0:000:00

15
1974    1h 35mDrama, Romantik
5.235%43%6.0
Filmerna om Emmanuelle - Den franska erotikens klassiska mästerverk. Sylvia Kristel inte bara spelade Emmanuelle – hon blev Emmanuelle med en hel värld. ”Emmanuelle” hade svensk biopremiär den 20 januari 1975. En ung, mycket vacker kvinna – Emmanuelle – lämnar Paris och reser till Thailand för att träffa sin make Jean som arbetar vid ambassaden i Bangkok. Redan på flyget dit får hon en försmak av de erotiska utsvävningar som väntar henne i Asien...
Directed by Just Jaeckin
  • Sylvia KristelEmmanuelle
  • Alain CunyMario
  • Marika GreenBee
  • Daniel SarkyJean
  • Jeanne ColletinAriana
  • Christine BoissonMarie-Ange
  • Gabriel BriandLe deuxième homme dans l'avion
  • Marion Webb
  • Gregory
  • Yves Rousset-RouardYves (uncredited) / Producent
  • Just JaeckinRegisör
  • Emmanuelle ArsanNovel
  • Jean-Louis RichardFörfattare
  • Richard SuzukiDirector Of Photography
  • Sylvia CharvillatCostumer
  • Christine FornelliKey Makeup Artist
  • Georges BrilCostume Designer
  • Andrea PfisterHairstylist
  • Philippe LericheAssistant Director
  • Claudine BouchéEditor
  • Sam−1 d
    adjacent to interesting ideas about colonialism and power of sex but ultimately very mid
  • Richard22 juli 2026
    Emmanuelle is one of those movies you catch on late night TV and immediately understand why it became a cultural phenomenon, even if you also spend half the runtime wondering how something this slow, dreamy and oddly polite managed to shock the world in the 70s. Sylvia Kristel, our Dutch icon, is the reason the film works at all. She brings a calm, almost hypnotic presence to the screen. Even when the movie drifts into its more “exploratory” territory, she plays it with a kind of quiet elegance that makes the whole thing feel more like an art house meditation than the scandalous reputation it earned. The film itself is surprisingly restrained. It’s more about atmosphere than anything else, soft lighting, exotic locations and a constant sense that the director was trying very hard to make everything look classy. It’s slow, sometimes very slow, but it has a distinct style that sets it apart from the imitators that came later. This is a reminder of an era when a film could cause international controversy simply by being open about adult themes and when a Dutch actress could become a global icon almost overnight. Is it a masterpiece? No. Is it culturally important? Absolutely and Sylvia Kristel carries it with a grace that makes the whole thing strangely compelling, even decades later. A quiet, atmospheric relic of 70s cinema and a reminder of how one Dutch woman became an unexpected legend.

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    Emmanuelle (US Trailer)Trailer

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