Backrooms: O Labirinto
7.087%74%6.8
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- Hipster ZOMBIE1 de junho de 2026What began as an anonymous creepypasta on 4chan has now evolved into a full blown feature film with A24’s unsettling adaptation of The Backrooms. Directed by series creator Kane Parsons, the film expands his viral web mythology into a suffocating psychological horror experience that feels less like a traditional movie and more like a waking fever dream you can’t escape. For the uninitiated, The Backrooms is essentially that recurring nightmare where the hallway keeps stretching farther away no matter how fast you walk, blended with the sterile emptiness of abandoned office spaces humming under fluorescent lights. Random junk litters endless yellow corridors, reality folds in on itself, and there’s seemingly no exit. Chiwetel Ejiofor delivers a quietly devastating performance as Clark, a man already trapped in the soul-crushing monotony of his own life before stumbling through a multidimensional doorway into the ominous labyrinth known as the Backrooms. Saying much more would spoil the film’s carefully layered mysteries. Renate Reinsve is equally compelling as Mary, Clark’s therapist, whose own fractured emotional state may be more connected to the Backrooms than the film initially lets on. Rather than relying on cheap jump scares, Parsons leans heavily into atmosphere, existential dread, and the terror of isolation. The result is hypnotic, unnerving, and deeply ambiguous. Its open-ended finale is certain to spark endless debate, especially among longtime fans of the mythos. Some horror audiences may find its slow-burn psychological approach frustrating, particularly those expecting a more conventional scare fest. But for viewers willing to surrender to its strange rhythms and oppressive mood, The Backrooms is one of the most haunting and uniquely unsettling horror films A24 has released in a while.
- GrifGrifhá 6 hThis movie is a love letter to internet stories and legends. The highlight is the director who has clearly understood the assignement and doesn't take his audience for dummies and really offer an elaborated experience where you need to think and get immersed. An absolute love towards visual clues to understand story points instead of explicitely telling things to the spectator like they are 5.
- DavCharhá 9 hThis was just so...lame. I kept waiting for it to get scary, and it never did. A man who is basically a narcissist finds another dimension in the basement of his store, and decides to stay there. Also, it is being monitored by scientists somewhere. And there are weird "creatures" that live there. And there is a "therapist" who is trying to help the narcissist, and goes looking for him in the other dimension. And during all this, nothing happens. So frustrating. How this became the number two horror film of 2026 is beyond me, because IT WASN'T SCARY.
- Patrick Waihá 1 diaSome movies want to tell you a story. Backrooms wants you to experience a feeling. The first half reminded me of the first time I watched Dark City. I had absolutely no idea what was happening, yet I couldn’t stop watching. The mystery isn’t built around solving a puzzle as much as surrendering to an overwhelming sense of unease and disorientation. The lead performances are excellent, grounding an otherwise surreal world with believable emotions. Without their commitment, the movie’s dreamlike logic probably wouldn’t work nearly as well. I also loved the minimalist approach. The sparse locations, restrained dialogue, and lingering silence create an atmosphere that’s both hypnotic and unsettling. The entire film plays like a nightmare where everything almost makes sense, but never quite does. That persistent feeling of strangeness isn’t a flaw, it’s the entire point. The story itself is relatively straightforward, and seasoned viewers may even predict where it’s heading. But that’s almost beside the point. This isn’t a movie you watch for plot twists. You watch it for the sensation of being trapped inside a place that refuses to obey the normal rules of reality. The film is intentionally ambiguous and never feels obligated to explain itself. That alone will divide audiences. Some people will find it frustrating, while others will find that ambiguity irresistible. I’m firmly in the latter camp. One fun surprise for me was hearing references to streets around San Jose. Whether the writer or director has roots there or simply knows the area well, those little details briefly anchored me in reality before the movie pulled me right back into its unsettling world. This definitely isn’t a film for everyone. If you need every mystery wrapped up neatly, you’ll probably leave disappointed. But if you’re willing to embrace confusion, atmosphere, and the strange logic of dreams, Backrooms delivers a haunting experience that lingers long after it ends.
- Corey Burkeshá 2 diasWhat started off interesting dissolves into like a “found footage” POV like thing I thought we left back in the late 90s, then back to narrative filmmaking. Then it tries to get psychologically relevant to our traumas. I see what it tried to do but I simple wasn’t interested. This is top tier niche storytelling and only for a specific set. I’ve said this before many times for people coming out with their first films that supposedly are “genius”. …. “Let’s see your second story.” It’s that one that tells if the filmmaker has actual talent or it’s a one-hit-one-off. Chiwetel is, as always, a master class in acting as well as Renate Reinsve. But you feel like they were wasted. Like two big engines forced to hold back.
- George20 de junho de 2026It was pretty good. Some very creepy stuff and concepts. Some game & lore Easter eggs, overall solid but It's got some issues. It did its job well enough to where I want more for sure. For 20 year olds directing debut, this was shot and filmed so well. They made sure that 10 million budget was put to good use. Looking forward to more from young Kane Parsons! My issues 1. Wish it had more found footage sequences or even the whole movie. The best parts were those we did have. 2. The monster was... an interesting decision... meh. 3. Felt like I was missing an Act between acts 2 & 3. Needed some more in between those & I think you'll agree once you watch it. 3. They gave us way too many answers. (Kind of)
- rg9400há 2 diasBackrooms was a pretty mixed bag for me. I could kind of tell from the trailers that I was not going to like this movie as much simply because it reminded me a lot of stories like Skinamarink, House of Leaves, and Piranesi, all movies/books that didn't work for me to varying degrees. For some reason, a lot of these stories about liminal spaces tend to be more atmospheric than substantive. Backrooms is no different, but it really suffers from pacing issues, especially in its first 60 minutes. A more experienced director could have easily condensed that into 20 minutes without losing anything. I do think some of the found footage moments are tense and genuinely creepy though, but there are like only 2-3 of them throughout the film. The idea of people having to run around these strange rooms to escape some ominous footsteps does work, and there is some effective technical filmmaking going on, but also, if you've ever played a first person horror video game, it is largely the same type of experience. The problem is that most of the movie outside of these chase sequences is just characters exploring surreal office rooms. I don't find that scary or tense or interesting, it is like watching paint dry. Sure, the set design is technically impressive, but again, that doesn't make a movie. All of this could have been excused had there been an interesting plot, story, character work, or themes. There isn't. There barely is a semblance of plot, and honestly, I would say it has no plot. Maybe if the ending of the movie was just the ending to Act 1, sure. But instead, it's mostly just people exploring this surreal space. The movie vaguely gestures at some themes and character motivations, but I really want to emphasize the word "vaguely" there. It's these nonverbal flashbacks that barely explain anything about Mary that particularly annoyed me. It wasn't the director trusting the audience; it was the director hoping the audience could write the story for him. Clark is slightly more fleshed out, but it really is very surface level. Again, most of the movie is stripped away from any plot, storytelling, character dynamics, character depth, character arcs...anything beyond just people exploring these strange rooms. If that sounds up your alley, great. It put me to sleep outside of like 3 sequences. Granted, it is impressive that a 19 year old director was able to make something like this, and there are some genuinely strong technical aspects of the movie. I'm glad that the movie has had such a buzzy opening as well. However, I think most people would appreciate Obsession which is also directed by an absurdly young director and has had a real success story simply because it is way better with its storytelling.
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Backrooms: O Labirintofoi lançado em 27 de maio de 2026.
Backrooms: O Labirintofoi dirigido por Kane Parsons.
Backrooms: O Labirintotem a duração de 1 h 50 min.
Backrooms: O Labirintofoi produzido por Shawn Levy, Dan Cohen, Dan Levine, James Wan, Michael Clear, Roberto Patino, Kori Adelson, Chris Ferguson, Osgood Perkins, Jenno Topping, Peter Chernin.
Uma estranha porta surge na cave de uma loja de móveis.
Os caracteres-chave em Backrooms: O Labirinto são Clark (Chiwetel Ejiofor), Mary (Renate Reinsve), Phil (Mark Duplass).
Backrooms: O Labirinto é avaliado M/14.
Backrooms: O Labirinto é um filme de Terror, Ficção científica, Mistério.
Backrooms: O Labirinto tem uma classificação de audiência 7.4de 10.
Backrooms: O Labirinto teve um orçamento de US$ 10 mi.
Backrooms: O Labirinto fez US$ 359,6 mi na bilheteria.