Ertem Eğilmez
Reżyseria, Produkcja, Scenariusz
18 lutego 1929 — 21 września 1989 (60 years)
Ertem Eğilmez was born on February 18, 1929, in Trabzon. He is a legendary director, producer, and screenwriter who changed the course of Turkish cinema, leaving his mark on Yeşilçam (the Turkish film industry) with his "Arzu Film school," and captivating millions with films that both amused and moved audiences to tears.
After graduating from Istanbul University's Faculty of Economics, Eğilmez worked in various trades, including running a grocery store. His entry into the art world began in 1954 with the founding of Çağlayan Publishing House with Refik Erduran. Here, he introduced innovation to the publishing world by printing Türkiye's first popular pocket books. His passion for cinema led him to producing with the film "Avare Mustafa" in 1961 and directing with "Fatoş'un Fendi Tayfur'u Yendi" in 1964.
However, the real step that would make Ertem Eğilmez a legend was the founding of Arzu Film with Nahit Ataman in 1964. Arzu Film quickly became one of the most important production companies in Turkish cinema. Especially in the 1970s, Eğilmez created a "cinema family" with a loyal cast of actors around him. Names like Münir Özkul, Adile Naşit, Kemal Sunal, Tarık Akan, Halit Akçatepe, Şener Şen, Ayşen Gruda, Zeki Alasya, and Metin Akpınar became the cornerstones of this family.
Eğilmez's directorial genius lay in his ability to skillfully manage large casts and tell warm and sincere stories that resonated with the audience. His films often explored themes of "we," family ties, friendship, and neighborhood culture. He achieved great success with films like "Senede Bir Gün," "Sev Kardeşim," and "Tatlı Dillim." In "Köyden İndim Şehire" and "Salak Milyoner," he combined social satire with comedy. "Mavi Boncuk" depicted the solidarity of a group of friends, while "Bizim Aile" and "Neşeli Günler" portrayed the bittersweet challenges of being a family. With "Canım Kardeşim," he created one of the most poignant dramas in Turkish cinema history.
However, his most important project, which immortalized him, was undoubtedly the "Hababam Sınıfı" series, adapted from the work of Rıfat Ilgaz. The films he directed, "Hababam Sınıfı" (The Mischievous Class), "Hababam Sınıfı Sınıfta Kaldı" (The Mischievous Class Failed), and "Hababam Sınıfı Uyanıyor" (The Mischievous Class Awakens), went down in history not only as a comedy series but also as a critique of society and a parody of the education system. These films have become cult classics, watched repeatedly by audiences of all ages even today.
Although he took a break from cinema for a while in the 1980s, he made a magnificent farewell with his last film, "Arabesk," in 1988. This film, a musical comedy that satirized the arabesque culture and Yeşilçam clichés of the time, achieved great box office success.
Battled with cancer, Ertem Eğilmez passed away in Istanbul on September 21, 1989, at the age of 60. With dozens of unforgettable films, the warm and sincere atmosphere he created, and the countless stars he brought to Turkish cinema, he will always be remembered with respect and affection, not only as a director but also as a people's artist who could read the hearts of his audience.
After graduating from Istanbul University's Faculty of Economics, Eğilmez worked in various trades, including running a grocery store. His entry into the art world began in 1954 with the founding of Çağlayan Publishing House with Refik Erduran. Here, he introduced innovation to the publishing world by printing Türkiye's first popular pocket books. His passion for cinema led him to producing with the film "Avare Mustafa" in 1961 and directing with "Fatoş'un Fendi Tayfur'u Yendi" in 1964.
However, the real step that would make Ertem Eğilmez a legend was the founding of Arzu Film with Nahit Ataman in 1964. Arzu Film quickly became one of the most important production companies in Turkish cinema. Especially in the 1970s, Eğilmez created a "cinema family" with a loyal cast of actors around him. Names like Münir Özkul, Adile Naşit, Kemal Sunal, Tarık Akan, Halit Akçatepe, Şener Şen, Ayşen Gruda, Zeki Alasya, and Metin Akpınar became the cornerstones of this family.
Eğilmez's directorial genius lay in his ability to skillfully manage large casts and tell warm and sincere stories that resonated with the audience. His films often explored themes of "we," family ties, friendship, and neighborhood culture. He achieved great success with films like "Senede Bir Gün," "Sev Kardeşim," and "Tatlı Dillim." In "Köyden İndim Şehire" and "Salak Milyoner," he combined social satire with comedy. "Mavi Boncuk" depicted the solidarity of a group of friends, while "Bizim Aile" and "Neşeli Günler" portrayed the bittersweet challenges of being a family. With "Canım Kardeşim," he created one of the most poignant dramas in Turkish cinema history.
However, his most important project, which immortalized him, was undoubtedly the "Hababam Sınıfı" series, adapted from the work of Rıfat Ilgaz. The films he directed, "Hababam Sınıfı" (The Mischievous Class), "Hababam Sınıfı Sınıfta Kaldı" (The Mischievous Class Failed), and "Hababam Sınıfı Uyanıyor" (The Mischievous Class Awakens), went down in history not only as a comedy series but also as a critique of society and a parody of the education system. These films have become cult classics, watched repeatedly by audiences of all ages even today.
Although he took a break from cinema for a while in the 1980s, he made a magnificent farewell with his last film, "Arabesk," in 1988. This film, a musical comedy that satirized the arabesque culture and Yeşilçam clichés of the time, achieved great box office success.
Battled with cancer, Ertem Eğilmez passed away in Istanbul on September 21, 1989, at the age of 60. With dozens of unforgettable films, the warm and sincere atmosphere he created, and the countless stars he brought to Turkish cinema, he will always be remembered with respect and affection, not only as a director but also as a people's artist who could read the hearts of his audience.
Known For
Filmografia
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| 1971 | Aysecik: Hayat Sevince Güzel · as Co-Producer |
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| 1969 | Bos Çerçeve · as Screenplay |