Eugen Schüfftan
Produção
21 de julho de 1893 — 6 de setembro de 1977 (84 anos)
From Wikipedia, the free encyclopedia
Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer.
He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques.
Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer.
He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques.
Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler.
Filmes e Séries no Plex
Filmografia
| 1946 | The Strange WomanNo Plex |
| 2014 | |
| 2003 | Der Fall Metropolis · as Self |
| 1966 | Wages of Sin · as Director Of Photography |
| 1965 | Three Rooms in Manhattan · as Director Of Photography |
| 1964 | The Big Scare · as Director Of Photography |
| 1964 | Lilith · as Director Of Photography |
| 1964 | The Parisienne and the Prudes · as Cinematographer |
| 1963 | The Virgins · as Director Of Photography |
| 1963 | Captain Sindbad · as Cinematographer |
| 1962 | The Doctors and the Nurses · as Cinematographer |
| 1961 | Something Wild · as Director Of Photography |
| 1961 | The Hustler · as Director Of PhotographyNo Plex |
| 1960 | Eyes Without a Face · as Director Of PhotographyNo Plex |
| 1960 | A Couple · as Director Of Photography |
| 1959 | The Bloody Brood · as Director Of Photography |
| 1959 | Hudson's Bay · as Cinematographer |
| 1959 | Head Against the Wall · as Director Of Photography |
| 1958 | La première nuit · as Director Of Photography |
| 1957 | Hawkeye and the Last of the Mohicans · as Director Of PhotographyNo Plex |
| 1954 | Una parigina a Roma · as Director Of Photography |
| 1953 | Die Venus vom Tivoli · as Director Of Photography |
| 1953 | Mina de Vanghel · as Director Of Photography |
| 1952 | The Crimson Curtain · as Director Of Photography |
| 1952 | The Respectful Whore · as Director Of Photography |
| 1952 | Le banquet des fraudeurs · as Cinematographer |
| 1950 | Gunman in the Streets · as Director Of Photography |
| 1950 | Le traqué · as Cinematographer |
| 1948 | Women in the Night · as Art DirectionNo Plex |
| 1948 | Women in the Night · as Director Of PhotographyNo Plex |
| 1946 | The Dark Mirror · as Visual EffectsNo Plex |
| 1946 | A Scandal in Paris · as Director Of PhotographyNo Plex |
| 1946 | A Scandal in Paris · as Production SupervisorNo Plex |
| 1946 | The Wife of Monte Cristo · as Production Designer |
| 1946 | The Wife of Monte Cristo · as Cinematographer |
| 1945 | Club Havana · as Director Of Photography |
| 1944 | Bluebeard · as Production DesignNo Plex |
| 1944 | Bluebeard · as Director Of PhotographyNo Plex |
| 1944 | Summer Storm · as Director Of Photography |
| 1943 | Hitler's Madman · as Director Of Photography |
| 1940 | The Emigrant · as Director Of Photography |
| 1939 | There's No Tomorrow · as Director Of Photography |
| 1939 | María de la O · as Director Of Photography |
| 1938 | Three Waltzes · as Cinematographer |
| 1938 | The Novel of Werther · as Cinematographer |
| 1938 | The Shanghai Drama · as Director Of Photography |
| 1938 | Port of Shadows · as Director Of Photography |
| 1938 | Hatred · as Director Of Photography |
| 1937 | The Cheat · as Director Of Photography |
| 1937 | Bizarre, Bizarre · as Director Of Photography |
| 1937 | Yoshiwara · as Director Of Photography |
| 1937 | Street of Shadows · as Director Of Photography |
| 1936 | The Robber Symphony · as Cinematographer |
| 1936 | The Trouble with Money · as Director Of Photography |
| 1936 | The Tender Enemy · as Director Of Photography |
| 1936 | The Invader · as Director Of Photography |
| 1934 | La crise est finie · as Director Of Photography |
| 1933 | High and Low · as Director Of Photography |
| 1932 | The Mistress of Atlantis · as Cinematographer |
| 1932 | Coeurs joyeux · as Cinematographer |
| 1932 | Queen of Atlantis · as Director Of Photography |
| 1932 | L'Atlantide · as Director Of Photography |
| 1930 | Farewell · as Director Of Photography |
| 1930 | People on Sunday · as Director Of Photography |
| 1927 | Napoleon · as Visual Effects Supervisor |
| 1927 | Metropolis · as Visual EffectsNo Plex |