经过长时间的飞行，蕾普莉搭乘的飞船并没有飞回地球！飞船返航途中发生意外，低温休眠舱在母船爆炸前脱离后，掉进了一个黑暗、寒冷的星球。除了残存的主教外，只有蕾普莉一人生还。这里是地球的一个外星废弃矿井，现在成了一个管制危险犯人的监狱。蕾普莉在医生的救助下恢复了健康。随着蕾普莉的到来，这里的犯人开始一个一个被神秘杀害。当局以为是犯人内部的犯罪，然而蕾普莉隐隐知道没这么简单。当她找出主教的残体连接上电脑查看飞行记录后，证实了她的想法：异形来了。
- Dan S Turpin2026年5月17日David Fincher is such an excellent Director, it's shameful how his debut feature was so mishandled and how awful he was treated. It left him forever silent on the topic. This new cut vindicates Fincher and all the hard work therein. Legacy Cut is the one to see. Fuller, coherent and damn good all around.
- Jimmy James2025年4月15日Just finished watching the Legacy Cut. It's a vast improvement on the original. Imo it takes the movie from a solid 3 star to a generous 4 star. The CG has been improved; some editing changes; 4k with film grain intact; and in general, a more fun watch. The biggest takeaway is the Legacy Cut was born of passion for the movie; something that definitely can't be said for the other two cuts out there. Given the movie's past, the Legacy Cut will probably be the closest we ever get to a director's cut, and after having watched it, I'm ok with that.
- Vincent Reggiannini2025年8月29日If you’re an Alien fan this 3rd iteration of the alien franchise is an extremely polarizing and controversial movie. Director David Fincher really had his hand forced in this movie with relentless pressure from a studio who just saw dollar signs in their eyes. The movie starts off on the wrong foot with a plot choice that just destroys whatever the 2nd film fought so hard for. If Fincher wanted to be controversial he certainly attained that goal, but for all the wrong reasons. Over the years I have come to appreciate the movie for its cinematography and atmosphere but also to greatly admire Sigourney Weaver’s performance. She gives probably the most gut wrenching take on her character’s growth and her emotional grief. Weaver really let it all go here, and she carries the movie through its poor opening. Charles Dance is intriguing enough to hold your attention, but the rest of the cast are all boiler-plate nobodies. Charles Dutton does the best he can with a poorly fleshed out character, but he offers a decent foil for Ripley to interact with. Watch this movie for Weaver alone as she not only deals with this relentless creature haunting her life but an all-male cast of despicable people.
- Tom Majski2025年11月24日To me this much maligned sequel is an amazing follow up to Aliens. It completes a trilogy of movies that feel distinctly 70's, 80's and 90's in the best way. None of them compete with each other but they all feel worthy in their own right. Yes, out of the 3 this is the weakest, but considering the pedigree of Alien and Aliens thats hardly a condemning statement. This time I finally saw the Assembly cut. Whilst I genuinely enjoyed the original theatrical release, the extended version does bring it together narratively. Albeit at the expense of feeling a little bloated in parts. Down to the movie though. The idea of a prison planet is great. Isolated and worthless, without weapons or hope of help. Its such a cool and singular idea and really captures the vastness and weirdness of space for the last time in the series. Nothing feels this lonely in the franchise again. The cast is really good too. Brian Glover as Andrews steals the show with surprising backup from Charles Dance and Pete Postlethwaite. The surprising group of British allstars adds a really fun variation that just works. Visually the entire film takes place seemingly in the steelworks from Terminator 2. Maybe the set was still fresh from a year earlier. It looks great and has a tonne of fun atmosphere. Shame the CGI and chase sequences let it down a little. All in all I love it. A total change in direction and vibe for a movie that doesn't even try to compete with Camerons entry and is all the better for it. Considering the production difficulties, the result lands really well for me, which seems contrary to a lot of opinions.
- Zokkiie2026年4月1日Honestly kinda mixed on this one. It’s got a cool, dark vibe going and I did like how bleak it feels — definitely stands out in that way. Some moments look great and stick with you for a bit. But yeah, it never really clicks as a whole. Feels a bit messy, like it didn’t fully figure out what it wanted to be. Some parts feel rushed, others just kind of drift. Not bad or anything, just a bit frustrating because you can see it could’ve been way better.
- MetroidTalon2025年8月22日The theatrical cut of Alien³ is a bold but uneven swing. Visually bleak and thematically heavy, it ditches the crowd-pleasing setup of Aliens in favor of grim fatalism. Fincher’s direction is already confident, but the studio interference bleeds through. Characters blur together, key scenes feel rushed, and major emotional beats land flat. There’s power buried in here, but the cut keeps getting in its own way. A frustrating sequel with flashes of greatness that hint at the film it could have been.
- naren shenoy2026年3月16日This was worse than I remember. The special effects were shoddy even for that time period. Abandoning practical effects for animation, we get a xenomorph that is inconsistent in scale and scope throughout the movie. I did like that we were back to one alien terrorizing multiple humans, but beyond that, this was poorly written and executed, which is surprising considering the director’s history beyond this movie. For franchise fans only. Missable for everyone else.
- Callum2025年12月19日⭐⭐⭐ – Alien³ — Bleak, Cerebral, and Unapologetically Unkind I know this one divides people, but I genuinely love Alien³. It’s not on the same level as the first two films, and I completely understand why many fans bounced off it — especially with the decision to kill off Newt, which still stings. But taken on its own terms, there’s something compelling about how dark, strange, and uncompromising this entry is. The atmosphere is suffocating. The prison colony setting is grim, industrial, and joyless, and that sense of despair bleeds into every frame. It’s less about jump scares and more about inevitability — the feeling that there’s no escape, only delay. In that sense, it builds on the Alien mythology in a more philosophical way, asking what survival even means when hope has already been stripped away. This is a far more cerebral film than its predecessors. It’s disorienting by design, sometimes frustratingly so, but that disorientation feeds into the tone. Ripley is once again the voice of reason — and once again, nobody listens to her. The plan is solid, the setting is perfect for containment, and yet everything still feels on the brink of collapse. The effects are a mixed bag. The CGI clearly wasn’t ready at the time and hasn’t aged well, but the practical effects remain strong and tactile, reminding you why hands-on creature work still matters. Even when it falters technically, the film’s commitment to its bleak vision carries it through. Alien³ is a strange entry — less scary, more contemplative, and far harsher than the films before it. But it succeeds in its own way, and it certainly doesn’t go down easy. Still not nice. Still very Alien. 🥃 Pairing: A heavy red wine — dark, bitter, and lingering, leaving an aftertaste you don’t necessarily enjoy but can’t ignore.
异形3花絮
异形3于1992年5月22日发布。
异形3由David Fincher执导。
异形3的时长为1小时 54分钟。
异形3由Walter Hill, Gordon Carroll, David Giler制作。
经过长时间的飞行，蕾普莉搭乘的飞船并没有飞回地球！飞船返航途中发生意外，低温休眠舱在母船爆炸前脱离后，掉进了一个黑暗、寒冷的星球。除了残存的主教外，只有蕾普莉一人生还。这里是地球的一个外星废弃矿井，现在成了一个管制危险犯人的监狱。蕾普莉在医生的救助下恢复了健康。随着蕾普莉的到来，这里的犯人开始一个一个被神秘杀害。当局以为是犯人内部的犯罪，然而蕾普莉隐隐知道没这么简单。当她找出主教的残体连接上电脑查看飞行记录后，证实了她的想法：异形来了。
异形3中的关键角色有Ripley（Sigourney Weaver）, Dillon（Charles S. Dutton）, Clemens（Charles Dance）。
异形3的评级为R。
异形3是一部科幻, Action, 恐怖电影。
异形3的观众评分为4.6（满分10分）。
异形3的预算曾是US$5000万。
异形3的票房收入为US$1.6亿。