阿利斯是一位无恶不作的少年，他的特殊喜好是边听贝多芬的交响曲边奸淫女性，某次他进入一所别墅抢劫一番后，打残了该别墅的主人——一名小说家，并用特殊喜好蹂躏了其妻子。后来因为杀了一名单身女子，阿利斯入狱并接受了特殊的人格治疗，出狱后，他对淫乐之事产生彻底的厌倦。但当阿利斯回到家时，周围人群没改变对他的旧看法，在种种歧视的重压下，他跑到郊外一所别墅想喘口气，不想这所别墅正是他以前抢劫过的小说家的那所。而作为反政府组织首领的该小说家为了达到某种目的，软禁了阿利斯。当这件事暴露小说家被捕时，其手下为了对抗政府，扬言要把阿利斯恢复原来的性情，完全不理一旁的阿利斯大叫“我完全好了”。
- Elliot0472026年2月15日Kubrik Direction of this film is exceptional, he makes you immerse in his world, that's his style. I have a slight issue with so many coincidences happening in the movie, which, to be honest, is directly coming from the book 'A Clockwork Orange by Anthony Burges', and maybe I'm not someone who likes that level of coincidences happening even in a book in order to serve allegory.
- Callum2025年11月8日⭐⭐⭐⭐½ – A Clockwork Orange – Violence, Virtue, and the Vicious Cycle of Man Stanley Kubrick’s A Clockwork Orange is as hypnotic as it is horrifying — a film that still feels transgressive half a century later. It isn’t just about violence; it’s about the machinery of control, and what happens when society tries to cure evil by erasing choice itself. In a world obsessed with order, Kubrick asks whether a man stripped of free will is still a man at all. Malcolm McDowell delivers one of cinema’s great performances as Alex DeLarge — charming, articulate, monstrous, and magnetic. He makes the unwatchable watchable, luring you into his world of “ultraviolence” and moral decay before forcing you to confront your own discomfort at being entertained by it. The infamous “Singin’ in the Rain” sequence remains one of film’s most disturbing juxtapositions: joy and cruelty perfectly choreographed into something unforgettable. Kubrick directs with cold precision — the geometry of his frames, the sterile futurism of his settings, and the ironic use of classical music all combine to turn brutality into art, and art into accusation. It’s not an easy film to sit through, nor should it be. Like Children of Men or Brazil, it sits in that uneasy middle ground between satire and nightmare, asking not whether humanity can be saved, but whether it deserves to be. It’s not for the faint-hearted, and it’s not meant to comfort. But it’s one of those rare works that stays with you — not because it’s pleasant, but because it forces you to look directly into the darker mirror of human nature. 🥃 Pairing: A glass of milk laced with rum — pure on the surface, dangerous underneath, and impossible to swallow without feeling its sting.
- Joe Knapp2024年2月3日A very intelligent movie that employs ultra-violence to paint a dystopian future where the practice of psychology goes off the rails. It's one of my all-time favorite movies. The acting is superb. It's one of those movies that broke the mold and changed the course of movie-making forever. Do not miss this one!
发条橙花絮
发条橙于1971年10月28日发布。
发条橙由Stanley Kubrick执导。
发条橙的时长为2小时 17分钟。
发条橙由Stanley Kubrick制作。
阿利斯是一位无恶不作的少年，他的特殊喜好是边听贝多芬的交响曲边奸淫女性，某次他进入一所别墅抢劫一番后，打残了该别墅的主人——一名小说家，并用特殊喜好蹂躏了其妻子。后来因为杀了一名单身女子，阿利斯入狱并接受了特殊的人格治疗，出狱后，他对淫乐之事产生彻底的厌倦。但当阿利斯回到家时，周围人群没改变对他的旧看法，在种种歧视的重压下，他跑到郊外一所别墅想喘口气，不想这所别墅正是他以前抢劫过的小说家的那所。而作为反政府组织首领的该小说家为了达到某种目的，软禁了阿利斯。当这件事暴露小说家被捕时，其手下为了对抗政府，扬言要把阿利斯恢复原来的性情，完全不理一旁的阿利斯大叫“我完全好了”。
发条橙中的关键角色有Alex（Malcolm McDowell）, Mr. Alexander（Patrick Magee）, Dr. Brodsky（Carl Duering）。
发条橙的评级为NC-17。
发条橙是一部科幻, 犯罪, 剧情电影。
发条橙的观众评分为9.3（满分10分）。
发条橙的预算曾是US$220万。
发条橙的票房收入为US$2703.4万。