A Festa
Dirigido por Thomas Vinterberg8.091%94%7.7
Uma festa grandiosa para comemorar o sexagésimo aniversário desencadeia um drama familiar com todas as mentiras que escondem segredos horrendos. O filho mais velho, Christian, encena um confronto com as populares Pater famílias; o seu discurso provocador e comovente após o jantar desaloja todas as máscaras, que finalmente caem completamente à medida que o conflito pai-filho se intensifica e os convidados observam perplexos.
A Festa Avaliações & Comentários
- Michael Heimgartner12 de setembro de 2025Dinner, Secrets and Dogme '95 The Celebration (Festen) by Thomas Vinterberg is not only a landmark in Danish cinema, but also (one of) the earliest and most impactful entries in the Dogme 95 movement. Co-founded by Vinterberg and Lars von Trier, Dogme 95 aimed to strip filmmaking down to its raw essentials. No artificial lighting, no special effects, no elaborate sets. What might sound restrictive or overly academic at first actually gives The Celebration an intense sense of immediacy and authenticity that feels surprisingly modern even today. The story unfolds during the 60th birthday celebration of Helge, the patriarch of a wealthy Danish family. As relatives gather at their countryside estate, the mood is initially cheerful, albeit with an undercurrent of tension linked to the suicide of one of Helge’s daughters. What begins as a seemingly normal family gathering quickly spirals into something much darker, as secrets begin to surface and long-suppressed emotions boil over. What makes The Celebration so gripping is not only the shocking revelations, but the way Vinterberg orchestrates the emotional unraveling with precision and restraint. There is no over-the-top melodrama here - just raw, uncomfortable truth told in a way that feels incredibly immediate and human. The handheld camera work, often jittery and intimate, puts you right in the middle of the action. It feels as though you’re at the dinner table with these people, watching their world fracture in real time. The natural lighting and grainy visuals contribute to the sense of realism. The performances are uniformly excellent, especially Ulrich Thomsen as Christian, whose quiet intensity anchors the film. Each character is complex, flawed, and painfully real. Despite its modest budget and minimalist aesthetic, The Celebration is a powerful film about trauma, family, and the destructive nature of silence. It builds slow and steady, gripping you tighter with every scene, and culminates in a finale that is both devastating and cathartic. It’s not an easy watch, and its themes are deeply uncomfortable but that’s exactly what gives the film its strength. Dogme 95’s stripped-down rules may have faded from mainstream relevance, but The Celebration remains an enduring example of how little you need to create something profoundly affecting.
- Rowan Krzysiak9 de abril de 2025On paper the plot feels quite obvious but this film is all about the brilliance of the execution. The situations and relationships are raw and intense. The direction and portrayal balances the deliberate and accidental and as such the handycam style is perfection. You can't choose your family but the choices of the family are still made.
- Don the Darth Knight CORLEONE6 de abril de 2026Quintessential Dogme '95
- LivewireAdmin31 de março de 2026I feel like this scenario is gonna play out at Mar-a-Lago at some point
- Spanktacular15 de janeiro de 2026The equivalent to being suffocated by tension and verbal brutality. Another to the list of "Profound, but I'm never watching it again." The most Danish thing I've ever seen.
- DropsyRocio26 de junho de 2025Thomas Vinterberg is genius. All the story lines make sense, even though the Dogma 95 rules are applied. It's a dark family story and it makes you think of all the big and powerful families who will try to safe face no matter what and probably, because of that quality they made it so far. Every character is an recognizable archetype and because of that, everything will fall delioucisly into place.
- cultfilmliker4 de março de 2025Ooof, yeah. The substantiation scene is so bittersweet. (I will mention that, other than that scene, I wasn’t a huge fan of Paprika Steen‘s acing) Loved the direction and obviously the story, but I want more from the side characters smh sorry I’m basic The sequence at the end reminded me of when Cooper was…..wherever he was before he became Dougie in Twin Peaks: The Return. A lot. As a recovering alcoholic, I really need to stop watching Vinterberg films lmao Trotskyite representation tho ☭ ☭ ☭
Trívia de A Festa
A Festafoi lançado em 19 de junho de 1998.
A Festafoi dirigido por Thomas Vinterberg.
A Festatem a duração de 1 h 41 min.
A Festafoi produzido por Birgitte Hald.
Uma festa grandiosa para comemorar o sexagésimo aniversário desencadeia um drama familiar com todas as mentiras que escondem segredos horrendos. O filho mais velho, Christian, encena um confronto com as populares Pater famílias; o seu discurso provocador e comovente após o jantar desaloja todas as máscaras, que finalmente caem completamente à medida que o conflito pai-filho se intensifica e os convidados observam perplexos.
Os caracteres-chave em A Festa são Christian (Ulrich Thomsen), Faderen (Henning Moritzen), Michael (Thomas Bo Larsen).
A Festa é avaliado M/16.
A Festa é um filme de Drama.
A Festa tem uma classificação de audiência 9.4de 10.
A Festa teve um orçamento de US$ 1,3 mi.
A Festa fez US$ 1,7 mi na bilheteria.