18
2022    2 h 47 minDramat, Historyczny
5.442%36%5.9
Oparty na bestsellerowej powieści Joyce Carol Oates film "Blondynka" przedstawia odważną nową wizję życia jednej z największych ikon Hollywood — Marilyn Monroe. Od niestabilnego dzieciństwa Normy Jeane przez jej drogę do sławy i skomplikowane romanse "Blondynka" zaciera granice faktów i fikcji, aby pokazać pogłębiający się rozłam między publiczną i prywatną tożsamością gwiazdy.
Directed by Andrew Dominik
  • Ana de ArmasNorma Jeane / Marilyn Monroe
  • Adrien BrodyThe Playwright
  • Bobby CannavaleThe Ex-Athlete
  • Sara PaxtonMiss Flynn
  • Lucy DeVitoEx-Athlete's Niece
  • Julianne NicholsonGladys
  • Scoot McNairyTommy Ewell / Richard Sherman
  • Xavier SamuelCass Chaplin
  • Caspar PhillipsonThe President
  • Evan WilliamsEddy G. Robinson Jr.
  • Rebecca WisockyYvet
  • Toby HussWhitey
  • Catherine DentJean
  • Haley WebbBrooke (Flight Attendant)
  • Dan ButlerI.E. Shinn
  • Tygh RunyanNorma Jeane's Father
  • David WarshofskyMr. Z
  • Michael MasiniTony Curtis / Josephine
  • Chris LemmonJack Lemmon / Daphne
  • Ned BellamyDoc Fell
  • jacxcx14 października 2025
    If you don’t know Norman’s story well, step by step through her career, it’s a bit confusing and you miss many parts of the story, quotes, and important elements. But it’s simply a beautiful film, with wonderful direction and screenplay, and it’s one of those cases where no one but Ana de Armas could have played one of the greatest and most immortal icons in history, Norman Jeane.
  • Carlos Ibarra24 lipca 2025
    Blonde is an absolutely haunting film, and while I'm not sure how accurate its portrayal of Marilyn Monroe is, it will undoubtedly rip your guts out and stay with you long after the credits roll. Ana de Armas is heartbreaking in her portrayal, delivering a performance that is both beautiful and devastating.
  • Kevin Ward3 lipca 2025
    Having finally seen this, I get how it earned a nomination for Ana de Armas even if I still don’t think I would’ve put her forward as an nominee. Even a full 45 minutes into the film, I still didn’t care for her casting. Her accent never totally disappears. But as the film wears on and you experience this ugly and visceral examination of fame, celebrity, objectification, exploitation—and given that more often than not de Armas appears topless at some point in her films—her casting felt more and more like a means to extend the examination beyond the frame lines of the film. There are even a couple moments where her full accent comes through—seemingly intentionally. It sort of re-contextualized her casting for me and actually began to re-contextual the film as a whole. It’s beautifully shot, at times gorgeous to look at, yet also, incredibly uncomfortable, unsettling and grotesque. 
I understand the hatred of this. It’s a nightmarish and unnerving fever dream of a film that has very little to do with Norma Jeane herself. I don’t know that we should even characterize this as a biopic. It’s an immensely challenging watch, but I think to write it off as pure exploitation is little too reductive.  I can’t say that I would ever want to watch this again, but I found it to be a thought-provoking watch. 

Watch Blondynka Videos

  • Blonde
    BlondeZwiastun
  • Blonde (Teaser Trailer)
    Blonde (Teaser Trailer)Zwiastun

Blondynka Trivia