15
1989    1h 35mKomedi, Romantik
6.056%47%6.3
Watch on Apple TV
On Apple TV
Köp $12.99Reklam
Mollie (Kirsty Alley) är en hårt arbetande ensamstående mamma, som letar efter den perfekta pappan till sitt barn. Pojken Mikey föredrar James (John Travolta), en taxichaufför som har bytt jobb till barnvakt, som har det som krävs för att göra dem lyckliga. Men Mollie tänker inte ens överväga möjligheten att välja James. Mikey tar därför till alla tänkbara knep, för att föra dem samman. Amy Heckerling ("Cluless") skrev och regisserade denna fantastiskt roliga komedi.
Regisserad av Amy Heckerling

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  • John TravoltaJames
  • Kirstie AlleyMollie
  • Olympia DukakisRosie
  • George SegalAlbert
  • Abe VigodaGrandpa
  • Bruce WillisMikey (voice)
  • Twink CaplanRona
  • Jason SchallerMikey
  • Jaryd WaterhouseMikey
  • Jacob HainesMikey
  • Christopher AydonMikey
  • Joy BoushelMelissa
  • Don S. DavisDr. Fleischer
  • Louis HeckerlingLou
  • Brenda CrichlowSecretary
  • Andrea MannSalesgirl
  • Douglas TuckCab Stealer
  • Alex BruhanskiStreet Worker
  • Casey GrantAdmitting Clerk
  • Oscar B. RamosHospital Worker
  • StreamLordSupreme
    StreamLordSupreme21 april 2025
    This one is a personal classic for me.
  • Richard
    Richard19 oktober 2025
    Saw this one in the cinema when it came out and it was one of those crowd pleasers that had everyone chuckling, even the dads who claimed they didn’t like “baby movies.” Kirstie Alley plays Mollie, a single mom navigating love, diapers and awkward cab rides. John Travolta shows up as the charming cabbie with a heart of gold and Bruce Willis voices baby Mikey with enough sass to fill a daycare. The concept was fresh at the time: a romantic comedy told partly through the inner monologue of a newborn. It’s silly, sentimental and surprisingly sharp in places. The cast brings warmth, Olympia Dukakis as the no nonsense mom, George Segal as the sleazy ex and Abe Vigoda as the grumpy grandpa. The chemistry works, even when the plot leans into sitcom territory. It’s not high art, but it’s got heart. The voiceover gimmick could’ve flopped, but Willis makes it work. The film walks a fine line between cute and corny and somehow lands on the right side. I liked it then, and I still smile when I think of Mikey’s commentary on adult nonsense. It’s the kind of movie that made adult years feel light, nostalgic and just cheeky enough to earn a rewatch.

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