- Elliot04713 de janeiro de 2026If you love Nolan’s mind-bending non-linear timelines, know that Rashomon invented that style over 70 years ago. It wasn’t a blockbuster or feel-good flick, it’s pure cinema study, forcing you to rethink human nature and self-deception. Modern directors built their careers on its path, from Hollywood thrillers to courtroom dramas. Sure, today’s artists could mimic Van Gogh perfectly, but that doesn’t erase the original’s genius.
- christofferbenndorfhá 4 diasAkira Kurosawa’s Rashomon is a cinematic masterpiece that explores the subjectivity of truth. By recounting a singular violent crime through the contradictory perspectives of those involved, the film forces viewers to confront how ego and self-interest distort memory. Unlike the stylized, superhuman warriors seen in Kurosawa's later epics, these characters are refreshingly flawed and grounded. While the fragmented narrative can be disorienting, this confusion is entirely intentional. Kurosawa isn't interested in simple answers; he’s crafting a brilliant, haunting meditation on human nature. If you appreciate character-driven stories over action, Rashomon is essential, thought-provoking viewing.
- PoetofCinema13 de outubro de 2025I strongly revere Akira Kurosawa for how he did Ryūnosuke Akutagawa’s work with justice and tact. It’s beyond impressive because I read Akutagawa’s work first and he was firstly extraordinary and legendary. I have to say, this film does deserve the hype it gets. This may sound cliché but yes the film is a masterpiece; it is, really. There is a lot to say about this iconic film directed by Kurosawa as the ambiguity, strangeness, action, interactions, dialogue, and imagery has been executed well to show the audience watching it enticed and interested in the film. As I said before, this film can get a lot of praise because how many good things are from this movie. Overall, a masterpiece.
- Joel1 de julho de 2025Kurosawa is so good always, I love how much range there is in his filmography the same way as I love Toshiro Mifune's range (although I desperately need to watch more of both of their films.) This is probably my least favourite Kurosawa film I've seen, but it's still a brilliant film. If only plex didn't have a 2.5 minute ad break every ~12 minutes...
Obtenha Plex em Seus Dispositivos
Gratuito em mais de 20 plataformas. Escolha o seu.Trívia de Às Portas do Inferno
Às Portas do Infernofoi lançado em 26 de agosto de 1950.
Às Portas do Infernofoi dirigido por Akira Kurosawa.
Às Portas do Infernotem a duração de 87 min.
Às Portas do Infernofoi produzido por Jingo Minoura.
Japão, século XI. Um lenhador, um sacerdote e um camponês procuram refúgio de uma tempestade nas ruínas de pedra do Portão de Rashomon. O sacerdote conta detalhes de um julgamento que testemunhou, envolvendo o estupro de Masako e o assassinato do marido dela, Takehiro, um samurai. Em flashback é mostrado o julgamento do bandido Tajomaru, onde acontecem quatro testemunhos, inclusive de Takehiro através de um médium. Cada um é uma "verdade", que entra em conflito com todas as outras.
Os caracteres-chave em Às Portas do Inferno são Tajômaru (Toshirō Mifune), Masako (Machiko Kyō), Woodcutter (Takashi Shimura).
Às Portas do Inferno é avaliado Not Rated.
Às Portas do Inferno é um filme de Crime, Drama, Mistério.
Às Portas do Inferno tem uma classificação de audiência 9.3de 10.
Às Portas do Inferno teve um orçamento de US$ 250 mil.
Às Portas do Inferno fez US$ 118 mil na bilheteria.