R
1997    1 h 43 minAction, Kryminał
6.563%80%6.5
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Słynny bandyta Dobermann stoi na czele grupy przestępców napadających na banki. Policja nie jest w stanie go powstrzymać. W końcu do akcji wkracza inspektor Christini. Pod jego dowództwem stróże prawa przygotowują pułapkę na gangsterów. Wkrótce rozpoczyna się walka na śmierć i życie. Szybko okazuje się, że Dobermann nie może liczyć na swoich towarzyszy, ani na kochankę.
Directed by Jan Kounen
  • Georgette CrochonYann Le Pentrec aka Dobermann
  • Tchéky KaryoInspecteur Sauveur Cristini
  • Monica BellucciNathalie
  • Antoine BaslerJean-Claude Ayache, dit "Moustique"
  • Affif Ben BadraLe mac
  • Romain DurisManu
  • Marc DuretInspecteur Baumann
  • Pascal DemolonInspecteur Lefèvre
  • Dominique BettenfeldElie Frossard dit l'Abbé
  • François LevantalLeo
  • Ivan Merat-BarboffInspecteur David Silverberg
  • Stéphane MetzgerOlivier Brachet dit Sonia
  • Chick OrtegaJacky Sueur dit Pitbull
  • Patrick RoccaCommissaire Clodarec
  • Florence ThomassinFlorence
  • Gaspar NoéLe marchand de merguez casher
  • Jan KounenMan at bank / Reżyseria
  • Roland AmstutzOncle Joe
  • Arnaud ArbessierOncle Joe, vieux
  • Laura MañáVictoria
  • Burnharm22 g. temu
    Rewatching Dobermann as an adult doesn’t so much expose flaws as it changes the way its excess lands. The characters are clearly designed as caricatures, and that works within the film’s anarchic logic, the cops are deliberately villainized, the criminals are stylized anti-heroes, and everything is pushed toward comic-book extremity. In that sense, it still succeeds as a fun, aggressive piece of genre filmmaking. However, what felt like pure rebellious energy on an earlier viewing now feels less coherent in impact. The film’s chaos is constant rather than shaped, which makes it harder to revisit with the same excitement once the initial shock value is gone. Compared to something like Airbag, which maintains a sharper sense of structure and comedic rhythm even on rewatch, Dobermann feels more dependent on raw intensity than sustained construction. It’s not worse than remembered in a technical sense, it’s just less rewatchable than the memory of it suggests.

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