Arthur C. Miller
Aktor, Reżyseria
8 lipca 1895 — 13 lipca 1970 (75 years)
From Wikipedia
Arthur Charles Miller, A.S.C. (July 8, 1895 - July 13, 1970) was an American cinematographer.
Born in Roslyn, New York, Arthur Miller began his career at the age of 13, working as an assistant to filmmaker Fred J. Balshofer. The two remained lifelong friends and in 1967 co-wrote the book about the early days of film titled One Reel a Week.
In 1909 Miller was working in New York City as an assistant cameraman for the New York Motion Picture Corporation. He eventually joined Pathé Frères, and although still only 19 years old was the cinematographer for the 1914 adventure serial The Perils of Pauline. He had a lengthy tenure at Paramount, from the late teens throughout the 1920s. In 1932 Miller signed a long-term contract with Fox Film Corporation.
Arthur Miller was nominated for the Academy Award for Best Cinematography seven times, winning it in 1942 for How Green Was My Valley, again in 1944 for The Song of Bernadette, and a third time in 1947 for Anna and the King of Siam. He retired in 1951, but remained active in the industry as president of the American Society of Cinematographers.
He died in Los Angeles, California in 1970 and was interred in the Hollywood Memorial Park Cemetery.
Arthur Charles Miller, A.S.C. (July 8, 1895 - July 13, 1970) was an American cinematographer.
Born in Roslyn, New York, Arthur Miller began his career at the age of 13, working as an assistant to filmmaker Fred J. Balshofer. The two remained lifelong friends and in 1967 co-wrote the book about the early days of film titled One Reel a Week.
In 1909 Miller was working in New York City as an assistant cameraman for the New York Motion Picture Corporation. He eventually joined Pathé Frères, and although still only 19 years old was the cinematographer for the 1914 adventure serial The Perils of Pauline. He had a lengthy tenure at Paramount, from the late teens throughout the 1920s. In 1932 Miller signed a long-term contract with Fox Film Corporation.
Arthur Miller was nominated for the Academy Award for Best Cinematography seven times, winning it in 1942 for How Green Was My Valley, again in 1944 for The Song of Bernadette, and a third time in 1947 for Anna and the King of Siam. He retired in 1951, but remained active in the industry as president of the American Society of Cinematographers.
He died in Los Angeles, California in 1970 and was interred in the Hollywood Memorial Park Cemetery.
Filmografia
| 1969 |
| 1994 | Marilyn Monroe: The Mortal Goddess · as Self (archive Footage) |
| 1951 | The Prowler · as Director Of Photography |
| 1950 | The Gunfighter · as Director Of PhotographyNa Plex |
| 1950 | Whirlpool · as Director Of Photography |
| 1949 | A Letter to Three Wives · as Director Of Photography |
| 1948 | The Walls of Jericho · as Director Of Photography |
| 1947 | Gentleman's Agreement · as Director Of Photography |
| 1946 | The Razor's Edge · as Director Of Photography |
| 1946 | Anna and the King of Siam · as Director Of Photography |
| 1946 | Dragonwyck · as Director Of Photography |
| 1945 | A Royal Scandal · as Director Of Photography |
| 1944 | The Keys of the Kingdom · as Director Of Photography |
| 1944 | The Purple Heart · as Director Of Photography |
| 1944 | Lifeboat · as Additional Director Of Photography |
| 1943 | The Song of Bernadette · as Director Of Photography |
| 1943 | The Moon Is Down · as Director Of Photography |
| 1943 | The Ox-Bow Incident · as Director Of Photography |
| 1943 | Immortal Sergeant · as Director Of Photography |
| 1942 | Iceland · as Director Of Photography |
| 1942 | This Above All · as Director Of Photography |
| 1942 | Son of Fury: The Story of Benjamin Blake · as Director Of Photography |
| 1941 | The Men in Her Life · as Director Of Photography |
| 1941 | How Green Was My Valley · as Director Of Photography |
| 1941 | Man Hunt · as Director Of Photography |
| 1941 | Tobacco Road · as Director Of Photography |
| 1940 | The Mark of Zorro · as Director Of Photography |
| 1940 | Brigham Young · as Director Of Photography |
| 1940 | Young People · as Director Of Photography |
| 1940 | Johnny Apollo · as Director Of Photography |
| 1940 | The Blue Bird · as Director Of Photography |
| 1939 | Here I Am a Stranger · as Director Of Photography |
| 1939 | The Rains Came · as Director Of Photography |
| 1939 | Susannah of the Mounties · as Director Of Photography |
| 1939 | Young Mr. Lincoln · as CinematographerNa Plex |
| 1939 | The Little Princess · as Director Of PhotographyNa Plex |
| 1938 | Submarine Patrol · as Director Of Photography |
| 1938 | Just Around the Corner · as Director Of Photography |
| 1938 | Little Miss Broadway · as Director Of Photography |
| 1938 | Rebecca of Sunnybrook Farm · as Director Of Photography |
| 1938 | The Baroness and the Butler · as Cinematographer |
| 1937 | Heidi · as Cinematographer |
| 1937 | Wee Willie Winkie · as Director Of Photography |
| 1936 | Stowaway · as Cinematographer |
| 1936 | Pigskin Parade · as Director Of Photography |
| 1936 | 36 Hours to Kill · as Cinematographer |
| 1936 | White Fang · as Director Of Photography |
| 1936 | Paddy O'Day · as Cinematographer |
| 1935 | Black Sheep · as Cinematographer |
| 1935 | It's a Small World · as Director Of Photography |
| 1935 | The Little Colonel · as Cinematographer |
| 1934 | Bright Eyes · as Cinematographer |
| 1934 | The White Parade · as Director Of Photography |
| 1934 | Handy Andy · as Director Of Photography |
| 1934 | Bottoms Up · as Director Of Photography |
| 1933 | The Mad Game · as Cinematographer |
| 1933 | The Last Trail · as Cinematographer |
| 1933 | Sailor's Luck · as Director Of Photography |
| 1932 | Me and My Gal · as Director Of Photography |
| 1932 | Okay America! · as Director Of Photography |
| 1932 | Young Bride · as Director Of Photography |
| 1932 | A Woman Commands · as Cinematographer |
| 1932 | Panama Flo · as Director Of Photography |
| 1931 | The Big Shot · as Director Of Photography |
| 1931 | Bad Company · as Director Of Photography |
| 1930 | The Truth About Youth · as Director Of Photography |
| 1930 | The Lady of Scandal · as Director Of Photography |
| 1930 | Officer O'Brien · as Cinematographer |
| 1929 | His First Command · as Cinematographer |
| 1929 | Oh, Yeah? · as Cinematographer |
| 1929 | Sailor's Holiday · as Cinematographer |
| 1929 | The Flying Fool · as Cinematographer |
| 1929 | Strange Cargo · as Director Of Photography |
| 1928 | The Spieler · as Cinematographer |
| 1928 | Annapolis · as Director Of Photography |
| 1928 | The Cop · as Cinematographer |
| 1926 | The Clinging Vine · as Director Of Photography |
| 1926 | Eve's Leaves · as Cinematographer |
| 1926 | The Volga Boatman · as Director Of Photography |
| 1926 | Made for Love · as Director Of Photography |
| 1925 | The Coming of Amos · as Cinematographer |
| 1922 | Three Live Ghosts · as Cinematographer |
| 1919 | The Witness for the Defense · as Cinematographer |
| 1918 | The House of Hate · as Cinematographer |
| 1914 | The Perils of Pauline · as Director Of Photography |