out of this world, literally.
- Mr72026年1月15日Asteroid City is a work of art; like a Turd that's been beautifully molded and shaped, carved into a pristine statue that has you mesmerized. But then you realize it's still a Turd. The only people that could possibly like this are the NPC's roaming the Earth without an inner monologue. This isn't even a movie....One half star for the scene with the Alien; hilarious. Clearly Anderson rose and peaked with Grand Budapest....
- George Bananza2025年11月12日Ass-teroid City.
- mickerdoo2025年8月28日Interesting but suffers from disjointed delivery. Think the color story should have stood on its own. Huge cast. Fun design. Laughed a lot.
- orrmy2025年8月17日I guess Wes Anderson is at a point in his career where the studio bosses just let him do whatever he wants, and I enjoy that very much, even though every new movie he makes wonder a good bit more what it actually is that I’m enjoying.
- Hgmvhf2025年3月17日It's grrrrrreat!
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小行星城 Trivia
小行星城 was released on 2023年6月8日.
小行星城 was directed by Wes Anderson.
小行星城 has a runtime of 1小时 45分钟.
小行星城 was produced by Jeremy Dawson, Steven M. Rales, Wes Anderson.
影片被描述为“对生命意义的诗意沉思”。故事发生在1955年左右的一座虚构的美国沙漠小镇,此时镇上正在举办初级天文学家/太空人大会,这个活动汇集了来自全国各地的学生和家长一起进行学术竞赛,但他们的行程被一场足以撼动世界的大事件给打乱。
The key characters in 小行星城 are Augie Steenbeck (Jason Schwartzman), Midge Campbell (Scarlett Johansson), Stanley Zak (Tom Hanks).
小行星城 is rated PG-13.
小行星城 is a 喜剧, 爱情, 剧情 film.
小行星城 has an audience rating of 6.2 out of 10.
小行星城 had a budget of US$2500万.
小行星城 has made US$5385.8万 at the box office.

































