- Atomic7020 czerwca 2026A gorgeous failure: proof that animation can be visually miraculous and dramatically empty at the same time. Scarlet is the kind of animated film that occasionally makes you stop and think: “Wow, this looks incredible.” And then, almost immediately, it reminds you that a beautiful image is not the same thing as a good movie. There are moments where the visual direction is genuinely breathtaking. When the film trusts its animation, its atmosphere, and its sense of scale, it can be absolutely stunning. Some sequences have a dreamlike quality that proves how powerful animation can be when artists are given room to create something extraordinary. Unfortunately, those moments are painfully rare. The rest of Scarlet feels like watching a collection of ambitious ideas that never bothered to introduce themselves properly. The screenplay is an absolute mess — a story that seems convinced it is profound simply because it is complicated. Themes are thrown around with all the subtlety of a hammer: revenge, violence, trauma, forgiveness, morality. The film wants to say something deep about humanity, but it never builds the emotional foundation required to make those ideas land. The characters are the biggest casualty. They do not feel like people; they feel like vehicles for the movie’s arguments. Relationships appear because the plot needs them, not because the characters actually connect. The emotional bonds that should carry the entire film feel artificial, almost like the script is ordering us to care instead of earning that reaction. And then there is Scarlet herself, a protagonist who is extremely difficult to root for. She spends the film surrounded by messages about rejecting violence and overcoming hatred, yet her own behavior repeatedly undermines those ideas. The movie spends so much time telling us she has grown, learned, and changed — but the actual character development often feels like a shortcut rather than a transformation. She comes across less as a tragic hero and more like a spoiled child with a sword and a very dramatic soundtrack. Speaking of the soundtrack: it is dreadful. The music constantly tries to force emotional responses that the story has not earned. Instead of enhancing the scenes, it often feels like the film is begging the audience: “Please feel something here.” The result is not moving — it is exhausting. The biggest problem is that Scarlet confuses visual ambition with narrative substance. It has the ingredients of a great animated film: striking imagery, big themes, fantasy elements, emotional stakes. But having ingredients does not mean you cooked a good meal. Sometimes it feels like watching a masterpiece trapped inside a completely broken machine. A few scenes are genuinely beautiful. A few images are unforgettable. The rest is an overproduced, incoherent animated spectacle that mistakes noise for meaning.
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Scarlet was released on 21 listopada 2025.
Scarlet was directed by Mamoru Hosoda.
Scarlet has a runtime of 1 h 50 min.
Scarlet was produced by Yuichiro Saito, Toshimi Tanio, Nozomu Takahashi.
Scarlet, średniowieczna księżniczka władająca mieczem, po bratobójczej śmierci ojca, umiera i budzi się w rozległym czyśćcu. W tych dziwnych zaświatach, zamieszkanych przez zmarłych z różnych epok, chce zemścić się za śmierć ojca. Na jej drodze staje pełen ideałów młody mężczyzna z naszych czasów, który nie tylko pomaga jej wyleczyć rany, ale także pokazuje jej wizję przyszłości wolnej od goryczy i gniewu. Kiedy Scarlet ponownie staje twarzą w twarz z zabójcą ojca, musi stoczyć najtrudniejszą walkę – z samą sobą. Czy uda jej się przerwać cykl nienawiści i znaleźć sens życia poza zemstą?
The key characters in Scarlet are Scarlet (voice) (Mana Ashida), Hijiri (voice) (Masaki Okada), Cornelius (voice) (Yutaka Matsushige).
Scarlet is rated 12.
Scarlet is an Animacja, Action, Adventure film.
Scarlet has an audience rating of 8 out of 10.
Scarlet has made 1,7 mln USD at the box office.