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- Skarsgard is great as always. H Jon Benjamin is hilarious. Has the gratuitous violence of Kill Bill (in the best way possible), the action of Sifu or any other arcade fighter game, and the dystopian hyper-realism of the Watchmen or V for Vendetta graphic novels. Some really great fight scenes that remind me of Equilibrium, the hallway scene in Jude Law's Repo Man, or the original Matrix (just with gore pumped up a lot). t's not gonna win an oscar or anything, but it's a solid, fun summer action flick that I enjoy every time I watch it.
- Wasn't what I expected. The movie made me think of a mix between The Purge and Hunger games with a dab of Hardcore Henry without the POV. Made me chuckle and close my eyes a few times. It was bloody but at the same time not bloody at all. Really nice done with a good twist. I like it. Also how I love H. Jon Benjamin.
- Outrageous and ridiculous in all the most wonderful ways. It's a bloody, pulpy, non-stop action film that doesn't take itself seriously. The plot—what there is of it—is quite thin, but that still works fine for a film of this type. Dark comedy abounds and choosing H. Jon Benjamin for Boy's inner dialog was masterful. If the trailer intrigues you, then you almost certainly won't be disappointed.
- Boy Kills World is a genuinely fun action movie, and one that exceeded my expectations by a wide margin. The action itself is insane, it's well choreographed, and it's executed with a level of craft that elevates the entire film above its absurd premise. Bill Skarsgård turns in a fantastic performance, all the more impressive given that he doesn't speak a single word throughout the entire runtime. It raises an interesting question of intent: whether the choice to keep him silent on screen (paired with H. Jon Benjamin supplying the character's internal voiceover) came from some practical constraint, like a voice unsuited to the role, or was simply a bold, creative choice. Regardless of the reasoning behind it, the combination works remarkably well. Benjamin brings a distinctive, expressive quality to the narration that gives the silent protagonist real personality, and Skarsgård's physical performance carries the rest. He's also in extraordinary shape for the role, surprising given that his brother Alexander has typically been considered the more physically imposing of the two. Here, the more wiry Bill matches him. Speaking of Alexander, there's an odd bit of symmetry worth noting: he starred in Mute back in 2018, a film built on similar plot mechanics, with a protagonist who cannot speak forced to navigate a hostile world. So, both brothers now have a film in their respective repertoires that belong to the small subgenre of silent-hero action films, like Hardcore Henry, Silent Night, Sisu, etc. Boy Kills World distinguishes itself within that company through its arcade-style, over-the-top internal narration, a device none of those other films really employ. The violence throughout is bloody, dark, and delivered with a comic book sensibility that keeps it from ever feeling grim for its own sake. It reaches Tarantino levels of casual, outrageous carnage, ridiculous in exactly the ways that work in this genre. The film knows precisely what kind of experience it's offering and never apologizes for it. The story holds up well too, provided the viewer accepts its dystopian setting at face value rather than demanding a deep explanation for how that world came to be. There isn't much interest here in the why of things. Worldbuilding stays thin by design, and the film asks the audience to strap in and go along for the ride rather than pause for exposition. That approach can easily backfire but here it suits the material's breakneck pace. One genuine surprise: the film features a twist that actually landed unexpectedly, a rare occurrence given how often movies broadcast their plots as blatantly as George Foreman telegraphed his punches. In this case, the misdirection worked, and that unpredictability made for a more satisfying experience for me personally. Humour runs through the film more consistently than one might expect from something this violent. Several moments landed as genuinely funny, particularly material involving Boy's comprehension of a character named Benny, which proved consistently hilarious throughout, even without a clear explanation of the why behind it. As for the rest of the cast, performances are competent across the board without many standouts. Well, I thought Yayan Ruhian, playing the Shaman, was absolutely fantastic. Sharlto Copley also delivers, turning in the kind of solid, dependable work audiences have come to expect from him regardless of the project. Taken together, Boy Kills World lands in an interesting middle ground: better than its critical reception would suggest, but not quite the masterpiece that some of its more enthusiastic fans claim. It's a violent, funny, visually inventive piece of genre filmmaking that earns its cult following honestly.
- My quick rating - 7.0/10. Boy Kills World is a loud, bloody, and frenetic action movie that gets you on the same page as to what kind of experience you are in for immediately. It is a film that is fueled by excess - be it in terms of violence, style, or a ridiculously exaggerated sense of mayhem that borders on cartoonish. Adrenaline, yes, but subtlety is a hell no. The movie kicks off with a comedy-packed flashback that promptly establishes the tone by combining black humor with graphic violence. This is when we meet Boy (Bill Skarsgård), a deaf-mute who has a rather vibrant imagination that’s brutally disrupted when his family is slaughtered before his very eyes. After that, a revenge-based origin tale follows as it’s presented through the channel of surrealistic visuals and over-the-top martial arts performances. Boy goes AWOL into the jungle when he meets a shaman who takes away his imagination to transform him into a killing machine. Skarsgard gives a total commitment to the part, including a physical as well as facially detailed performance that drives a lot of the movie. Skarsgard doesn't have to give much spoken dialogue since a lot of the necessary communication comes from bodily expression, which does indicate innocence as well as rage. Jessica Rothe and Brett Gelman do the rest to make the bad guys more unpredictable by carrying out suitably nutty performances that do add a lot to the unstable atmosphere that permeates most of the movie. Where Boy Kills World really rocks is in its action scenes. The fighting is top-notch all the way around, but the final battle is phenomenal, featuring some of the best hand-to-hand fighting in recent action films. There is a level of brutality and attention to detail in each and every physical battle that is apparent, and the physicality is first-rate. There is a tremendous amount of blood spilt from the opening to the closing frame in this film. It’s not for those faint of heart and never attempts to claim otherwise. On the visual side, the film is a display of colors and frenzied shots that manage to reflect the troubled psyche of Boy. There is a frenzied style at work here that simply throws us straight into the midst of this strange world. Although the plot takes a second seat to the visual feast and the action scenes, the elements associated with loss and change are enough for the flick not to be shallow. Boy Kills World won’t be for everyone, but for fans of stylized, ultra-violent action films with memorable fight choreography, it delivers exactly what it promises. And then some.
- I mean, it’s OK. This movie’s been done about 20 times: as a matter of fact, this guy’s brother did a movie exactly like this - I think it was called Silent… or something like that. I think the little video game twist they add to it is kind of neat but hard-core Henry did that better. Really just go watch hard-core Henry. Actually, just watch anything else. Once you see this, you’ll just feel like you wasted your time. There are a couple of neat scenes in it but… It’s not worth watching a whole movie.
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Contra Todosfoi lançado em 24 de abril de 2024.
Contra Todosfoi dirigido por Moritz Mohr.
Contra Todostem a duração de 1 h 50 min.
Contra Todosfoi produzido por Zainab Azizi, Stuart Manashil, Sam Raimi, Roy Lee, Dan Kagan, Wayne Fitzjohn, Simon Swart, Alex Lebovici.
Boy é um surdo-mudo com uma imaginação vibrante. Quando a sua família é assassinada, o rapaz foge para a selva e é treinado por um misterioso xamã para reprimir a sua imaginação infantil e tornar-se um instrumento da morte.
Os caracteres-chave em Contra Todos são Boy (Bill Skarsgård), June27 (Jessica Rothe), Voice of Boy (voice) (H. Jon Benjamin).
Contra Todos é avaliado M/14.
Contra Todos é um filme de Action, Adventure, Comédia.
Contra Todos tem uma classificação de audiência 7.2de 10.
Contra Todos teve um orçamento de US$ 18 mi.
Contra Todos fez US$ 3,1 mi na bilheteria.
























