Ray Kellogg
Ator, Realização, Produção, Escrito por
15 de novembro de 1905 — 5 de julho de 1976 (70 anos)
Edgar Ray Kellogg was an American special effects artist and film director. During World War II, Kellogg was a U.S. Navy Lieutenant with the O.S.S. Field Photographing Branch where he became acquainted with director John Ford. Following the war, Kellogg went to Hollywood, working in special effects for 20th Century Fox, eventually heading the unit. He made his debut as a director in 1959.
Filmes e Séries no Plex
Filmografia
| 1964 | The Addams Family · as Detective |
| 1963 | Petticoat Junction · as Whitehouse GuardNo Plex |
| 1962 | The Lucy Show · as PolicemanNo Plex |
| 1968 | |
| 1966 | |
| 1960 | |
| 1959 | The Giant Gila MonsterNo Plex |
| 1959 | The Killer ShrewsNo Plex |
| 1945 |
| 1973 | The Red Pony · as Associate Producer |
| 1960 |
| 1970 | Tora! Tora! Tora! · as Second Unit Director |
| 1969 | Castle Keep · as Second Unit Director |
| 1966 | Way... Way Out · as Second Unit Director |
| 1964 | Cheyenne Autumn · as Assistant Director |
| 1963 | Cleopatra · as Second Unit Director |
| 1959 | The Giant Gila Monster · as StoryNo Plex |
| 1957 | Oh, Men! Oh, Women! · as Visual Effects |
| 1956 | Three Brave Men · as Visual Effects |
| 1956 | Love Me Tender · as Visual Effects |
| 1956 | Teenage Rebel · as Visual Effects |
| 1956 | 23 Paces to Baker Street · as Visual Effects |
| 1956 | Bus Stop · as Visual Effects |
| 1956 | The King and I · as Visual Effects |
| 1956 | The Man in the Gray Flannel Suit · as Visual Effects |
| 1955 | The Tall Men · as Visual Effects |
| 1955 | The Left Hand of God · as Visual Effects |
| 1955 | Soldier of Fortune · as Visual Effects |
| 1954 | There's No Business Like Show Business · as Visual Effects |
| 1954 | River of No Return · as Visual Effects |
| 1953 | City of Bad Men · as Visual Effects |
| 1953 | White Witch Doctor · as Visual Effects |
| 1953 | Inferno · as Visual Effects |
| 1953 | Dangerous Crossing · as Visual Effects |
| 1953 | A Blueprint for Murder · as Visual EffectsNo Plex |
| 1953 | Gentlemen Prefer Blondes · as Visual Effects |
| 1953 | Pickup on South Street · as Visual EffectsNo Plex |
| 1953 | Powder River · as Visual Effects |
| 1953 | Treasure of the Golden Condor · as Visual Effects |
| 1953 | Call Me Madam · as Visual Effects |
| 1953 | Niagara · as Visual EffectsNo Plex |
| 1952 | The Snows of Kilimanjaro · as Visual EffectsNo Plex |
| 1952 | We're Not Married! · as Visual Effects |
| 1952 | My Wife's Best Friend · as Visual Effects |
| 1952 | Dreamboat · as Visual Effects |
| 1952 | Don't Bother to Knock · as Visual Effects |
| 1952 | Belles on Their Toes · as Visual Effects |
| 1952 | Deadline - U.S.A. · as Visual Effects |
| 1951 | Fixed Bayonets! · as Visual Effects |
| 1951 | Fourteen Hours · as Visual Effects |
| 1950 | Wagon Master · as Visual Effects |