Joseph LaShelle
9 de julho de 1900 — 20 de agosto de 1989 (89 anos)
From Wikipedia, the free encyclopedia
Joseph LaShelle, A.S.C. (July 9, 1900 - August 20, 1989) was a Los Angeles born film cinematographer.
He won an Academy Award for Laura (1944), and was nominated on eight additional occasions.
LaShelle's first job in the film industry was as an assistant in the Paramount West Coast Studio lab in 1920. Instead of going to college as planned he remained in the film industry after a promotion to supervisor of the printing department.
In 1925 Charles G. Clarke convinced him he should be a cameraman. He went to work with Clarke and after 3 months he was promoted to 2nd cameraman and he worked for various cinematographers at the Hollywood Metropolitan Studios. LaShalle was transferred from Metropolitan to Pathé where he began a 14 years association with Arthur C. Miller. He later went with Miller to Fox Films.
After working as a camera operator on such Fox productions as How Green Was My Valley (1941) and The Song of Bernadette (1943) he was promoted and became a cinematographer in 1943. He was a member of the A.S.C.
Some of his well known work include the film noirs: Laura (1944), for which he won an Oscar, Fallen Angel (1945), and Road House (1948). He is remembered for his work with Otto Preminger.
Joseph LaShelle, A.S.C. (July 9, 1900 - August 20, 1989) was a Los Angeles born film cinematographer.
He won an Academy Award for Laura (1944), and was nominated on eight additional occasions.
LaShelle's first job in the film industry was as an assistant in the Paramount West Coast Studio lab in 1920. Instead of going to college as planned he remained in the film industry after a promotion to supervisor of the printing department.
In 1925 Charles G. Clarke convinced him he should be a cameraman. He went to work with Clarke and after 3 months he was promoted to 2nd cameraman and he worked for various cinematographers at the Hollywood Metropolitan Studios. LaShalle was transferred from Metropolitan to Pathé where he began a 14 years association with Arthur C. Miller. He later went with Miller to Fox Films.
After working as a camera operator on such Fox productions as How Green Was My Valley (1941) and The Song of Bernadette (1943) he was promoted and became a cinematographer in 1943. He was a member of the A.S.C.
Some of his well known work include the film noirs: Laura (1944), for which he won an Oscar, Fallen Angel (1945), and Road House (1948). He is remembered for his work with Otto Preminger.
Filmografia
| 1969 | 80 Steps to Jonah · as Director Of Photography |
| 1969 | Medical Center · as Cinematographer |
| 1968 | Kona Coast · as Cinematographer |
| 1967 | Barefoot in the Park · as Director Of Photography |
| 1966 | The Fortune Cookie · as Director Of PhotographyNo Plex |
| 1966 | The Chase · as Director Of Photography |
| 1965 | 7 Women · as Director Of Photography |
| 1964 | Kiss Me, Stupid · as Director Of Photography |
| 1964 | Wild and Wonderful · as Director Of Photography |
| 1963 | Irma la Douce · as Director Of Photography |
| 1963 | A Child Is Waiting · as Director Of Photography |
| 1962 | How the West Was Won · as Director Of Photography |
| 1961 | The Outsider · as Director Of Photography |
| 1961 | The Honeymoon Machine · as Director Of Photography |
| 1961 | All in a Night's Work · as Director Of Photography |
| 1960 | The Apartment · as Director Of PhotographyNo Plex |
| 1959 | Career · as Director Of Photography |
| 1959 | The Twilight Zone · as Director Of Photography |
| 1958 | The Naked and the Dead · as Director Of Photography |
| 1958 | The Long, Hot Summer · as Director Of Photography |
| 1957 | No Down Payment · as Director Of Photography |
| 1957 | The Fuzzy Pink Nightgown · as Director Of Photography |
| 1957 | Fury at Showdown · as Director Of Photography |
| 1957 | The Abductors · as Cinematographer |
| 1957 | I Was a Teenage Werewolf · as Director Of Photography |
| 1957 | The Bachelor Party · as Director Of Photography |
| 1956 | Crime of Passion · as Director Of Photography |
| 1956 | Run for the Sun · as Director Of Photography |
| 1956 | Our Miss Brooks · as Director Of Photography |
| 1956 | The Conqueror · as Director Of Photography |
| 1955 | Storm Fear · as Director Of Photography |
| 1955 | Alfred Hitchcock Presents · as Cinematographer |
| 1955 | My Friend Flicka · as Cinematographer |
| 1955 | Marty · as Director Of PhotographyNo Plex |
| 1954 | Jet Carrier · as Cinematographer |
| 1954 | River of No Return · as Director Of Photography |
| 1954 | Piano Encores · as Cinematographer |
| 1953 | Mister Scoutmaster · as Director Of Photography |
| 1953 | Dangerous Crossing · as Director Of Photography |
| 1952 | My Cousin Rachel · as Director Of Photography |
| 1952 | Something for the Birds · as Director Of Photography |
| 1952 | Les Miserables · as Director Of Photography |
| 1952 | The Outcasts of Poker Flat · as Director Of Photography |
| 1951 | Elopement · as Cinematographer |
| 1951 | Mr. Belvedere Rings the Bell · as Director Of Photography |
| 1951 | The Guy Who Came Back · as Director Of Photography |
| 1951 | The 13th Letter · as Director Of Photography |
| 1950 | The Jackpot · as Director Of Photography |
| 1950 | Mister 880 · as Director Of Photography |
| 1950 | Where the Sidewalk Ends · as Director Of PhotographyNo Plex |
| 1950 | Under My Skin · as Director Of Photography |
| 1950 | Mother Didn't Tell Me · as Director Of Photography |
| 1949 | Everybody Does It · as Director Of Photography |
| 1949 | Come to the Stable · as Director Of Photography |
| 1949 | The Fan · as Director Of Photography |
| 1948 | Deep Waters · as Director Of Photography |
| 1948 | Road House · as Director Of Photography |
| 1948 | The Luck of the Irish · as Director Of Photography |
| 1947 | Captain from Castile · as Cinematographer |
| 1947 | The Foxes of Harrow · as Director Of Photography |
| 1947 | The Late George Apley · as Director Of Photography |
| 1946 | If I'm Lucky · as Director Of Photography |
| 1946 | Cluny Brown · as Director Of Photography |
| 1946 | Claudia and David · as Director Of Photography |
| 1945 | Doll Face · as Director Of Photography |
| 1945 | Fallen Angel · as Director Of PhotographyNo Plex |
| 1945 | Hangover Square · as Director Of Photography |
| 1945 | A Bell for Adano · as Director Of Photography |
| 1944 | Laura · as Director Of Photography |
| 1944 | The Eve of St. Mark · as Director Of Photography |
| 1944 | Bermuda Mystery · as Cinematographer |
| 1943 | Happy Land · as Director Of Photography |