- Oliver Reznik2025年4月8日Outstanding performances, I'll give it that. Very nice naturalistic storytelling through and through. This is a movie about incessant bickering. Bickering over some quite outlandish scenarios, that have a bit of intrigue due to their specificness and the level of fine detail that this movie will use to explore the scenarios. But the way the characters behave and react to various things makes it all feel like small potatoes. They're their own worst enemies in a lot of spots, and my mind automatically distances my sympathies when folks can't seem to help themselves. SPOILERS I mean at first, I was quite sympathetic for the poor Razieh dealing with a difficult employment situation. Didn't find it super interesting, but I was sympathetic. But then the movie obfuscates her side of the story as she aggresses against Nader. At first when I heard she had a miscarriage my heart immediately sunk. But shortly after she's like "I don't care about the miscarriage; I care about being accused a thief!" And then I'm like, "well I guess it wasn't that big a deal". She certainly shoots herself in the foot multiple times due to her religious devotion. Despite the great performances, the characters aren't actually very interesting. Nader foists difficult moral agency onto his young daughter to make himself feel less guilty like 4 times. Termeh is obviously traumatized and will carry the burden from this episode for the rest of her life. Her parents suck. The movie ends with a shot of the two parents visually separated by a pane of broken glass. I wonder if other folks found this moment profound. I didn't. Yeah, idk how this is universally beloved. Some good stuff here, some not so good stuff. Decent movie overall. I guess this movie does have a couple "big reveal" type moments which can go down well with audiences. I feel like I've gotten a bit sensitive to movies artificially withholding information to create a big reveal. And again, it's not like A Separation is plumbing the depths of the human soul, so there's just so much impact any one scene can really have. Also, what is going on with the legal system in Iran? 1 year for murder? Going to court is like getting sent to the principal's office and has a similar level of investigative rigor. I would say I was keying on more things this second time watching A Separation. With life experience and all that. Yet I liked it just about as much as I liked it when I saw it 10+ years ago.
一次别离花絮
一次别离于2011年3月16日发布。
一次别离由Asghar Farhadi执导。
一次别离的时长为2小时 3分钟。
一次别离由Asghar Farhadi制作。
影片以当代伊朗为背景，讲述一段婚姻分崩离析的动人故事。西敏渴望与丈夫纳德、女儿特梅一同离开伊朗，在纳德因需照顾患阿尔茨海默症的父亲而拒绝离开后，西敏愤而提起离婚诉讼。离婚请求被驳回后，西敏搬回娘家，特梅却决定留在父亲身边。纳德在妻子离开后聘请年轻女工照顾父亲，期盼生活重归平静，然而当他发现女工竟对他隐瞒真相时，才惊觉自己面临的危机已远不止婚姻破碎这般简单。[索尼经典]
一次别离中的关键角色有Simin（Leila Hatami）, Nader（Payman Maadi）, Razieh（Sareh Bayat）。
一次别离的评级为PG-13。
一次别离是一部剧情电影。
一次别离的观众评分为9.2（满分10分）。
一次别离的预算曾是US$500万。
一次别离的票房收入为US$2442.6万。