Zza grobu
Directed by David Cronenberg
W niesamowitej, zwodniczo spokojnej niedalekiej przyszłości technoprzedsiębiorca imieniem Karsh (Vincent Cassel) opracował nowe oprogramowanie, które pozwoli osobom pogrążonym w żałobie być świadkiem stopniowego rozkładu bliskich zmarłych i pochowanych w ziemi. Podczas gdy Karsh wciąż nie może się otrząsnąć po stracie żony (Diane Kruger) spowodowanej chorobą nowotworową i wdał się w osobliwy związek seksualny z siostrą swojej żony (również Kruger), fala zdewastowanych grobów, w których wykorzystano jego technologię, zaczyna sprawiać, że jego przedsiębiorstwo ma problem, co prowadzi go do odkrycia potencjalnie rozległego spisku.
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Zza grobu Ratings & Reviews
- Scott Thomas22 marca 2026I hate to say it because I grew up watching Cronenberg, but I'm consistently disapointed by his recent work, and loving everything his son does.
- thehave14 lutego 2026Disappointing load of garbage from a director that should know better, the best thing in the movie are the design of the shrouds as look but that is it.
- cultfilmliker21 stycznia 2026Oh so the guy is just a morbid sex addict - that’s simple enough Wild and messy but I did enjoy the ending! You think Cronenberg gave Vincent Cassel The Room as homework for his character orrr? The way he acts, speaks (including some dialogue lmao), and the unreasonably beautiful women he’s having sex with are all too reminiscent! Watching a whole scene on someone’s phone while they’re holding it was hilarious to me Currently Ranked #104/200 in 2025 Ranked
- jackmeat28 czerwca 2025My quick rating - 5.9/10. David Cronenberg’s The Shrouds is one of those films where simply knowing who’s behind the camera sets your expectations, and probably filters who should even watch it. If Cronenberg’s brand of clinical body horror, icy emotional undercurrents, and existential musings isn’t your thing, there’s little chance this one will win you over. But if you’re drawn to his work, this is a fascinating, if uneven, late-career piece that seems to wrestle with mortality as much as the director himself does. The film follows Karsh (Vincent Cassel), a wealthy businessman inconsolable after the death of his wife. In his grief, he’s developed a controversial technology that allows the living to watch their deceased loved ones decomposing in their graves, an unsettling concept that Cronenberg treats with a kind of intellectual curiosity more than outright horror. When Karsh’s wife’s grave, along with many others, is desecrated one night, he becomes obsessed with finding out who is behind it. It’s not hard to see how personal this project is for Cronenberg, who reportedly drew on the loss of his own wife. That somber, introspective energy permeates the film. Unfortunately, so does a bit of clutter. The Shrouds feels loaded with stray thematic threads: critiques of privacy-invading tech, A.I. dependence, capitalism, modern surveillance states, plus jabs at the Chinese, the Russians, and the lifestyles of the rich. There’s a subplot involving Karsh’s personal AI assistant that’s undercooked—just one of several ideas that might’ve been more compelling with deeper exploration. Still, even with its meandering approach, there’s something engrossing about the movie’s cool, calculated tone. Cronenberg paints a world of self-driving cars and phone screens that feels depressingly plausible, yet almost drained of life. Underneath it all is the point, of course: our technology, our shiny devices, still serve our very human, often shameful desires. Whether that’s to feel close to the dead, to voyeuristically intrude on private spaces, or simply to dull our grief. The acting keeps this from tipping over into pure tedium. Vincent Cassel gives Karsh a hollow-eyed vulnerability that makes his obsession with his wife’s grave both sad and disturbingly believable. Diane Kruger is equally up to the task. The supporting cast similarly grounds what could’ve become a detached philosophical essay. This is ultimately one of those movies that might miss as pure entertainment, but a Cronenberg “miss” still lands higher than most directors’ average. The slow burn won’t work for everyone—there were certainly stretches that flirted with boredom—but the emotions at the core are authentic, the sci-fi concepts hauntingly real, and the personal undercurrents hard to shake. If this does turn out to be Cronenberg’s final film, it’s a fittingly morbid yet thoughtful meditation on death, technology, and the strange ways we try (and fail) to keep loss at bay.
- 0 111 grudnia 2025The film "The Shrouds" suggests that technology cannot alleviate loss, nor can death be neatly contained. It challenges viewers to confront the implications of technology providing a "window" into the deceased: does such a connection facilitate healing, or does it twist grief into a more complex and troubling phenomenon? The technology is mixed with cultural burial rituals. And a AI avatar of the deceased is created. I like David Cronenberg and several actors in the film, but The script wasn't well written. There are holes in the story, it was disappointing. The British Tv series "Black Mirror" explores these themes in multiple episodes but with a much more coherent script. If it wasn't for the actors, I would give this zero stars.
- Corey B.20 stycznia 2026David. We need to talk. I love you man, I've seen every one of your movies. It pains me to rate this so low, but please don't do this anymore. Don't do what Terry Gilliam did. Know when to stop. Just hang your hat, call it a legendary genre defining career... and please don't make any more of whatever mess this was.
- ebd3211 stycznia 2026There are some interesting ideas here that probably could have been reassembled by someone competent into a decent black mirror episode. Instead we get two hours of some of the worst dialogue and performances I can recall, on a quest to nowhere.
- ricomckee21 czerwca 2025Dull and boring. This is a high concept film with major ideas and a statement. However, it needs to be watchable and not have the audience be bored to tears in order to receive any message. The film also doesn’t seem to find the footing it is looking for during its course. There is a lot of gratuitous nudity and sex but I could never figure out to what end. Especially a movie dealing with obsession of death. These scenes just seemed out of place and thrown in as “art” when it did nothing to enhance…well anything. The worst sin however is it is boring and dull. I had to rewatch parts several times and found Facebook ads more engaging. Be edgy, have nudity, have a statement… but don’t be boring.
- assassin00718 czerwca 2025What a strange film. I'm assuming this is the type of film the movie critics like to delve into and make great reviews or use large words to make this type of film into what they want it to be. I was left confused at the end of this film that's for certain, the quality of the production was there I just didn't grasp what was going on.
- inta9413 stycznia 2026Utterly pointless and nonsensical. its as if the movie thought it had something interesting to say, but forgot what it was... Kept waiting for it to surprise me with something but it never did. A complete waste of time.
- mun44712 listopada 2025Didn’t understand the ending, and was just plain weird.
- Cineit.blog14 października 2025David Cronenberg is back with a film that is stylish, cold, and ultimately hollow. The premise is fascinating, a technology that lets you watch your dead loved ones decompose in real-time, but the story gets bogged down in a convoluted and boring plot involving corporate espionage that goes nowhere. Vincent Cassel is just okay, and while the movie looks sleek and beautiful, it's an expensive, emotionless experience. It promises a deep, unsettling mystery but fails to deliver anything more than a stylish but empty shell. A major disappointment.
- russrev1ews12 września 2025If Richard Linklater had a baby with David Lynch, and they both started dabbling more in body horror. Ope. That’s just David Cronenberg. 🤷♂️
- rampage9818 czerwca 2025Niche concept for death obsessed partners. When your spouse refused to let you go and steals two hourse from the viewer. Creepy mortician..
- Timeless Cinema2 listopada 2025The dark take on grief & mystery is an interesting one. Unfortunately, the simple facts of the story are presented in a convoluted manner. As you hop back & forth between red herrings & facts. Followed by a deeply insufficient conclusion.
Zza grobu Trivia
Zza grobu was released on 3 kwietnia 2025.
Zza grobu was directed by David Cronenberg.
Zza grobu has a runtime of 2 h.
Zza grobu was produced by Martin Katz, Michel Merkt, Saïd Ben Saïd, Anthony Vaccarello.
W niesamowitej, zwodniczo spokojnej niedalekiej przyszłości technoprzedsiębiorca imieniem Karsh (Vincent Cassel) opracował nowe oprogramowanie, które pozwoli osobom pogrążonym w żałobie być świadkiem stopniowego rozkładu bliskich zmarłych i pochowanych w ziemi. Podczas gdy Karsh wciąż nie może się otrząsnąć po stracie żony (Diane Kruger) spowodowanej chorobą nowotworową i wdał się w osobliwy związek seksualny z siostrą swojej żony (również Kruger), fala zdewastowanych grobów, w których wykorzystano jego technologię, zaczyna sprawiać, że jego przedsiębiorstwo ma problem, co prowadzi go do odkrycia potencjalnie rozległego spisku.
The key characters in Zza grobu are Karsh Relikh (Vincent Cassel), Becca Relikh / Terry Gelernt / Hunny (Diane Kruger), Maury Entrekin (Guy Pearce).
Zza grobu is rated R.
Zza grobu is a Thriller, Sci-Fi, Dramat film.
Zza grobu has an audience rating of 5.2 out of 10.
Zza grobu has made 1,5 mln USD at the box office.