Zoë Akins
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20 de outubro de 1886 — 29 de outubro de 1958 (72 anos)
Zoë Akins (October 30, 1886 – October 29, 1958) was a Pulitzer Prize-winning American playwright, poet, and author.
In the early 1930s, she became more active in film, writing several screenplays as well as licensing minor adaptations of her work—such as The Greeks Had a Word for It which was adapted twice, in 1932 (as The Greeks Had a Word for Them) and 1938 (as Three Blind Mice) – neither was a hit. Two highlights of this period are the films Sarah and Son (1930) and Morning Glory (1933), the latter film remade as Stage Struck. While both films earned their respective female leads (Ruth Chatterton and Katharine Hepburn) Academy Award nominations, neither was enough to launch her career.
She finally received recognition in 1935 when she was awarded the Pulitzer Prize for Drama for her dramatization of Edith Wharton's The Old Maid, a melodrama set in New York City and written in five episodes stretching across time from 1839 to 1854. A film version of The Old Maid followed in 1939, starring Bette Davis. She also adapted the Alexandre Dumas novel, La dame aux camélias, into the film Camille in 1936. The film starred Greta Garbo, Robert Taylor, and Lionel Barrymore, and earned Garbo her third Oscar nomination.
To her surprise, she was thrust into notoriety again in 1953, when Jean Negulesco directed an adaptation of The Greeks Had a Word for It. The film, titled How to Marry a Millionaire, became a box office sensation and helped launch the career of its star, Marilyn Monroe. Monroe's role in the Akins' play helped the rising star become a cultural icon, and encouraged Akins to pursue a short stint as a writer for several television variety programs.
From Wikipedia
In the early 1930s, she became more active in film, writing several screenplays as well as licensing minor adaptations of her work—such as The Greeks Had a Word for It which was adapted twice, in 1932 (as The Greeks Had a Word for Them) and 1938 (as Three Blind Mice) – neither was a hit. Two highlights of this period are the films Sarah and Son (1930) and Morning Glory (1933), the latter film remade as Stage Struck. While both films earned their respective female leads (Ruth Chatterton and Katharine Hepburn) Academy Award nominations, neither was enough to launch her career.
She finally received recognition in 1935 when she was awarded the Pulitzer Prize for Drama for her dramatization of Edith Wharton's The Old Maid, a melodrama set in New York City and written in five episodes stretching across time from 1839 to 1854. A film version of The Old Maid followed in 1939, starring Bette Davis. She also adapted the Alexandre Dumas novel, La dame aux camélias, into the film Camille in 1936. The film starred Greta Garbo, Robert Taylor, and Lionel Barrymore, and earned Garbo her third Oscar nomination.
To her surprise, she was thrust into notoriety again in 1953, when Jean Negulesco directed an adaptation of The Greeks Had a Word for It. The film, titled How to Marry a Millionaire, became a box office sensation and helped launch the career of its star, Marilyn Monroe. Monroe's role in the Akins' play helped the rising star become a cultural icon, and encouraged Akins to pursue a short stint as a writer for several television variety programs.
From Wikipedia
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Filmografia
| 1956 | |
| 1955 | |
| 1955 | |
| 1947 | Desire Me · as Screenplay |
| 1938 | Zaza · as Screenplay |
| 1938 | |
| 1938 | The Toy Wife · as Screenplay |
| 1937 | |
| 1936 | Camille · as Screenplay |
| 1936 | My Man Godfrey · as Contributing WriterNo Plex |
| 1936 | Show Boat · as Contributing Writer |
| 1936 | Lady of Secrets · as Screenplay |
| 1934 | Outcast Lady · as Screenplay |
| 1934 | |
| 1933 | Christopher Strong · as Screenplay |
| 1931 | Working Girls · as Screenplay |
| 1931 | |
| 1931 | |
| 1930 | |
| 1930 |
| 2018 | What She Said: The Art of Pauline Kael · as Self - Writer, Christopher StrongNo Plex |
| 1959 | The Sad Horse · as Story |
| 1958 | Stage Struck · as Theatre Play |
| 1953 | How to Marry a Millionaire · as Theatre Play |
| 1953 | Ponds Theater · as Play |
| 1951 | Schlitz Playhouse of Stars · as Teleplay |
| 1950 | The Pulitzer Prize Playhouse · as Play |
| 1950 | Robert Montgomery Presents · as Play |
| 1948 | Ford Theatre · as Play |
| 1939 | The Old Maid · as Theatre Play |
| 1938 | Three Blind Mice · as Play "the Greeks Had A Word For It" |
| 1936 | Accused · as Story |
| 1933 | Morning Glory · as Theatre Play |
| 1932 | The Greeks Had a Word for Them · as Theatre Play |
| 1930 | Ladies Love Brutes · as Theatre Play |
| 1930 | Sarah and Son · as Adaptation |
| 1925 | Déclassé · as Theatre Play |
| 1925 | Daddy's Gone A-Hunting · as Theatre Play |