PG-13
2008    1 h 41 minSci-Fi, Action
5.57%26%5.7
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Światem rządzą organizacje przestępcze i fanatyczne sekty religijne. Cywilizacji grozi zagłada. Toorop jest najemnym żołnierzem. Mafia działająca na terenie Europy Wschodniej powierza mu delikatną misję. Zleceniodawca Gorsky chce, aby Toorop w ciągu sześciu dni przewiózł z azjatyckiej części Rosji do Nowego Jorku dziewczynę o imieniu Aurora. Ma ją przekazać pewnemu zakonowi. Kwota wynagrodzenia przekonuje Tooropa do podjęcia się zadania. Najemnik nie wie, że Aurora jest obdarzona niezwykłymi zdolnościami.
Directed by Mathieu Kassovitz
  • Vin DieselToorop
  • Mélanie ThierryAurora
  • Lambert WilsonDr. Arthur Darquandier
  • Charlotte RamplingCEO of Noelite Church
  • Michelle YeohSister Rebeka
  • Gérard DepardieuGorsky
  • Mark StrongFinn
  • Jérôme Le BannerKilla
  • David BelleHacker Kid
  • Joel KirbyDr. Newton
  • Radek BrunaKarl
  • Jan UngerFight Promoter
  • Abraham BelagaAssistant to High Priestess
  • David GasmanNeolite Researcher
  • Gary CowanNeolite Executive
  • Lemmy ConstantineNeolite Marketing Executive
  • Pete ThiasNeolite MIB
  • Curtis MatthewSubmarine Captain
  • SoloJamal
  • Alex Vladimír PieterS.W.A.T. Soldier
  • Callum28 grudnia 2025
    ⭐⭐⭐½ – Babylon A.D. – Grit, gunfire, and a plot that eats itself. It’s been a while since I last watched this — maybe eighteen months — but the opening still sticks. Brutal, grounded, and confidently bleak. For a moment, it feels like it knows exactly what it wants to be: a hard-edged, near-future slog through a world that’s already lost its soul. Then the story keeps going. What starts as grimy sci-fi slowly drifts into outright absurdity, piling ideas on ideas until the tone collapses under its own weight. You can almost feel the film fighting itself — part street-level dystopia, part grand metaphysical nonsense — and never quite deciding which one deserves to win. The result is messy, uneven, and undeniably compromised. I’ve heard it called a poor man’s Children of Men. I can’t really judge that comparison firsthand, so I’ll take it with a grain of salt, but I can see where the sentiment comes from. Babylon A.D. wants to say something about faith, control, and the future of humanity — it just doesn’t have the discipline to land those ideas cleanly. And yet… I still kind of like it. Maybe it’s the atmosphere. Maybe it’s Vin Diesel dialling things down into a weary, functional performance. Or maybe it’s Mark Strong, who reliably elevates anything he’s in just by showing up and taking the material seriously. Whatever the reason, this film earned a few bonus points in my head despite its flaws. It’s not good-good. But it’s interesting-bad in a way that sticks longer than it probably should. 🥃 A cheap whisky in a scratched glass — rough, warming, and better than you expect once you’ve committed to it.
  • Elli5 stycznia 2025
    Story was kind of confusing and didn't really feel like it knew where to go. I usually really like Diesel movies but this one wasn't one of them.
  • Vandyt27 grudnia 2025
    An absolutely brutal opening, undermined by a story that, as it goes on, becomes completely absurd
  • Daniel Gustavsson5 stycznia 2025
    The movie feels very low budget throughout, and that really works against it. The story is nonsensical too and seems to have been through many revisions. A bad movie. Avoid.

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