16
2014    1 h 43 minDramat, Kryminał
6.467%52%6.3
Watch on Apple TV
On Apple TV
Kup $7.99Reklama
W wyniku ekonomicznej zapaści Australia zmieniła się w cywilizacyjną pustynię, na której od 10 lat toczy się bezwzględna walka o przetrwanie. Na drogach grasują uzbrojone bandy, zaś osiedla zamieniły się w prowizoryczne twierdze. Małomówny, lecz zaprawiony w walce Eric rusza tropem trójki bandytów, którzy skradli jego samochód. Bierze ze sobą zakładnika – Reya, który jest bratem jednego ze złodziei. Liczy, że wymieni chłopaka na – mający dla niego ogromną wartość – skradziony pojazd.
Directed by David Michôd
  • Guy PearceEric
  • Robert PattinsonRey
  • Scoot McNairyHenry
  • David FieldArchie
  • Susan PriorDorothy Peeples
  • Anthony HayesSgt. Rickofferson
  • Tawanda ManyimoCaleb
  • Nash EdgertonTown Soldier
  • Gillian JonesGrandma
  • Richard GreenStorekeeper
  • Chan KienKaraoke
  • Tek Kong LimKaraoke
  • Samuel F. LeeAcrobat
  • Mark DuncanSoldier
  • Jack MayoFuel Seller
  • David MichôdReżyseria / Producer / Story
  • David LindeProducer
  • Adam RymerExecutive Producer
  • Liz WattsProducer
  • Glen BasnerExecutive Producer
  • Mr.Mig8 marca 2026
    noise movie.....even has a scene with a real midget in it, a short scene, but it made an impact
  • Garrett Wilkins4 lipca 2026
    The Rover is a bleak piece of science fiction that focuses more on the remnants of a society than on the catastrophe that led to its demise. David Michôd explores the edge of the world, and there are few distractions from the existential emptiness of the central characters. Guy Pearce is magnetic in a role that requires little dramatic range, and Robert Pattinson continues his post–Twilight renaissance in one of the most emotionally challenging parts of his career. The two actors have great chemistry, and their uneasy rapport anchors the film’s austere narrative. It is not that The Rover lacked appeal for me, but it could not deliver on its promising premise due to its glacial pace and emotionally detached storytelling. I was constantly underwhelmed by the film’s insistence on being a character-driven drama rather than an action movie. Nevertheless, David Michôd deserves kudos for his commitment to the idea of the film being a taut psychological study set in a post-apocalyptic wasteland. It is easy to get caught up in the movie’s stark beauty and admire the emotional restraint of the leading actors. I did not find any scene too slow or pointless, and every frame serves the narrative’s minimalist design. In retrospect, I can point to countless moments in The Rover that almost worked. Overall, the film is a confident, well-crafted exercise in survival horror that knows what it wants to be.

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