15
2009    1h 44mSkräck, Drama
6.553%55%6.6
Ett par har förlorat sin lille son, vilket leder till att hon drabbas av en fruktansvärd panikångest. Hennes make som är terapeut och trots riktlinjer om att aldrig behandla sina nära och köra, försöker de tillsammans att brottas med hennes våndor, på platsen där hennes ångest upplevs som starkast: Eden, en övergiven stuga mitt i skogen. Den terapeutiska kampen utvecklas till ett krig mellan könen. Hennes demoner finns i de båda och inte ens han kommer undan naturens skoningslösa inneboende ondska.
Directed by Lars von Trier
  • Willem DafoeHe
  • Charlotte GainsbourgShe
  • Storm Acheche SahlstrømNic
  • Lars von TrierRegisör / Författare
  • Meta Louise Foldager SørensenProducent
  • Peter GardeExekutiv producent
  • Peter Aalbæk JensenExekutiv producent
  • Rémi BurahCo-Producer
  • Gunnar CarlssonCo-Producer
  • Jérôme ClémentCo-Producer
  • Madeleine EkmanCo-Producer
  • Gebhard HenkeCo-Producer
  • Lars JönssonCo-Producer
  • Andrea OcchipintiCo-Producer
  • Michel ReilhacCo-Producer
  • Andreas SchreitmüllerCo-Producer
  • Małgorzata SzumowskaCo-Producer
  • Ole Wendorff-ØstergaardCo-Producer
  • Meinolf ZurhorstCo-Producer
  • Karl JúlíussonProduction Design
  • cultfilmliker17 mars 2025
    The conditioning & condemnation of woman per a man, per a man First of all, this is some of the most traumatic material and dialogue in cinema. Also some of the most traumatizing physically on screen….and emotionally cauterized as a result. Then we have what is obviously the greatest animatronic of all-time saying obviously the greatest two word verse since “Jesus wept.” S-tier horror moment. Lars Von Trier is a goddamn master of opening films. The first 10 minutes are so gorgeous, so haunting, so real. It’s probably 1b to Melancholia’s 1a, but damn is it close. Also such an artist with the atmospheres he develops. They envelop you in his distinct visions and make the location seem otherworldly and dreamlike. One of his most cinematographic films. Just absolutely stunning all-around. Love the disorienting use of multiple types of cameras/film for the hiking/nature scenes. The visual space and sound mixing is so unsettling it is incredible. It functions perfectly for the tone it’s trying to set. Lastly, enjoyed his use of meta-narratives once again with the therapy session at the beginning of Chapter Three. Lars REALLY likes filming naked women bathing in the brightest lights which like…..who can blame him but still
  • CravanThePugilist12 mars 2026
    Masterpiece. & they were supposed to make a videogame as a sequel, which I don't exactly hate the idea of. But I really wish at least one version of a sequel got made.
  • Nyxus_2 mars 2026
    Sorry, I didn't understand it
  • Stephen Guerrero20 november 2025
    Our story starts with beautiful Passion, and all the while, Insurmountable Tragedy is Creeping its ugly head into the scene. Such a dark, deeply emotional film has been laid at our feet, and raw emotions lead to carnality between our main characters. I feel a deep wound that time may never heal slowly entering the scenes, primarily due to the detrimental thoughts that are constantly invading our female characters' minds. Willem Dafoe and Charlotte Gainsbourg character portrayal is unlike any I've come across of late, Provocative and Disturbing to the point I've had to pause the film for a brief moment to gather myself from the raw intensity unfolding before my eyes. Never have seen such viscious brutality that wasn't in a gore film before. The Most Brilliant Film Never Seen Before
  • neuroparadox20 september 2025
    Fun for the whole family!
  • Daniel Gustavsson12 oktober 2024
    A bit too pretentious for its own good. Although still a good movie and it pushes the envelope somewhat on the gore. Well, in a scene at the end anyway.

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