Clark natrafia w podziemiach swojego sklepu na przejście do niepokojącej, na pierwszy rzut oka pustej plątaniny niekończących się korytarzy. Kiedy opowiada o tym swojej terapeutce, kobieta uznaje, że mogą to być omamy zapowiadające pogorszenie jego stanu psychicznego. Sytuacja zmienia się, gdy Clark przestaje przychodzić na wizyty — zaniepokojona terapeutka postanawia odkryć, co się z nim stało. W trakcie poszukiwań trafia do rzeczywistości, gdzie czas traci sens, przestrzeń ulega dziwnym przemianom, a poza granicą widzialności kryje się coś nienaturalnego.
Where to Watch Backrooms. Bez wyjścia
- Hipster ZOMBIE1 czerwca 2026What began as an anonymous creepypasta on 4chan has now evolved into a full blown feature film with A24’s unsettling adaptation of The Backrooms. Directed by series creator Kane Parsons, the film expands his viral web mythology into a suffocating psychological horror experience that feels less like a traditional movie and more like a waking fever dream you can’t escape. For the uninitiated, The Backrooms is essentially that recurring nightmare where the hallway keeps stretching farther away no matter how fast you walk, blended with the sterile emptiness of abandoned office spaces humming under fluorescent lights. Random junk litters endless yellow corridors, reality folds in on itself, and there’s seemingly no exit. Chiwetel Ejiofor delivers a quietly devastating performance as Clark, a man already trapped in the soul-crushing monotony of his own life before stumbling through a multidimensional doorway into the ominous labyrinth known as the Backrooms. Saying much more would spoil the film’s carefully layered mysteries. Renate Reinsve is equally compelling as Mary, Clark’s therapist, whose own fractured emotional state may be more connected to the Backrooms than the film initially lets on. Rather than relying on cheap jump scares, Parsons leans heavily into atmosphere, existential dread, and the terror of isolation. The result is hypnotic, unnerving, and deeply ambiguous. Its open-ended finale is certain to spark endless debate, especially among longtime fans of the mythos. Some horror audiences may find its slow-burn psychological approach frustrating, particularly those expecting a more conventional scare fest. But for viewers willing to surrender to its strange rhythms and oppressive mood, The Backrooms is one of the most haunting and uniquely unsettling horror films A24 has released in a while.
- Rayan Keddache20 g. temuTLDR: Trash I love the backrooms story from the beginning with the first image and all its stage and the linimal spaces. Entity, no entity, simply wide and infinite space. This was not it. This was some hollywood remixed version of the backrooms, and not even a good one. movie is trash
- Andrea Strangio1 dzień temuI never cared about the original creepypasta or the games, so I went in pretty fresh, curious because of all the positive things I'd heard about the movie. I understand the good things I heard about it after my watch — for a debut feature from such a young director, it's pretty good and promising for his career, but it was also a little overhyped. It gets a bit too slow and should have ended 30 minutes earlier, the creatures aren't so scary, still the Backrooms set did manage to give a sense of uneasiness and made the watch worthwhile.
- DTSaito1 dzień temuBackrooms is a brilliantly unsettling piece of modern internet horror that feels like it crawled straight out of my fever dream. What begins as a simple “no-clipping” glitch out of reality quickly spirals into an endless, fluorescent-lit nightmare of yellow wallpaper, buzzing lights, and moist carpet—an infinitely looping maze of liminal office hell. This concept masterfully channels the existential dread of The Twilight Zone, where ordinary reality suddenly fractures into something profoundly wrong. Like Rod Serling’s best episodes, it thrives on that creeping sense of cosmic indifference and bureaucratic absurdity. It also carries the unmistakable DNA of David Lynch: the oppressive atmosphere, droning ambient hum, and dream-logic architecture evoke Eraserhead or Twin Peaks’ Red Room. Backrooms is pure Lynchian surrealism filtered through found-footage and analog horror—disorienting, hypnotic, and quietly terrifying. And then there’s the M.C. Escher element: the impossible geometry, looping corridors that defy logic, and spaces that seem to fold in on themselves. Wandering its levels feels like being trapped inside one of Escher’s lithographs, where stairs lead nowhere and perspective collapses. Short, viral, and psychologically sticky, Backrooms proves that the scariest places aren’t filled with monsters (though Level ! and others certainly deliver)—they’re the ones that feel just familiar enough to break your mind. Highly recommended for anyone who enjoys horror that lingers in the back of your skull. I really liked it, original and creepy..
- Darren Webster2 dni temuI have like no idea what the hell I just watched and I love that! I readf someone else said this is some viral web stuff that started way back on 4chan. I believe it. It's not like scary AF or anything. But there's this ever present, suffocating, existential dread in the back of your mind the whole time. Some of this is absolutle nightmare fuel. Especially for anyone that has spent any amount of time in old office buildings. You'll understand. I'll have to watch this one again because I honestly still don't know what the fuck was going on and now the sleuth in me must find out!
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Backrooms. Bez wyjścia was released on 27 maja 2026.
Backrooms. Bez wyjścia was directed by Kane Parsons.
Backrooms. Bez wyjścia has a runtime of 1 h 50 min.
Backrooms. Bez wyjścia was produced by Shawn Levy, Dan Cohen, Dan Levine, James Wan, Michael Clear, Roberto Patino, Kori Adelson, Chris Ferguson, Osgood Perkins, Jenno Topping, Peter Chernin.
Clark natrafia w podziemiach swojego sklepu na przejście do niepokojącej, na pierwszy rzut oka pustej plątaniny niekończących się korytarzy. Kiedy opowiada o tym swojej terapeutce, kobieta uznaje, że mogą to być omamy zapowiadające pogorszenie jego stanu psychicznego. Sytuacja zmienia się, gdy Clark przestaje przychodzić na wizyty — zaniepokojona terapeutka postanawia odkryć, co się z nim stało. W trakcie poszukiwań trafia do rzeczywistości, gdzie czas traci sens, przestrzeń ulega dziwnym przemianom, a poza granicą widzialności kryje się coś nienaturalnego.
The key characters in Backrooms. Bez wyjścia are Clark (Chiwetel Ejiofor), Mary (Renate Reinsve), Phil (Mark Duplass).
Backrooms. Bez wyjścia is rated R.
Backrooms. Bez wyjścia is a Horror, Sci-Fi, Tajemnica film.
Backrooms. Bez wyjścia has an audience rating of 7.4 out of 10.
Backrooms. Bez wyjścia had a budget of 10 mln USD.
Backrooms. Bez wyjścia has made 348 mln USD at the box office.