Um criminoso carismático durante sua fuga da polícia, assume uma nova identidade e começa a trabalhar em uma loja de brinquedos. Lá, se envolve com uma funcionária e inicia um romance inesperado. Mas quando seu passado ameaça vir à tona, os dois se veem diante de escolhas que podem mudar o destino de suas vidas para sempre.
- RipLinesMan11 de novembro de 2025Roofman treats identity the way Event Horizon (1997) treats space, as a corridor to the pit disguised as a safe passage, and Derek Cianfrance frames the toy store’s crawlspaces like warm steel hallways where nostalgia hides an engine room of bad decisions. Channing Tatum’s Jeffrey Manchester slips through the ducts like a fugitive Weir, in love with the red glow of reinvention, while Kirsten Dunst’s Leigh Wainscott keeps the Miller line of procedure and mercy, trying to seal the airlocks as temptation hums. Ben Mendelsohn’s Ron Smith and Peter Dinklage’s Mitch circle like salvage crews sniffing profit, LaKeith Stanfield’s Steve reads instruments others ignore, and Juno Temple’s Michelle hears the whisper of a future that may not survive the burn. Paul W. S. Anderson’s Event Horizon is a masterpiece of moral geometry, and Cianfrance borrows its duel between protocol and rapture, letting each favor and lie tick like engine alarms until romance and capture become the same door, the one you open only to learn how far the ship can fall.
- Rick14 de outubro de 2025Had some time to burn in the middle of the day and this happened to be starting in 10 mins, so I decided to check it out. Went in expecting a dumb comedy. I wasn’t expecting a true story drama with so much heart. All the performances were fantastic. Oh yea, I kinda want to go live in the bike rack at a toy store now. Too bad there aren’t any left. 😢
- Shaydeknight13 de novembro de 2025Roofman is a surprisingly strong, unassuming little film, the kind that doesn't shout to be noticed but earns attention through quiet confidence. Channing Tatum gives one of his most understated performances to date. There's real weight behind his portrayal of a man caught between guilt, longing, and the faint hope of normalcy. His inner life feels genuine, not performed. It's refreshing to see Tatum shed the showier roles and settle into something more human, even if that humanity belongs to a fugitive clinging to scraps of ordinary life. Kirsten Dunst, ever natural, moves through the film with quiet precision. She never "acts" so much as inhabits her space, the kind of performer who makes everyone else seem a bit more real just by sharing the frame. The supporting cast, including Peter Dinklage, Ben Mendelsohn, and others, fill out the world beautifully. Each brings small but textured moments that make the film feel fresh and real throgh casual conversations, unspoken tensions, and fleeting camaraderie. It's a slice of life story set against an extraordinary backdrop, where the only person who doesn't quite belong is the protagonist himself. Direction is refreshingly simple. No grand stylistic flourishes, no heavy moralizing, just solid storytelling, well paced and confidently handled. Roofman doesn't aim to redefine cinema, and that's precisely its charm. It knows what it is: a quiet, human story about a man who wants what he just doesn't know how to obtain.
- ርልዪረ11 de novembro de 2025Roofman is one of those movies that sneaks up on you, not just because it's about a real-life robber who literally lived inside the store, but because it balances crime, comedy, and unexpected tenderness with surprising ease. Directed by Derek Cianfrance (Blue Valentine, The Place Beyond the Pines), this offbeat crime dramedy tells the story of Jeffrey Manchester, the "Roofman Robber," who famously escaped from prison and hid out for months inside a North Carolina Toys "R" Us. Channing Tatum takes on the role with an easygoing charm that fits the character's odd blend of charisma and delusion. His version of Manchester, now going by an alias and trying to build a new life is part dreamer, part screw-up, and somehow, still someone you root for. Tatum gives one of his more grounded performances in years, toning down his usual bravado for something more human, and it works. The surprise standout here is Kirsten Dunst as Leigh, who becomes entangled in Jeffrey's double life. I've never been much of a fan of Dunst, but here she doesn't elicit an eye roll every time she speaks and instead delivers a sincere performance. The chemistry between her and Tatum gives the movie its emotional spark, and their scenes together bring warmth and humor to a story that could have easily gone too dark or too silly. The movie's pacing is steady and deliberate, maybe too much at times, but the story is well told and surprisingly heartfelt. It finds humor in human desperation and beauty in redemption without ever preaching about it. Is it worth running to the theater for? Probably not. Roofman feels more like the kind of film you stumble upon one night while flipping channels or scrolling through streaming-and end up watching all the way through because it's oddly charming. Roofman isn't a high-octane heist movie-it's a quirky, character-driven story about second chances, unexpected love, and the strange places people hide when they're running from their past. Tatum and Dunst make it worth the watch, and while it might not demand a big-screen experience, it's the kind of film that'll quietly grow on you once you've seen it.
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O Bom Bandidofoi lançado em 2 de outubro de 2025.
O Bom Bandidofoi dirigido por Derek Cianfrance.
O Bom Bandidotem a duração de 2 h 5 min.
O Bom Bandidofoi produzido por Dylan Sellers, Jamie Patricof, Lynette Howell Taylor, Alex Orlovsky, Duncan Montgomery.
Um criminoso carismático durante sua fuga da polícia, assume uma nova identidade e começa a trabalhar em uma loja de brinquedos. Lá, se envolve com uma funcionária e inicia um romance inesperado. Mas quando seu passado ameaça vir à tona, os dois se veem diante de escolhas que podem mudar o destino de suas vidas para sempre.
Os personagens principais de O Bom Bandido são Jeffrey Manchester (Channing Tatum), Leigh Wainscott (Kirsten Dunst), Pastor Ron (Ben Mendelsohn).
O Bom Bandido é avaliado com 14.
O Bom Bandido é um filme de Crime, Drama, Romance.
O Bom Bandido tem uma classificação de audiência 8.5de 10.
O Bom Bandido teve um orçamento de US$ 18 mi.
O Bom Bandido fez US$ 34,9 mi na bilheteria.