18
2021    84 minTerror, Mistério
5.989%57%5.8
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After viewing a strangely familiar video nasty, Enid, a film censor, sets out to solve the past mystery of her sister's disappearance, embarking on a quest that dissolves the line between fiction and reality.
Dirigido por Prano Bailey-Bond
  • Niamh AlgarEnid Baines
  • Michael SmileyDoug Smart
  • Nicholas BurnsSanderson
  • Vincent FranklinFraser
  • Sophia La PortaAlice Lee
  • Adrian SchillerFrederick North
  • Clare HolmanJune
  • Andrew HavillGeorge
  • Felicity MontaguValerie
  • Danny Lee WynterPerkins
  • Clare PerkinsAnne
  • Guillaume DelaunayBeastman
  • Richard GloverGerald
  • Erin ShanagherDebbie
  • Beau GadsdonYoung Enid
  • Amelie Child-VilliersNina
  • Matthew EarleyGordon
  • Richard RentonFrank
  • Bo BragasonOlder Girl in Film
  • Amelia CraighillYounger Girl in Film
  • Patrick Waihá 1 dia
    As a horror film, Censor is only moderately effective. There are some unsettling moments and a few bursts of gruesome violence, but if you’re expecting a terrifying or edge-of-your-seat experience, you may come away underwhelmed. Where the film truly succeeds is as a psychological drama, chronicling one woman’s slow descent into obsession, delusion, and ultimately psychosis. Niamh Algar delivers an outstanding performance as Enid, carrying nearly every scene with subtlety and restraint. Her gradual unraveling feels believable rather than theatrical, making the film increasingly uncomfortable as reality and fantasy begin to blur. Michael Smiley is also excellent as the unsettling film producer, bringing an eerie calmness that lingers long after he leaves the screen. The backdrop is equally fascinating. Set during Britain’s “video nasties” panic of the 1980s, Censor offers a compelling look at a time when governments and moral campaigners believed violent films were corrupting society. It’s a fascinating reminder that while the targets of censorship have changed over the past forty years, the debates themselves haven’t disappeared. Today the conversations may revolve around social media, AI, books, or online content, but the tension between protecting the public and preserving artistic freedom remains remarkably familiar. The story itself is refreshingly original. Rather than relying on supernatural monsters or masked killers, the film turns memory, guilt, and trauma into its greatest source of horror. As Enid loses her grip on reality, the audience is invited to experience that confusion alongside her, making the final act as tragic as it is disturbing. I wouldn’t rank Censor among the great modern horror films. But as a character study of a woman consumed by unresolved trauma and her own fractured mind, it’s far more compelling. I’d rate it around 6/10 as a horror film, but closer to 8/10 as a psychological drama.
  • jackmeat17 de julho de 2025
    My quick rating - 6.2/10. With all the horror and especially gore flicks I watch, it is like this is my job. Here, we have a censor who needs to decide which scenes are too much and provide rating recommendations for films. Aside from all the stories you may hear about directors going to these people and bribing them to get their rating down to "R" as opposed to NC-17, this one is more about a particular clip our censor, Enid (Niamh Algar), views. Immediately when watching, she has memories of a similar life situation where her sister had disappeared, and she becomes obsessed with solving the mystery. As she investigates further into the movie, the lines between reality and fiction slowly dissolve, and her acting is pretty spot on in demonstrating this. The vast majority of the gore in this is more in the videos she rate,s but when the blurred lines do get crossed, the psychological torment she is in, and the violence merge, keeping you wondering what is actually true. Not a jump scare type of flick, just a nicely paced story that is told through the eyes of a woman who is desperately clinging to her own sanity and just wants to find her sister. I had not heard of this one, but was pleasantly surprised by how it ended up.
  • cultfilmliker12 de abril de 2026
    “Thank you for the whiskey. I’ll see myself out.” A fun Channel Zero style film! One of the movie posters makes this film look awful but it’s actually good and unique and not a Black Mirror knockoff like it looks! I’ve definitely seen this before but idk when or what happened and it seemed like good prep for Faces of Death so I figured why not (edit: I remember the sister part vividly as soon as it reminded me and now this feels like an unnecessary rewatch lol) [edit 2: I definitely didn’t finish this bc I would remember this shit!] Last comparison, walking through tunnels while you have a loved one missing à la Absentia always seems like a very bad idea! Loved the direction! The story was alright!
  • DigitalDisappointment17 de janeiro de 2025
    Total drek. Waste of time. Campy brit crap.
  • jonathanmochrie15 de fevereiro de 2026
    Excellent. If you lived in the era of video nasties, you are gonna appreciate this movie. Catches the mood of the time, so well, especially the pearl clutchers like Mary Whitehouse and the BBFC.
  • Natasha Nichols11 de novembro de 2025
    Spoiler ahead: Movie started off strong but the last 20 minutes took a different undesirable turn.

Assista vídeos de Censor

  • Censor
    CensorTrailer
  • Video Nasty
    Video NastyCena

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