

Where to Watch Człowiek Ciemności
- Sam Raimi basically created a poor man’s Batman, except instead of a billionaire with a cave full of gadgets, we get a horribly disfigured scientist with anger issues and the ability to manufacture disguises. Liam Neeson must have had an absolute field day playing Peyton. He gets to be romantic, tragic, frightening, sympathetic and completely unhinged, sometimes within the same scene. Frances McDormand is equally good and gives the craziness some emotional grounding. Larry Drake is also terrific as Durant, playing the villain with just the right amount of menace. What I really liked is that Raimi takes the superhero origin seriously. There aren’t a bunch of stupid jokes or unnecessary side stories constantly interrupting the tragedy. Peyton loses his face, his life and increasingly his humanity, and the movie actually lets that matter. The story itself is pretty straightforward, basically revenge with disguises, but the character makes it more interesting. Darkman doesn’t have Batman’s money or gadgets. His superpower is essentially science, fake faces and being extremely pissed off. The music occasionally threw me, though. At times it sounded like something from a Disney YA adventure or Indiana Jones, which felt strangely upbeat compared with what was happening onscreen. It’s easy to imagine this having been the beginning of a larger theatrical franchise. The character certainly had enough potential for it. Pulpy and occasionally ridiculous, but unlike a lot of comic-book movies from this period, it takes the character seriously even when the filmmaking gets wild. Straightforward, stylish, well acted and memorable.
- What? This is the weirdest, most unexpected movie I've watched in a long time. I enjoyed it. I want to talk to someone about it. I love how Smiley holds shoots his machine gun like a lunatic. And Turner's weird thing with decapitated fingers and that his weapon of choice is a grenade launcher that he sometimes fires out of helicopters. I laughed when Peyton mumbled "clever" to himself after figuring out that he could mirror the right side of his face. This is the dumbest genius scientist ever. The "science tech" is awesome. But what a waste. My experience was like watching an even more depraved Robocop movie. This movie is going for a certain vibe and it succeeded hard.
- I first saw Darkman on a VHS rental, one of those tapes you pick up without knowing exactly what you’re getting into and then realize halfway through that you’ve stumbled onto something wild. Sam Raimi mixes superhero pulp, horror, and his trademark chaotic energy into a film that feels like it’s constantly teetering between tragedy and comicbook madness. Liam Neeson goes all in as Peyton Westlake, a scientist turned disfigured vigilante who can mimic anyone’s face for 99 minutes at a time. It’s a ridiculous premise, but the movie treats it with just enough sincerity to make it work. W hile Raimi fills the rest with exaggerated villains, twisted humor and those unmistakable kinetic camera moves. It’s rough around the edges, loud and sometimes completely unhinged, exactly the kind of movie that sticks with you because you didn’t expect it to hit as hard as it does. Darkman feels like a VHS discovery in the best way: strange, bold and impossible to forget once you’ve seen it.
- the perfect film. unpredictable, shocking, subversive. great score. great acting. amazing shots. impressive use of cgi and greenscreen for its budget, era and genre. amazing practical effects and props. doesnt take itself too seriously, which makes the parts one would normally find hamfisted or corny into something more fun and interesting. again, it is the perfect film.
- An avant garde grind house oxymoron of a superhero flick, a studio film with a b movie vibe, captures the essence of desire and twists the traditional power fantasy to a bloody pulp. Raimi aptly decided to forgo the two previous entries into the genre and relied much more heavily on the superheros pulp tradition, creating a flawed yet endearing and timeless piece of enlightened trash.
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Człowiek Ciemności was released on 24 sierpnia 1990.
Człowiek Ciemności was directed by Sam Raimi.
Człowiek Ciemności has a runtime of 1 h 35 min.
Człowiek Ciemności was produced by Robert Tapert.
Dr Peyton Westlake (Liam Neeson) jest naukowcem pracującym nad syntetyczną skórą. Po wielu latach badań zaczyna osiągać pierwsze sukcesy, jednak wtedy jego laboratorium zostaje zniszczone przez brutalny gang. Pozostawionemu na niechybną śmierć Peytonowi udaje się uciec, ale za swe ocalenie zmuszony jest zapłacić ogromną cenę. W ciężkim stanie trafia do szpitala. Lekarze ratują mu życie, ale nie są w stanie przywrócić dawnego wyglądu. Westlake ucieka ze szpitala i postanawia odbudować laboratorium.
The key characters in Człowiek Ciemności are Peyton Westlake / Darkman (Liam Neeson), Julie Hastings (Frances McDormand), Louis Strack Jr. (Colin Friels).
Człowiek Ciemności is rated 16.
Człowiek Ciemności is an Action, Sci-Fi, Thriller film.
Człowiek Ciemności has an audience rating of 6 out of 10.
Człowiek Ciemności had a budget of 14 mln USD.
Człowiek Ciemności has made 48,9 mln USD at the box office.





















