Paul Vecchiali
Producent, Skådespelare, Regissör, Editor, Författare
28 april 1930 — 18 januari 2023 (92 år)
Paul Vecchiali (April 28, 1930 - January 18, 2023) was a French filmmaker and author.
Känd för
Filmografi
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| 2016 | |
| 2015 | |
| 2014 | |
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| 1988 | |
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| 1981 | |
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| 1979 | |
| 1978 | |
| 1977 | Le théâtre des matières · as Executive Producer |
| 1977 | |
| 1976 | |
| 1975 | |
| 1975 | |
| 1974 |
| 2020 | Un soupçon d'amour · as L'homme Qui Danse Avec Isabelle (uncredited) |
| 2016 | Le cancre · as Rodolphe |
| 2015 | |
| 2014 | White Nights on the Pier · as Le Vieux |
| 2014 | |
| 2006 | Bareback ou La guerre des sens · as Patrick Séraud |
| 2004 | À vot' bon coeur · as Monsieur Paul |
| 1983 | At the Top of the Stairs · as L'hôtelier |
| 1977 | La machine · as Maître Altiani |
| 1965 | Happiness · as Paul |
| 2020 | |
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| 1996 | |
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| 1988 | |
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| 1986 | |
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| 1977 | |
| 1974 | |
| 1970 | |
| 1966 |
| 2016 | |
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| 2014 | |
| 2006 | |
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| 1996 | |
| 1994 | |
| 1988 | |
| 1988 | |
| 1986 | |
| 1986 | |
| 1983 | |
| 1980 | |
| 1979 | |
| 1978 | |
| 1977 | |
| 1974 |
| 2020 | |
| 2016 | Le cancre · as Screenplay |
| 2015 | |
| 2014 | |
| 2014 | |
| 2006 | |
| 2004 | |
| 1988 | |
| 1986 | |
| 1986 | |
| 1984 | |
| 1983 | |
| 1980 | |
| 1979 | |
| 1974 | Femmes femmes · as Screenplay |
| 1970 | |
| 1966 |
| 2019 | Danielle Darrieux: Il est poli d'être gai! · as Self, Filmmaker |
| 2012 | Cinephiles of Our Time · as Self |
| 2011 | Biette · as Self |
| 2005 | Paul Vecchiali en diagonales · as Self |
| 1989 | Cinéma, de notre temps · as Self |
| 2014 | White Nights on the Pier · as Production Design |
| 2014 | White Nights on the Pier · as Costume Design |
| 2006 | Bareback ou La guerre des sens · as Production Designer |
| 2006 | Bareback ou La guerre des sens · as In Collaboration With |
| 2006 | Et + si @ff · as Production Designer |
| 1996 | The Tears of AIDS · as Adaptation |
| 1996 | Love Reinvented · as Adaptation |
| 1994 | Tender Tiger · as Scenario Writer |
| 1977 | La machine · as Scenario Writer |
| 1965 | Nick Carter and Red Club · as Dialogue |