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- WildHunt1há 6 diasThe Arthurian Legend Forged into Cinematic Myth John Boorman’s Excalibur is not merely another retelling of the legend of King Arthur—it is an operatic vision of myth brought vividly to life. Drawing heavily from Le Morte d’Arthur, the film embraces the grandeur, mysticism, and tragedy of the Arthurian cycle with a confidence few fantasy films have equaled. Rather than modernizing the legend, it immerses viewers in a world where destiny, magic, and human frailty are inseparable. The screenplay is the film’s crowning achievement. It distills an immense body of legend into a cohesive narrative that follows Arthur from his miraculous rise to the heartbreaking decline of Camelot. Every triumph carries the seed of future tragedy, and every victory comes at a cost. The story never loses sight of its central themes: honor, temptation, sacrifice, and the impossible burden of building a perfect kingdom with imperfect people. The cast fully embraces the heightened tone, delivering performances that feel larger than life without slipping into parody. Nigel Terry’s Arthur matures convincingly from uncertain youth to weary king, while Nicol Williamson’s enigmatic Merlin dominates every scene with an unforgettable blend of wisdom, humor, and menace. Around them, the legendary figures of Lancelot, Guinevere, Morgana, and the Knights of the Round Table become compelling embodiments of virtues and flaws that have endured for centuries. Visually, Excalibur remains one of fantasy cinema’s defining achievements. Gleaming armor, mist-covered forests, ancient castles, and dreamlike landscapes create a world that feels timeless rather than historical. The rich production design, striking cinematography, and unforgettable use of Wagner and Carl Orff lend the film an almost operatic grandeur. Combined with powerful sound design, sharp editing, and confident pacing, the result is a fantasy epic that never loses its sense of wonder or impending doom. Few films capture mythology with such sincerity. Excalibur does not seek realism or revisionism; it seeks legend. In doing so, it delivers one of cinema’s greatest medieval fantasies—a majestic, haunting, and emotionally resonant interpretation of King Arthur that continues to stand as the benchmark against which Arthurian films are measured.
- Yunejay9 de junho de 20251. Stunning scenery, clever composition, thrilling soundtrack, and exquisitely designed sets. Old cameras come with their own texture, the highlights gleam brilliantly, and the overall image has a soft, delicate quality, almost like an oil painting. 2. The acting is solid, with a few touches of subtle humor here and there. 3. While the plot feels a bit linear and lacks dramatic highs and lows, the story is clearly told, which I appreciated as someone not too familiar with the Arthurian legends. 4. I especially love the two dance scenes, both deeply captivating. One at the beginning where Igraine entrances Uther, and one at the ball where Guinevere shines with her lively spirit. Two dances, two romances, and two generations of kings trapped by love.
- Rob MacKinnon2 de março de 2026This definitely improved for me upon a second viewing. The sudden leaps forward in time were no longer jarring and disorienting as I knew to expect them, and I noticed that they were all actually pretty well telegraphed if you’re paying attention. I was able to focus more on the story and performances (and what performances! - definitely larger than life), and I noticed the humour much more as well. As a result, I raised the rating by a full star!
- MazinEd18 de fevereiro de 2026An almost perfect dark fantasy film done with epic flair and surreal imagery. I had the LOTR and GOT as the best in this Fantasy genre but now I’m adding Excalibur to the list. Of course there are others but I’m not going to name all of them here. The half-a-Star is taken off because I felt there were a few awkward amateur moments for some actors. These actors I speak of are top notch nowadays, but here they show early prototype acting. Other than that I really enjoyed everything in this film. I just can’t forgive myself for not watching this sooner in my life.
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Excaliburfoi lançado em 10 de abril de 1981.
Excaliburfoi dirigido por John Boorman.
Excaliburtem a duração de 2 h 21 min.
Excaliburfoi produzido por John Boorman.
O mago Merlin (Nicol Williamson) dá ao rei Uther Pendragon (Gabriel Byrne) a mística Excalibur, a espada do poder. Durante uma emboscada Uther é ferido mortalmente e, pouco antes de morrer, enterra a espada em uma pedra. Fica então decidido que o cavaleiro que puder retirá-la da pedra será o novo rei,. Anos depois o país estava divido em guerra entre os senhores feudais até que Arthur (Nigel Terry), um jovem escudeiro, retira facilmente a espada da pedra. O tempo vai mostrar que o fator de desagregação do reino está na atração que Lancelot (Nicholas Clay) sente por Guinevere (Cherie Lunghi), a rainha. E, somando-se a isto, Morgana (Helen Mirren), a meia-irmã de Arthur, decide que Mordred (Robert Addie), o filho que ela teve com Arthur, deve ocupar o trono.
Os caracteres-chave em Excalibur são King Arthur (Nigel Terry), Merlin (Nicol Williamson), Morgana (Helen Mirren).
Excalibur é avaliado M/12.
Excalibur é um filme de Adventure, Fantasia, Drama.
Excalibur tem uma classificação de audiência 8de 10.
Excalibur teve um orçamento de US$ 11 mi.
Excalibur fez US$ 35 mi na bilheteria.






















