R
2025    1 h 43 minHorror, Thriller
5.648%54%6.2
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Blake zabiera rodzinę do odziedziczonego domu w Oregonie. Nocą zostają zaatakowani przez tajemniczą istotę i barykadują się w środku. Gdy Blake zaczyna się zmieniać, Charlotte musi zdecydować, co jest groźniejsze – potwór na zewnątrz czy ten w domu.
Directed by Leigh Whannell
  • Christopher AbbottBlake
  • Julia GarnerCharlotte
  • Matilda FirthGinger
  • Sam JaegerGrady
  • Ben PrendergastGrady Wolf
  • Zac ChandlerYoung Blake
  • Benedict HardieDerek
  • Milo CawthorneMan
  • Leigh WhannellDan (voice) / Reżyseria / Screenplay / Executive Producer
  • Rob MacBrideSFPD (uncredited)
  • Lucy BowdenJournalist (uncredited)
  • James KetteridgeTyler (uncredited)
  • Corbett TuckScreenplay
  • Melanie TurnerExecutive Producer
  • Beatriz SequeiraExecutive Producer
  • Jason BlumProducer
  • Axel PatonAssociate Producer
  • Jon RomanoCo-Producer
  • Jennifer Scudder TrentCo-Producer
  • Macdara KelleherExecutive Producer
  • Scott19 stycznia 2025
    There are 2 wolves in this movie. One is a story about the struggle with our inner beast, and the other is a creature-feature splatterfest. Unfortunately in this case they fought each other to a standstill when I wish either one of them outright won.
  • Doc Worm30 grudnia 2025
    The body horror? Great. Contrived allegory for generational trauma? Not great.
  • jzuther23 lutego 2025
    Terrible
  • Greg Winston6 kwietnia 2025
    Genuinely creepy vibe, scares deliver, cool makeup and effects. Story lacks any substance, and the attempt at a subplot falls off half way through. Typically I don't mind these things in a horror film, but this is a Universal Picture bearing the title Wolfman. I expected more.
  • Robot Monster18 listopada 2025
    While conceptually and stylistically interesting, the film's scary factor is dismantled one hilarious trope after another. This would make an excellent film for riffing.
  • Shaydeknight1 października 2025
    Leigh Whannell’s Wolf Man isn’t the disaster some critics make it out to be, nor is it the reinvention of the werewolf myth that some fans hoped for. It’s a film caught somewhere in between: strikingly beautiful at times, emotionally resonant in flashes, but uneven in depth and pacing. In terms of visual storytelling and perception shifts, the most memorable sequences are the perceptual transitions, such as when a stark, dark cabin shifts into a luminous, almost fae-like vision during a husband-and-wife attempt at communication. These moments are not only striking cinematography but also powerful visual metaphors for emotional distance and attempted intimacy. Unlike many werewolf films that lean on gore or demonic evil, Wolf Man roots its horror in the family dynamic. The father’s love for his family is central, his defense of them against all threats underscores this. It sets the film apart from portrayals that treat werewolves purely as malevolent creatures. The idea that the werewolf is an animal, not a demon, comes through most clearly here. But then, unfortunately and frustratingly, it dissolves. Christopher Abbott and Julia Garner carry the film with grounded performances, managing to sell both the quieter domestic scenes and the moments of terror. Even if the script doesn’t fully flesh them out, the actors lend their characters gravity. With regard to cinematography and atmosphere, Whannell knows how to shoot a horror film. The interplay of shadow and light, the use of tight framing, and the transformation scenes (even if imperfect) have a visceral quality that lingers. And yes, there are issues. The film introduces weighty topics like inheritance, trauma, and family cycles of abuse, but doesn't actually dig into them. They’re more indications of depth than sustained explorations. Further, there are long stretches of domestic drama that dilute the tension a bit and many story beats unfold in a predictable way, undercutting the suspense. And at times, it feels like the film leans too heavily on cool visual techniques (like perception shifts) rather than developing characters or story arcs to the same level. But even with all those problems, Wolf Man isn’t a bad film. It’s flawed but at least it's ambitious. For those who love werewolf stories (like I do), it's wonderful in its attempt to treat the creature as an animal caught between love and instinct, not as an inherently evil entity. The family-centered lens, striking cinematography, and occasional bursts of real emotional resonance give the film value. But its reluctance to fully explore its themes or deliver sustained tension keeps it from being the definitive werewolf film fans still long for. It's a beautifully shot, emotionally uneven take on the werewolf myth. It's worth seeing, especially for fans of the genre, but not quite the masterpiece I wanted it to be.
  • Urhas17 września 2025
    A noteworthy film compared to what is coming out now.. Julia Garner as usual, does not disappoint.
  • Peter Venkman3 sierpnia 2025
    Generic opening transitions into really interesting take on an overly familiar premise sadly the final act reverts back to the overly familiar good cast Julie garner is great interesting lots of potential somewhat fulfilled
  • Andrea Z.21 marca 2025
    Meh, nothing special. I wished for a different ending, the rest of the family could choose to be turned and live together in the forest... that is a good twist! Instead, the most predictable boring ending ever.
  • fraggle6720 kwietnia 2025
    A decent 3rd act, the problem is acts 1 and 2.
  • Quan18 maja 2025
    It was okay… nothing amazing but not terrible like some of the reviews say. Just don’t think of it as wolf man and think of it as its own thing when going in.
  • Örn Lúðvíksson31 marca 2025
    It's an ok sunday night watch. I liked it.
  • Philip Collins9 marca 2025
    It was ok and worth watching once, nice plot twist towards the end.
  • Kevin Ward1 lipca 2025
    It Comes at Night except it actually comes at night.
  • mckayli225 czerwca 2025
    it was extremely rushed at the end and it took to long to get to the plot

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