Marco Bellocchio
Diretor, Escritor, Produtor, Ator, Editor
9 de novembro de 1939 (86 anos)
Marco Bellocchio (Italian: [ˈmarko belˈlɔkkjo]; born 9 November 1939; Bobbio) is an Italian film director, screenwriter, and actor.
Born in Bobbio, near Piacenza, Marco Bellocchio had a strict Catholic upbringing – his father was a lawyer, his mother a schoolteacher. He began studying philosophy in Milan but then decided to enter film school, making his first film, Fists in the Pocket, (I pugni in tasca, winner of the Silver Sail at the 1965 Festival del film Locarno), funded by family members and shot on family property, in 1965.
Bellocchio's films include China Is Near (1967), Sbatti il mostro in prima pagina (Slap the Monster on Page One) (1972), Nel Nome del Padre (In the name of the Father – a satire on a Catholic boarding school that shares affinities with Lindsay Anderson's If....) (1972), Victory March (1976), A Leap in the Dark (1980), Henry IV (1984), Devil in the Flesh (1986), and My Mother's Smile (2002), which told the story of a wealthy Italian artist, a 'default-Marxist and atheist', who suddenly discovers that the Vatican is proposing to make his detested mother a saint. In 1991 he won the Silver Bear – Special Jury Prize at the 41st Berlin International Film Festival for his film The Conviction. In 1995 he directed a documentary about the Red Brigades and the kidnapping and murder of Aldo Moro, titled Broken Dreams. In 2003, he directed a feature film on the same theme, Good Morning, Night. In 2006 his film The Wedding Director was screened in the Un Certain Regard section at the 2006 Cannes Film Festival. In 1999, he was awarded with an Honorable Prize for the contribution to cinema at the 21st Moscow International Film Festival. In 2009 he directed Vincere, which was in the main competition at the Cannes Film Festival. He finished Sorelle Mai, an experimental film that was shot over ten years with the students of six separate workshops playing themselves. He was awarded with the Golden Lion for Lifetime Achievement at the 68th Venice International Film Festival in September 2011. His 2012 film Dormant Beauty was selected to compete for the Golden Lion at the 69th Venice International Film Festival.[6] On 6 September 2012, Bellocchio condemned the Catholic Church's interference in politics after the premiere of his controversial film about a high-profile euthanasia case. The film approaches the topic of euthanasia and the difficulty with legislation on end of life in Italy, which has Vatican City within its borders. The subject is inspired by Eluana Englaro's case. Following the decision of the jury of the Venice Film Festival, which excluded the film from the Golden Lion, Bellocchio has expressed strong criticism against President Michael Mann.
Born in Bobbio, near Piacenza, Marco Bellocchio had a strict Catholic upbringing – his father was a lawyer, his mother a schoolteacher. He began studying philosophy in Milan but then decided to enter film school, making his first film, Fists in the Pocket, (I pugni in tasca, winner of the Silver Sail at the 1965 Festival del film Locarno), funded by family members and shot on family property, in 1965.
Bellocchio's films include China Is Near (1967), Sbatti il mostro in prima pagina (Slap the Monster on Page One) (1972), Nel Nome del Padre (In the name of the Father – a satire on a Catholic boarding school that shares affinities with Lindsay Anderson's If....) (1972), Victory March (1976), A Leap in the Dark (1980), Henry IV (1984), Devil in the Flesh (1986), and My Mother's Smile (2002), which told the story of a wealthy Italian artist, a 'default-Marxist and atheist', who suddenly discovers that the Vatican is proposing to make his detested mother a saint. In 1991 he won the Silver Bear – Special Jury Prize at the 41st Berlin International Film Festival for his film The Conviction. In 1995 he directed a documentary about the Red Brigades and the kidnapping and murder of Aldo Moro, titled Broken Dreams. In 2003, he directed a feature film on the same theme, Good Morning, Night. In 2006 his film The Wedding Director was screened in the Un Certain Regard section at the 2006 Cannes Film Festival. In 1999, he was awarded with an Honorable Prize for the contribution to cinema at the 21st Moscow International Film Festival. In 2009 he directed Vincere, which was in the main competition at the Cannes Film Festival. He finished Sorelle Mai, an experimental film that was shot over ten years with the students of six separate workshops playing themselves. He was awarded with the Golden Lion for Lifetime Achievement at the 68th Venice International Film Festival in September 2011. His 2012 film Dormant Beauty was selected to compete for the Golden Lion at the 69th Venice International Film Festival.[6] On 6 September 2012, Bellocchio condemned the Catholic Church's interference in politics after the premiere of his controversial film about a high-profile euthanasia case. The film approaches the topic of euthanasia and the difficulty with legislation on end of life in Italy, which has Vatican City within its borders. The subject is inspired by Eluana Englaro's case. Following the decision of the jury of the Venice Film Festival, which excluded the film from the Golden Lion, Bellocchio has expressed strong criticism against President Michael Mann.
Conhecido Por
Filmography
| 2025 | |
| 2023 | |
| 2022 | |
| 2022 | |
| 2022 | |
| 2021 | |
| 2021 | |
| 2019 | |
| 2018 | |
| 2016 | |
| 2015 | |
| 2012 | Dormant BeautyNo Plex |
| 2010 | |
| 2009 | |
| 2006 | |
| 2003 | |
| 2002 | |
| 2002 | |
| 1999 | |
| 1997 | |
| 1994 | |
| 1993 | |
| 1991 | |
| 1988 | |
| 1986 | |
| 1984 | |
| 1982 | |
| 1980 | |
| 1980 | |
| 1977 | |
| 1976 | |
| 1975 | |
| 1972 | |
| 1971 | |
| 1969 | |
| 1967 | |
| 1965 | |
| 1962 | |
| 1961 |
| 2026 | Rosebush Pruning · as Original Film Writer |
| 2025 | |
| 2024 | The Life Apart · as Screenplay |
| 2023 | Kidnapped: The Abduction of Edgardo Mortara · as Screenplay |
| 2022 | |
| 2022 | Esterno Notte (part II) · as Screenplay |
| 2022 | Esterno Notte (part I) · as Screenplay |
| 2021 | |
| 2021 | |
| 2019 | The Traitor · as Screenplay |
| 2018 | |
| 2016 | Sweet Dreams · as Screenplay |
| 2015 | Blood of My Blood · as Screenplay |
| 2012 | Dormant Beauty · as ScreenplayNo Plex |
| 2010 | |
| 2006 | |
| 2004 | |
| 2003 | |
| 2002 | My Mother's Smile · as Screenplay |
| 2002 | |
| 1997 | The Prince of Homburg · as Screenplay |
| 1993 | |
| 1991 | The Conviction · as Screenplay |
| 1988 | |
| 1984 | Henry IV · as Screenplay |
| 1980 | |
| 1977 | The Seagull · as Screenplay |
| 1976 | |
| 1971 | |
| 1969 | |
| 1967 | |
| 1965 | |
| 1962 |
| 2025 | Quelli che il cinema · as Self |
| 2024 | Volonté: L'uomo dai mille volti · as Self |
| 2023 | Raffa · as Self |
| 2023 | Raffa · as Self |
| 2021 | Ennio · as SelfNo Plex |
| 2021 | Journey Into the Twilight · as Self |
| 2021 | Marx Can Wait · as Self |
| 2020 | Glauber, Claro · as Self |
| 2019 | |
| 2018 | 1968: The Global Revolt · as Self |
| 2017 | Quan arribin els marcians · as Self |
| 2009 | Di me cosa ne sai · as Self |
| 2007 | We Want Roses Too · as Self |
| 2006 | Marcello, una vita dolce · as Self |
| 2005 | Filmmakers vs. Tycoons · as Self |
| 2003 | Che tempo che fa · as Self - Guest |
| 2003 | A Film & Its Era · as Self |
| 1991 | Movie Days · as Self - Interviewee |
| 1980 | My Name Is Anna Magnani · as Self |
| 1975 | Fit to Be Untied · as Himself (uncredited) |
| 1975 | Sunday meetings · as Self |
| 1967 | Cinéma et réalité · as Self |
| 1964 | Filmmakers of our time · as Self |
| 2025 | |
| 2002 | |
| 1980 | Vacation in Val Trebbia · as Il Marito |
| 1977 | |
| 1972 | Slap the Monster on Page One · as Compagno Che Incita Alla Calma (uncredited) |
| 1971 | N.P. · as Predicatore (voce) |
| 1969 | Love and Anger · as Lecturer (segment "discutiamo, Discutiamo") |
| 1966 | Francis of Assisi · as Pietro Di Stacia |
| 2009 | Vincere · as Story |
| 1999 | The Nanny · as Story |
| 1986 | Devil in the Flesh · as Story |
| 1982 | The Eyes, the Mouth · as Story |
| 1980 | A Leap in the Dark · as Story |
| 1961 | Culpability and Punishment · as Story |